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35,882 stories from The Stage

This week's best theatre shows: our critics' picks (November 7) by The Stage

Natasha Tripney Network " National Theatre, London Bryan Cranston switches Walter White's meth-cooking gear for 1970s duds as he takes on the

SOURCE: The Stage Registration at 2:00am on November 7, 2017☆⚑

Catherine Kodicek: Stop treating costume professionals as second-class workers by Catherine Kodicek

After years of hearing stories about the unfair treatment of her colleagues, Catherine Kodicek set up a trade association for costume workers.

SOURCE: The Stage Registration at 2:00am on November 7, 2017☆⚑

Paul Clayton: With winter coming, drama graduates need to hustle by Paul Clayton

One of the luckiest things that has happened to me in my career was landing a job straight out of drama school.

SOURCE: The Stage Registration at 2:00am on November 7, 2017☆⚑

The Green Room: Do you want to be famous? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​ Albert

SOURCE: The Stage Registration at 2:00am on November 7, 2017☆⚑

Campaigners fear Brighton Hippodrome will be sold for non-theatre use by Michael Quinn

The future of the Brighton Hippodrome "continues to hang in the balance" campaigners have claimed, amid concerns that it could be sold

SOURCE: The Stage Registration at 1:06pm on November 6, 2017☆⚑

Dance companies unite for £1.2m scheme to support touring dance by Roda Musa

Bournemouth-based Pavilion Dance South West has launched a nationwide talent development programme, in response to the challenges facing touring dance. Called Surf

SOURCE: The Stage Registration at 11:52am on November 6, 2017☆⚑

Poll: Is the theatre industry failing workers with caring responsibilities? by The Stage

A new industry charter is being introduced to help theatres better serve employees who are parents and carers. The nine-point plan includes

SOURCE: The Stage Registration at 11:37am on November 6, 2017☆⚑

Christian Slater calls for end to 'era of abuse of power' in film and theatre by Georgia Snow

Christian Slater has responded to the ongoing revelations of sexual harassment in the entertainment industry, demanding an end to "the era of

SOURCE: The Stage Registration at 11:31am on November 6, 2017☆⚑

The Lighthouse review at Hackney Showroom, London " 'nerve-shredding' by Amanda Holloway

Peter Maxwell Davies' violent, unsettling tale of three lighthouse keepers who disappear in mysterious circumstances is especially intense in the modestly-proportioned Hackney

SOURCE: The Stage Registration at 11:26am on November 6, 2017☆⚑

National Theatre's Beginning gets West End transfer by Roda Musa

David Eldridge's Beginning is to transfer to the West End following its run at the National Theatre in London. The production will

SOURCE: The Stage Registration at 10:51am on November 6, 2017☆⚑

Choreographer Malik Nashad Sharpe: 'I've witnessed a lot of things that are not normal' by Giverny Masso

Experimental choreographer Malik Nashad Sharpe is an associate artist at London's Hackney Showroom. He tells Giverny Masso about how his work, which

SOURCE: The Stage Registration at 10:00am on November 6, 2017☆⚑

Birmingham Royal Ballet review at Sadler's Wells, London " 'high technical standards' by Anna Winter

Though technical standards are high, Birmingham Royal Ballet's latest triple bill fails to set Sadler's Wells ablaze. In Arcadia, the first main

SOURCE: The Stage Registration at 10:00am on November 6, 2017☆⚑

How to pursue a stage career without going to drama school by Samantha Marsden

Becoming a professional actor without conventional training can be tough, but with hard work, determination and luck, success is possible. There are

SOURCE: The Stage Registration at 10:00am on November 6, 2017☆⚑

Death and the Maiden review at the Other Room, Cardiff " 'crackles with tension' by Rosemary Waugh

Violence and justice are the overriding themes of the Other Room's current season. The final production is a deliberately confrontational staging of

SOURCE: The Stage Registration at 9:02am on November 6, 2017☆⚑

Sope Dirisu: 'Being back at the RSC as a professional feels like validation' by Bridget Minamore

Life could have turned out very differently for the rising star of stage and screen, who opted for a career in acting

SOURCE: The Stage Registration at 8:44am on November 6, 2017☆⚑

Hot Gay Time Machine review at Other Palace, London " 'energetic satirical cabaret' by Paul Vale

Camp stereotypes and the class system have always been mainstays of British comedy. Long before homosexuality was decriminalised in the UK, there

SOURCE: The Stage Registration at 8:21am on November 6, 2017☆⚑

Arts growing five times as fast as UK economy " report by Georgia Snow

Arts and culture in the UK grew by 10% in 2015, five times that of the UK economy as a whole, a

SOURCE: The Stage Registration at 7:42am on November 6, 2017☆⚑

Muvvahood review at Park Theatre, London " 'humour and heart' by Anna Winter

Libby Liburd is a single parent. Like 91% of single parents " who head up one in four UK households " she's

SOURCE: The Stage Registration at 6:50am on November 6, 2017☆⚑

Josie Lawrence: 'I still think of myself as an actor who likes to improvise' by Tom Wicker

Having trained in drama, Josie Lawrence made her name in TV improv before tackling a series of Shakespearean roles. Now turning to

SOURCE: The Stage Registration at 6:00am on November 6, 2017☆⚑

Trestle review at Southwark Playhouse, London " 'funny, adorable, elegaic' by Fergus Morgan

Stewart Pringle’s Papatango prize-winning two-hander is the sort of play you want to take your gran to: a modest not-quite-love story brimming with gentle humour

SOURCE: The Stage Registration at 5:55am on November 6, 2017☆⚑

Playwright Lynette Linton: 'I never knew theatre was for me until I stepped into it' by Roda Musa

With credits including Step at Theatre Royal Stratford East and Assata Taught Me at London's Gate Theatre, the playwright tells Roda Musa

SOURCE: The Stage Registration at 3:00am on November 6, 2017☆⚑

Lyn Gardner: Why does support for emerging artists vanish once they have 'emerged'? by Lyn Gardner

Last week, Camden People's Theatre's outgoing executive director Amber Massie-Blomfield observed, very wisely, that not every small theatre has a big theatre

SOURCE: The Stage Registration at 2:00am on November 6, 2017☆⚑

Dilek Rose: 5 tips for ensemble work by Susan Elkin

Dilek Rose, 31, trained at Bristol Old Vic Theatre School on its three-year degree course when she was in her early 20s.

SOURCE: The Stage Registration at 2:00am on November 6, 2017☆⚑

Mark Shenton's week: What make critics disagree… or dance? by Mark Shenton

One of the great mysteries of a life in theatre is how critics sometimes diverge completely in their opinions on the same

SOURCE: The Stage Registration at 2:00am on November 6, 2017☆⚑

Hidden Door festival to return to Leith Theatre by Thom Dibdin

The Leith Theatre complex is to be used for a second time by Edinburgh’s pop-up multi-arts festival Hidden Door. The 10-day festival

SOURCE: The Stage Registration at 8:52am on November 5, 2017☆⚑
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