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35,882 stories from The Stage

Mark Shenton: Cast changes can reinvigorate a long-running theatre show by Mark Shenton

Films " with the exception of Ridley Scott’s All the Money in the World " don’t tend to be recast after they’re

SOURCE: The Stage Registration at 2:00am on February 8, 2018☆⚑

Richard Jordan: Sweetpea Slight's memoirs reveal the climate of harassment that must end by Richard Jordan

In the same week that The Stage published its harassment report, I finished reading Get Me the Urgent Biscuits, Sweetpea Slight's memoir about working as an assistant

SOURCE: The Stage Registration at 2:00am on February 8, 2018☆⚑

Editor's View: Flexible working for parents could halt talent drain in theatres by Alistair Smith

Job shares and other flexible working arrangements are an increasingly common feature of working culture. Recent reports show that graduates are placing

SOURCE: The Stage Registration at 7:01pm on February 7, 2018☆⚑

Catherine Kodicek: Diversity in costume can only be achieved with fair pay by Catherine Kodicek

It's awards season again, and I'm proud to be the patron saint of the best costume design Offie award for a third

SOURCE: The Stage Registration at 7:01pm on February 7, 2018☆⚑

The Captive Queen review at Sam Wanamaker Playhouse, London " 'Barrie Rutter's swansong' by Natasha Tripney

Barrie Rutter clocks off from Northern Broadsides, the company he co-founded 25 years ago, with a relocated version of John Dryden's Restoration

SOURCE: The Stage Registration at 6:12pm on February 7, 2018☆⚑

Satyagraha director Phelim McDermott: 'Sadly, there won't ever be a moment when this opera isn't relevant.' by Lyn Gardner

With a body of experimental work behind him, the maverick director and founder of Improbable has embraced opera and is helping lead

SOURCE: The Stage Registration at 12:00pm on February 7, 2018☆⚑

Royal Court commits to staging Tibet play following censorship claims by Giverny Masso

The Royal Court Theatre in London has vowed that it will stage a play about Tibet that has been at the heart

SOURCE: The Stage Registration at 11:11am on February 7, 2018☆⚑

International news round-up: February 8 by The Stage

UK retains access to EU culture awards EUROPE The UK government has agreed a potential financial settlement with the European Union that will

SOURCE: The Stage Registration at 11:00am on February 7, 2018☆⚑

Arts leaders demand special visa for performers to prevent skills crisis post-Brexit by Georgia Snow

  Cultural leaders have advocated for a special visa for performers and other creatives after Brexit, warning that Britain will be “cast

SOURCE: The Stage Registration at 10:42am on February 7, 2018☆⚑

Diary: What a Hull-abaloo, Mrs Slocombe by Tabard

It seems that Hull's status of City of Culture has gone to its head. According to reports, a local theatre company was

SOURCE: The Stage Registration at 9:00am on February 7, 2018☆⚑

Diary: Matt Hancock shows how to get an MP in your pocket by Tabard

What do you think the new culture secretary has been doing with his time since taking up the role? Addressing funding issues?

SOURCE: The Stage Registration at 9:00am on February 7, 2018☆⚑

Audiences should boycott premium Hamilton tickets (your views, February 8) by The Stage

Regular theatregoers should boycott this outrageous increase in prices. If West End theatre, encouraged by Ticketmaster, goes the way of rock'n'roll, those

SOURCE: The Stage Registration at 9:00am on February 7, 2018☆⚑

In pictures (February 8): Hope Mill Theatre, Finborough, Unicorn, Questors, Gatehouse and more by The Stage

The latest press night parties, events and awards from the theatrical world in pictures. This week's highlights include opening nights of Beginning press night

SOURCE: The Stage Registration at 9:00am on February 7, 2018☆⚑

Hamlet: February 8 by Harry Venning

SOURCE: The Stage Registration at 9:00am on February 7, 2018☆⚑

Ilbijerri's Rachael Maza on how indigenous work is moving centre stage in Australia by Eleanor Turney

With only 5% of Australians participating in theatre and only a few indigenous people working backstage at all, developing an Aboriginal and

SOURCE: The Stage Registration at 8:30am on February 7, 2018☆⚑

Romeo and Juliet review at Holy Trinity Church, Guildford " 'an atmospheric production' by Dave Fargnoli

Raw, moving, and unashamedly melodramatic in parts, this stylish production of Romeo and Juliet from director Charlotte Conquest conveys all the play's

SOURCE: The Stage Registration at 7:23am on February 7, 2018☆⚑

Austentatious extends West End run by Giverny Masso

Austentatious: The Improvised Jane Austen Novel is to extend its run in the West End. Three further performances have been added at

SOURCE: The Stage Registration at 7:01am on February 7, 2018☆⚑

The Stage Scholarships 2018: Sylvia Young Theatre School by Paul Vale

No school rivals Sylvia Young's connections with West End shows, and with The Stage Scholarships, you could train there free of charge,

SOURCE: The Stage Registration at 7:00am on February 7, 2018☆⚑

Playhouse Creatures review at New Vic, Newcastle-under-Lyme " 'a funny, feminist triumph' by Anna Winter

April de Angelis' 1993 play Playhouse Creatures is a witty and poignant backstage drama that explores the moment in history when lustrous-locked

SOURCE: The Stage Registration at 6:57am on February 7, 2018☆⚑

Carmen review at Royal Opera House, London " 'a radical, heartless staging' by David Gutman

Carmen has always been a mutable opera and the Royal Opera has lately favoured both a traditionally costumed staging by Francesca Zambello

SOURCE: The Stage Registration at 6:07am on February 7, 2018☆⚑

Long Day's Journey Into Night review at Wyndham's Theatre " 'an immense performance from Lesley Manville' by Tim Bano

In his production of Eugene O'Neill's 1956 magnum opus, which started life at Bristol Old Vic in 2016, Richard Eyre shows how

SOURCE: The Stage Registration at 5:32am on February 7, 2018☆⚑

John Barrowman to appear with Seth Rudetsky in London concert series by Georgia Snow

John Barrowman will return to the stage in London to appear in the next installment of Seth Rudetsky’s Broadway @ Leicester Square

SOURCE: The Stage Registration at 5:19am on February 7, 2018☆⚑

Ayesha Antoine: 'Having been in Grange Hill and done a degree, I naively assumed I could jump straight back into the industry' by Giverny Masso

After her first professional role in TV series Grange Hill aged 12, the actor, currently playing multiple roles in Told by an

SOURCE: The Stage Registration at 5:00am on February 7, 2018☆⚑

Carmen director Barrie Kosky: 'I love operetta " It's more like Dada than pantomime' by George Hall

From the world's most in-demand opera director, the Royal Opera's new Carmen ditches sultry stereotypes in favour of music hall spectacle. He

SOURCE: The Stage Registration at 5:00am on February 7, 2018☆⚑

Obituary: Geraldine Stephenson by Michael Quinn

Geraldine Stephenson was one of the busiest choreographers and movement directors of her generation, accruing nearly 400 credits in theatre and on

SOURCE: The Stage Registration at 4:00am on February 7, 2018☆⚑
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