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35,882 stories from The Stage

After the Ball review at Upstairs at the Gatehouse, London " 'stilted and jarring' by Francesca Peschier

Ian Grant's After the Ball explores how war breaks down the things that people consider integral to their sense of self. Despite opening

SOURCE: The Stage Registration at 12:33pm on March 9, 2018☆⚑

London's Shaw Theatre damaged in blaze tackled by 35 firefighters by Georgia Snow

Parts of the Shaw Theatre in central London have been damaged by a fire that broke out earlier this afternoon (March 9).

SOURCE: The Stage Registration at 12:08pm on March 9, 2018☆⚑

Bingo! review at Assembly Hall, Edinburgh " 'hilarious and macabre' by Thom Dibdin

Musical Theatre has its fair share of bloody moments, what with its man-eating plants and demon barbers. Now writers Anita Vettesse and

SOURCE: The Stage Registration at 11:49am on March 9, 2018☆⚑

English National Opera Hires Former Sky TV Exec As New Director

At Sky, Stuart Murphy was responsible for channels including Sky 1, Sky Living and Sky Arts. In his post, he spearheaded Sky's increase in investment in original productions, tripling the bu…

SOURCE: The Stage Registration at 11:42am on March 9, 2018☆⚑

I Want You to Admire Me/But You Shouldn't review at Camden People's Theatre, London by Rosemary Waugh

"Who is more admirable?" ask Pavlos Christodoulou, "David Attenborough or the Dalai Lama?" It's the first in a series of absurd questions

SOURCE: The Stage Registration at 11:14am on March 9, 2018☆⚑

Pay boost for performers and stage managers working for independent theatre companies by Giverny Masso

Performers and stage managers working for independent theatre companies will receive a 5.4% pay rise under a new agreement negotiated by Equity.

SOURCE: The Stage Registration at 11:02am on March 9, 2018☆⚑

Votes for Women review at New Vic, Newcastle-under-Lyme " 'resonant and thoughtful' by Anna Winter

Kentucky-born actor, writer and activist Elizabeth Robins' play Votes for Women, first staged at the Royal Court in 1907, is animated by

SOURCE: The Stage Registration at 11:01am on March 9, 2018☆⚑

Rose Bruford launches 'affordable' online degree in theatre studies by Matthew Hemley

Rose Bruford College of Theatre and Performance has launched an online course in theatre studies that it claims will offer an “affordable

SOURCE: The Stage Registration at 11:00am on March 9, 2018☆⚑

Entertainment unions call for 'anti-harassment clause' in employment contracts by Georgia Snow

The Musicians' Union, BECTU and Equity are demanding a special anti-harassment clause to be added to employment contracts, in a bid to

SOURCE: The Stage Registration at 10:48am on March 9, 2018☆⚑

Olivier Awards joins with Time's Up to highlight abuse in the industry by Matthew Hemley

This year's Olivier Awards will centre on the global Time's Up movement, in an effort to make the industry "an even safer

SOURCE: The Stage Registration at 10:47am on March 9, 2018☆⚑

Manchester Theatre Awards 2018: the winners in full by Giverny Masso

Sheridan Smith and Danny Mac are among the winners of the Manchester Theatre Awards 2018, which were announced at the Lowry in

SOURCE: The Stage Registration at 10:30am on March 9, 2018☆⚑

If Britney Could Get Through 2007 We Can Get Through This review at Camden People's Theatre, London by Rosemary Waugh

For millennials, Britney Spears' head shaving in 2007 is a seminal celeb-culture moment. For Jo Hauge, however, it has a more personal

SOURCE: The Stage Registration at 9:39am on March 9, 2018☆⚑

OK Bye review at the Vaults, London " 'stylishly performed' by Fergus Morgan

RedBellyBlack picked up a people's choice award at the 2017 Vault Festival for A Year From Now, a show that explored ambition

SOURCE: The Stage Registration at 9:34am on March 9, 2018☆⚑

Maliphantworks2 review at the Print Room, London " 'gorgeously evocative' by Anna Winter

For the first time in 15 years, choreographer Russell Maliphant is back onstage duetting with his collaborator and partner Dana Fouras. The

SOURCE: The Stage Registration at 9:01am on March 9, 2018☆⚑

A Hundred Words for Snow review at the Vaults, London " 'humour and humanity' by Fergus Morgan

Tatty Hennessy's A Hundred Words for Snow was the pick of a triple-bill of monologues presented by Heretic Productions at the Arcola

SOURCE: The Stage Registration at 8:21am on March 9, 2018☆⚑

Production news round-up: Peaky Blinders' Paul Anderson makes West End debut and reimagined Saturday Night Fever musical to tour UK by Giverny Masso

This week, London’s Theatre Royal Haymarket has announced that Peaky Blinders actor Paul Anderson is to make his West End debut in

SOURCE: The Stage Registration at 8:17am on March 9, 2018☆⚑

Harley Granville Barker: Lost Edwardian play sheds light on a forward-thinking writer by Nick Smurthwaite

As Agnes Colander receives its premiere after 116 years, Nick Smurthwaite investigates why Harley Granville Barker's potentially incendiary work never made it

SOURCE: The Stage Registration at 8:00am on March 9, 2018☆⚑

Radio 1Xtra commissions first plays for broadcast including partnership with Paines Plough by Georgia Snow

BBC Radio 1Xtra has recorded its first plays for broadcast, including a collaboration with new writing company Paines Plough. Sabrina Mahfouz’s With

SOURCE: The Stage Registration at 6:43am on March 9, 2018☆⚑

The Cherry Orchard review at Bristol Old Vic " 'a vibrant production' by Jeremy Brien

Playwright Rory Mullarkey`s forthright, faithful and funny new translation of Anton Chekhov`s final masterpiece, The Cherry Orchard, is tailor-made for the launch

SOURCE: The Stage Registration at 6:35am on March 9, 2018☆⚑

Reimagined Saturday Night Fever to tour the UK by Matthew Hemley

A new tour of musical Saturday Night Fever billed as a "big new music and dance spectacular" will open this year. Produced by

SOURCE: The Stage Registration at 5:39am on March 9, 2018☆⚑

Competition: Win a pair of tickets to the Mousetrap Theatre Projects 21st Anniversary Gala by The Stage

Mousetrap Theatre Projects is celebrating its 21st Anniversary on Sunday March 18 2018 at the Prince of Wales Theatre, raising funds to

SOURCE: The Stage Registration at 5:15am on March 9, 2018☆⚑

Unburied review at Vaults, London " 'fantastically creepy and intelligently crafted' by Fergus Morgan

Hermetic Arts' new show Unburied wrongfoots you from the off. It presents itself as a podcast recording. Last night, show host Carrie

SOURCE: The Stage Registration at 5:13am on March 9, 2018☆⚑

Howard Sherman: Ruthie Ann Miles tragedy reminds us that theatre pulls together to support its own by Howard Sherman

In a world filled with tragedies, those that touch us most are inevitably the ones that come closest to our own lives.

SOURCE: The Stage Registration at 2:00am on March 9, 2018☆⚑

Mark Shenton: There is still hope for genuinely original musical theatre by Mark Shenton

The musical, as a form distinct from operetta, reached its golden age on Broadway between the 1940s and the 1970s. But it

SOURCE: The Stage Registration at 2:00am on March 9, 2018☆⚑

The Duchess of Malfi review at Swan Theatre, Stratford-upon-Avon " 'Gut wrenching but unsteady' by Tom Wicker

By the end of this production of John Webster's Jacobean tragedy, The Duchess of Malfi, the stage is swamped in blood. Initially

SOURCE: The Stage Registration at 6:55pm on March 8, 2018☆⚑
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