DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
1,908 stories from The New Yorker

The Star of "Roma" Takes an Empire State Building Selfie by Michael Schulman

Yalitza Aparicio was studying to be a schoolteacher in a small town in Mexico when she was cast in Alfonso Cuarón's lauded film. 

SOURCE: The New Yorker Subscription at 5:00am on December 31, 2018

Robert De Niro Is Always Doing Something by Michael Schulman

Michael Schulman interviews the actor Robert De Niro on getting a pipe bomb in the mail, on his acting career, and on his public denunciation of Donald Trump.

SOURCE: The New Yorker Subscription at 5:00am on December 30, 2018

The Best Theatre of 2018 by Michael Schulman

Michael Schulman reviews his favorite plays of 2018, including "Angels in America," "The Waverly Gallery," and more.

SOURCE: The New Yorker Subscription at 12:00pm on December 22, 2018

A Lifetime of Dressing Cher by Michael Schulman

Michael Schulman writes on Bob Mackie's costumes for "The Cher Show," a Broadway bio-musical currently running at the Neil Simon Theatre.

SOURCE: The New Yorker Subscription at 1:58pm on December 20, 2018

Ruth Bader Ginsburg's Nephew on Winning the Aunt Lottery by Michael Schulman

As Daniel Stiepleman wrote "On the Basis of Sex," which is centered on the Supreme Court Justice, he came to see the Ginsburgs' marriage as a model for his own, Michael Schulman writes.

SOURCE: The New Yorker Subscription at 5:00am on December 17, 2018

Black and White in "Slave Play" and "To Kill a Mockingbird"  by Vinson Cunningham

Vinson Cunningham on Jeremy O. Harris's new work and Aaron Sorkin's adaptation of Harper Lee's novel, which explore the politics and the power at the heart of America's racial regime.

SOURCE: The New Yorker Subscription at 5:00am on December 17, 2018

Aaron Sorkin Kills a Mockingbird, and Kelly Slater's Perfect Wave

On this week's New Yorker Radio Hour, Aaron Sorkin on adapting a 1960 classic for the 2018 Broadway stage. And a lifelong surfer wonders whether an artificial, perfect wave will change the s…

SOURCE: The New Yorker Subscription at 4:00pm on December 14, 2018

"Mary Poppins Returns," Reviewed by Anthony Lane

Anthony Lane reviews Rob Marshall's "Mary Poppins Returns," starring Emily Blunt, Ben Whishaw, Lin-Manuel Miranda, and Emily Mortimer.

SOURCE: The New Yorker Subscription at 5:00am on December 14, 2018

How Rob Marshall Made Mary Poppins Sing Again by Michael Schulman

Michael Schulman interviews the director Rob Marshall about his new film, "Mary Poppins Returns," which starts Emily Blunt in the title role and features nostalgia-inducing cameos by Dick Va…

SOURCE: The New Yorker Subscription at 12:19pm on December 13, 2018

The Contested Legacy of Atticus Finch by Casey Cep

Casey Cep on Harper Lee's beloved father figure, who became a talking point during the Kavanaugh hearings and is now coming to Broadway.

SOURCE: The New Yorker Subscription at 5:00am on December 10, 2018

Kevin Hart Withdrew as Oscars Host, But His Homophobia Is Inexcusable by Michael Schulman

Michael Schulman writes about the comedian Kevin Hart's ouster as the host of the Academy Awards, after Web users pointed to his history of homophobic jokes.

SOURCE: The New Yorker Subscription at 10:13am on December 7, 2018

The Cast and Their Crew by Jesse Eisenberg

Jesse Eisenberg writes a humorous list of biographies for the cast and crew members of a Broadway show.

SOURCE: The New Yorker Subscription at 7:00am on December 4, 2018

Cyndi Lauper's Mission to Help Homeless Teens by Michael Schulman

The pop star, who was briefly homeless during her teens, helped open two shelters for L.G.B.T. youth.

SOURCE: The New Yorker Subscription at 5:00am on December 3, 2018

"Don't Look Now," Nicolas Roeg's Uncanny Masterpiece by Michael Schulman

Michael Schulman recommends "Don't Look Now," a film from 1973 by the British director Nicolas Roeg.

SOURCE: The New Yorker Subscription at 11:00am on November 29, 2018

"Bathtubs Over Broadway," Reviewed: Can a Musical Sponsored by a Toilet Manufacturer Be a Work of Art? by Richard Brody

Richard Brody reviews "Bathtubs Over Broadway," a documentary by Dava Whisenant that examines the industrial musical"plays produced by corporations for their employees to enjoy at nationwide…

SOURCE: The New Yorker Subscription at 5:06am on November 27, 2018

Ariana Grande's "thank u, next" Is the Breakup Song for the Social-Media Age by Paula Mejía

Paula Mejía writes about the new Ariana Grande song "thank u, next," a social-media-era breakup anthem in which the pop star pages through her ex-boyfriends.

SOURCE: The New Yorker Subscription at 4:25pm on November 15, 2018

Shades of Darkness in "King Kong" and "American Son" by Vinson Cunningham

Vinson Cunningham reviews the new Broadway musical "King Kong" and the drama "American Son."

SOURCE: The New Yorker Subscription at 5:00am on November 12, 2018

A "Hamilton" Star Goes Canvassing in Bucks County, Pennsylvania During the 2018 Midterms by Eliza Griswold

Eliza Griswold writes about Leslie Odom, Jr., the Tony- and Grammy-winning actor who originated the role of Aaron Burr in the musical "Hamilton," canvassing in Pennsylvania.

SOURCE: The New Yorker Subscription at 2:45pm on November 6, 2018

Bernard-Henri Lévy on Anti-Semitism, American Elections, and the Future of Europe by Michael Schulman

Michael Schulman on the French writer and public intellectual Bernard-Henri Lévy's Off Broadway début, a solo play called "Looking for Europe."

SOURCE: The New Yorker Subscription at 10:00am on November 4, 2018

Winter Theatre Preview: Teen Angst and a Gender-Bending "King Lear" by Michael Schulman

Michael Schulman on "Kiss Me, Kate," at Studio 54; "Be More Chill," at the Lyceum; "About Alice," at the Polonsky Shakespeare Center; and more.

SOURCE: The New Yorker Subscription at 5:00am on November 2, 2018

If You Ask Me: Why "A Star Is Born" Is the Perfect Nonbinary Gender Reveal, and All Things Bradley by Libby Gelman-waxner

Paul Rudnick, via Libby Gelman-Waxner, humorously reviews the films "A Star Is Born," "Venom," and "A Simple Favor."

SOURCE: The New Yorker Subscription at 7:00am on November 1, 2018

The Voodoo Operators of Broadway's "King Kong" by Michael Schulman

Michael Schulman goes inside a custom control booth where a team of specialty puppeteers operates a twenty-foot-tall animatronic ape.

SOURCE: The New Yorker Subscription at 5:36am on October 29, 2018

The Intricacies of Family in "The Waverly Gallery" and "The Ferryman" by Vinson Cunningham

Vinson Cunningham on Kenneth Lonergan's drama, starring Elaine May, and Jez Butterworth's play, which sketches a harsh day for an Irish family during the Troubles.

SOURCE: The New Yorker Subscription at 5:00am on October 29, 2018

Is It Curtains for the Drama Book Shop? by Michael Schulman

Michael Schulman writes about the Drama Book Shop, a beloved New York City theatre institution that will soon be forced from its home and is hoping to find a new space.

SOURCE: The New Yorker Subscription at 4:41pm on October 26, 2018

The Wondrous Theatre of the Red Sox-Dodgers World Series by Ian Crouch

Ian Crouch writes on the 2018 World Series, between the Boston Red Sox and the Los Angeles Dodgers, which kicks off at Fenway Park on Tuesday night.

SOURCE: The New Yorker Subscription at 4:46pm on October 22, 2018
« Previous 25   Page 31 of 77   Next 25 »