1,793 stories from Theater News Online
Steven Levenson’s sober-minded drama explores the personal consequences of white-collar corruption.
A deft conceptual overhaul further lightens the Bard’s liveliest bagatelle.
Despite the missteps in this production, it is exciting to see this difficult Bertolt Brecht play being tackled.
A seldom-seen gem gets a very nice turn in New Jersey.
Most surprising at this year s awards was Kinky Boots winning Best New Musical over Matilda .
Jane Lynch injects new life into Annie s summer run.
Murder Ballad is the best rock musical since American Idiot .
It was a year packed with revivals and not so risky projects, but not without its highlights.
This is a uniquely constructed, emotionally revealing musical that explores a failed marriage from opposite points of view.
Vaudeville, musical comedy and ballet meet in this welcome visit to Broadway.
Embarking on a journey with grave consequences, Cicely Tyson lights the way.
Frank Wildhorn’s overblown pop-rock musical Jekyll & Hyde really didn t need to be revived.
Bette Midler holds court as real-life 70s super-agent Mengers.
In Richard Greenberg’s latest, family members follow their ambitions and aspirations over a tumultuous 20 years.
A star cast assists Christopher Durang in bringing this hilarious concoction to Broadway.
Berry Gordy tells the hit-packed story of Motown firsthand.
Fiona Shaw gives a fearless performance in this one-woman dramatization of Colm Tóibín s novel about the Virgin Mary.
Fiona Shaw gives a fearless performance in this one-woman dramatization of Colm Tóibín s novel about the Virgin Mary.
Diane Paulus’ busy re-imagining turns Pippin into a bit of a circus.
An evening of self-indulgent Hollywood chitchat substitutes for an actual play.
Nathan Lane moves seamlessly from comedy to pathos as a gay performer in 1930s New York.
This is one of the most inspired and timely Shakespeare productions in recent years.
Although the play runs out of steam at a point, this cast of three does a terrific job.
The Roundabout Theatre Company’s revival of Clifford Odets’ rarely seen 1949 drama is a complete misfire.
This is one of the most inspired and timely Shakespeare productions in recent years.
