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35,882 stories from The Stage

Rattlestick Playwrights Theater: The Off-Broadway new-writing venue transforming itself by Nicole Serratore

For its current shows, the West Village's Rattlestick Playwrights Theater has radically redesigned its auditorium and ditched half the seats. Its artistic

SOURCE: The Stage Registration at 7:30am on November 12, 2018☆⚑

Poll: Would you object to theatres screening adverts in the interval? by Matthew Hemley

Last week it was revealed that English National Opera is planning on using its safety curtain as a screen, on which it

SOURCE: The Stage Registration at 6:52am on November 12, 2018☆⚑

Thick as Thieves review at Salisbury Playhouse " 'brutal and heartbreaking' by Lesley Bates

Clean Break is a theatre company committed to highlighting the injustices women experience in and beyond the criminal justice system. This co-production

SOURCE: The Stage Registration at 6:51am on November 12, 2018☆⚑

Gareth Nicholls appointed interim artistic director at Edinburgh Traverse amid 'consultation' on future by Thom Dibdin

Edinburgh’s Traverse Theatre has appointed Gareth Nicholls as interim artistic director, while the venue enters a period of consultation about plans for

SOURCE: The Stage Registration at 6:44am on November 12, 2018☆⚑

Race row director Anthony Ekundayo Lennon: 'I've been made to feel like a liar and a thief' by Matthew Hemley

A director on a scheme for minority ethnic arts leaders who is at the centre of an identity row has hit back

SOURCE: The Stage Registration at 6:39am on November 12, 2018☆⚑

Gilded Butterflies review at Hope Theatre, London " 'quiet power' by Ka Bradley

A woman is lying on a meagre camp bed in a small space marked out in white lines, wearing an orange prison

SOURCE: The Stage Registration at 6:23am on November 12, 2018☆⚑

Fat Blokes review at Southbank Centre, London "'visibility, vulnerability and sensuality' by Anna Winter

With the help of four participants (some of whom have never performed professionally before), Scottee is staging a fat rebellion. It's a

SOURCE: The Stage Registration at 6:11am on November 12, 2018☆⚑

Pinter Four review at Harold Pinter Theatre, London " 'an intriguing double-bill' by Natasha Tripney

The fourth instalment in Jamie Lloyd's ambitious anthology of Harold Pinter's shorter works consists of an intriguing if uneven double-bill of one-act

SOURCE: The Stage Registration at 6:05am on November 12, 2018☆⚑

Drag performer Lavinia Co-op: 'I've abandoned the idea of retirement, but I won't hit the clubs again' by Paul Vale

Legendary drag performance artist Lavinia Co-op is very busy at the moment. Scheduling an interview, we had to work around no less

SOURCE: The Stage Registration at 4:00am on November 12, 2018☆⚑

Top 5 theatre shows to see this week (November 12-18) by Natasha Tripney

Hadestown " National Theatre, London Created by singer-songwriter Anais Mitchell and director Rachel Chavkin, and starring Eva Noblezada, this musical reworking of the

SOURCE: The Stage Registration at 2:00am on November 12, 2018☆⚑

Maggie Brown: What's missing from TV screens today? Satire, that's what by Maggie Brown

As I'm finishing off my book on Channel 4's history, I've been reflecting on the elements and the stars missing from today's

SOURCE: The Stage Registration at 2:00am on November 12, 2018☆⚑

Lyn Gardner: Must the show really always go on? by Lyn Gardner

On Friday, Mark Shenton drew attention to a string of recent interviews with Sheridan Smith, in which she was startlingly honest about

SOURCE: The Stage Registration at 2:00am on November 12, 2018☆⚑

Pinter Three review at Harold Pinter Theatre, London " 'thrilling performances' by Natasha Tripney

Jamie Lloyd's dauntingly ambitious and carefully curated season of Harold Pinter's entire body of shorter works continues with a series of pieces

SOURCE: The Stage Registration at 5:44am on November 11, 2018☆⚑

BalletLorent choreographer Liv Lorent: 'I'm female, I'm in the north and I make family work. That's a triple whammy' by Anna Winter

It's been 25 years since choreographer Liv Lorent set up dance theatre company BalletLorent. Based in Newcastle-upon-Tyne, the company is known for

SOURCE: The Stage Registration at 1:41pm on November 9, 2018☆⚑

Without Walls reveals new plans to support touring projects by Giverny Masso

Outdoor arts company Without Walls has launched two new initiatives to support touring work. The first is the Touring Network Partnership, which

SOURCE: The Stage Registration at 1:04pm on November 9, 2018☆⚑

Production news round-up: Jesus Christ Superstar to run at the Barbican and London premiere announced for The Light in the Piazza by Giverny Masso

This week’s production news includes a transfer of Regent’s Park Open Air Theatre’s production of Jesus Christ Superstar to the Barbican, and

SOURCE: The Stage Registration at 12:27pm on November 9, 2018☆⚑

Winsome Pinnock wins 2018 Alfred Fagon Award by Georgia Snow

Winsome Pinnock has won this year’s Alfred Fagon Award for her play Rockets and Blue Lights. The annual award, for the best

SOURCE: The Stage Registration at 11:36am on November 9, 2018☆⚑

Yerma review at Cervantes Theatre, London " 'a poised production' by Frey Kwa Hawking

Federico García Lorca's Rural Trilogy at the Cervantes Theatre ends with a considered and confident production of his "tragic poem" Yerma, performed

SOURCE: The Stage Registration at 11:33am on November 9, 2018☆⚑

Vessel review at Battersea Arts Centre, London " 'wide-reaching, but frustrating' by Ava Davies

Sue MacLaine's latest piece is a wide-reaching gaze over the abundance of inequalities directed towards women. Narrated stoically by Tess Agus, Angela

SOURCE: The Stage Registration at 11:11am on November 9, 2018☆⚑

The Pit and the Pendulum review at Omnibus, London " 'inventive retelling of Poe's short story' by Fergus Morgan

Christopher York's one-woman adaptation of The Pit and the Pendulum for Oxford-based Creation Theatre isn't a straightforward page-to-stage reworking of Edgar Allan

SOURCE: The Stage Registration at 8:45am on November 9, 2018☆⚑

From Wombles to the West End: Mike Batt looks back on a life of music by Douglas McPherson

As he takes up the baton for Hawkwind's live orchestra, multifaceted musician Mike Batt tells Douglas McPherson about the highs and lows

SOURCE: The Stage Registration at 8:00am on November 9, 2018☆⚑

Indebted to Chance review at Old Red Lion, London " 'unpolished historical biography' by Dave Fargnoli

Actor, puppeteer, and author Charlotte Charke was an intriguing but often overlooked historical figure, a woman who, in the early 1700s regularly

SOURCE: The Stage Registration at 7:52am on November 9, 2018☆⚑

Drowned or Saved? review at Tristan Bates Theatre, London " 'poignant and timely' by Neil Dowden

As a Holocaust survivor, the Italian-Jewish writer and chemist Primo Levi bore witness to the horrors of Auschwitz in a series of

SOURCE: The Stage Registration at 7:31am on November 9, 2018☆⚑

James Graham: 'Theatres should be forced to stage at least one new play for every three classics' by Giverny Masso

Playwright James Graham has claimed publicly funded theatres have a duty to showcase new writing, arguing they should be required to programme

SOURCE: The Stage Registration at 7:19am on November 9, 2018☆⚑

Tim Rice to host The Best of Rock Musicals at Eventim Apollo in Hammersmith by Matthew Hemley

Tim Rice is to host The Best of Rock Musicals at the Eventim Apollo in Hammersmith, featuring songs from shows including Evita,

SOURCE: The Stage Registration at 7:12am on November 9, 2018☆⚑
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