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In "What Is War," two singular artists, Eiko Otake and Wen Hui, grapple with memories of China and Japan in World War II.
David Cale's astonishing one-man show in Brooklyn erects some familiar signposts before swerving into the unexpected.
Adapted for the stage, the baseball rom-com is now less sexy and sophisticated than the '80s classic.
Like "Stranger Things" and "Harry Potter," this horror film franchise is branching out with an original story that aims to pull the rug from under theatergoers.
The choreographer Wally Cardona revisits a David Gordon duet, "Times Four," performed in the loft in which it was made and remade for today.
The ticketing company is already a significant player in the two big theater markets of New York and London.
There was a flourish of purple at the State Theater for the debut of a new musical adaptation of the performer's 1984 movie in his hometown in Minnesota.
The hip-hop choreographer brings irrepressible enthusiasm to her work for Kendrick Lamar, Beyoncé and Dua Lipa.
At the new Powerhouse: International festival in Brooklyn, Christos Papadopoulos debuted an oblique, glacially cool work with seven dancers.
The Broadway League and Actors' Equity Association reached a tentative agreement early Saturday. Union members must decide whether to ratify it.
American Ballet Theater opened its season with an all-Twyla Tharp program, featuring her first dance for the company, "Push Comes to Shove," and the for-the-ages "Bach Partita."
Joshua Henry, Caissie Levy and Brandon Uranowitz lead the glorious cast of Lear deBessonet's inspiriting Broadway revival at Lincoln Center Theater.
An urgent family mission propels Jordan E. Cooper's pain-spiked supernatural comedy, a very loose riff on the biblical story of Noah.
The French theater maker Caroline Guiela Nguyen brings unheard voices to the stage, like the real and imagined garment workers in her latest work, "Lacrima."
It's unusual for an Atlantic Theater Company production to feel so uninspired, but in this set of one-acts, committed actors are let down by juvenile language.
The Limón Dance Company tries to shake up its image with a world premiere by Diego Vega Solorza and a reimagined "Emperor Jones."
In his solo Off Broadway show "Other," Ari'el Stachel explores the anxiety that has exacerbated his struggles with being an Arab Jew.
This month's picks include Clooney's Broadway run as the CBS journalist Edward R. Murrow and an audio play starring Hugh Jackman.
The programs were all over the map, but the dancers held the season together. Six were promoted, including India Bradley, the first Black female to become a soloist.
The "Severance" actor portrays all the roles in a play she wrote with Frank Winters, inspired by her evangelical upbringing.
For her performance piece "The Bride and the Goodnight Cinderella," which opens in New York later this month, the artist drugs herself as the audience looks on.
Bedlam's sharply irreverent production of Emily Breeze's comedy, a riff on "Pride and Prejudice," has period dress, contemporary vernacular and a magnetic Mrs. Bennet.
Limón's dance, based on the play by Eugene O'Neill, has long been something of a problem piece. Now, it is being updated to speak to the moment.
American Ballet Theater opens with an all-Tharp program, including "Push Comes to Shove," the first work she created for the company and its newly defected star, in 1976.
Collaborating with the choreographer Jamar Roberts for the New York City Ballet fashion gala, Iris van Herpen created costumes that merged fantasy and form.
