David Benedict: Did Three Sisters suffer from the critical hangover effect? by David Benedict

I've always considered it a shame that although one can emerge from the theatre disappointed, in the opposite circumstance one cannot say:

SOURCE: The Stage Registration at 2:00am on May 1, 2019☆⚑

Man of La Mancha review at London Coliseum " 'Kelsey Grammer saves a patchy production' by Tim Bano

We're now in year five of the annual GradeLinnit semi-staged musical spectacular at the London Coliseum. It has been a fascinating opportunity

SOURCE: The Stage Registration at 6:46pm on April 30, 2019☆⚑

Tony Awards 2019: Nominations in numbers by Giverny Masso

Nominations for the Tony Awards 2019 were announced on April 30. Here is a breakdown of the facts and figures in detail.

SOURCE: The Stage Registration at 12:18pm on April 30, 2019☆⚑

International news round-up: May 2 by The Stage

Support for Stubo over #MeToo sacking SWEDEN/STOCKHOLM Praising his creative work and recruitment of female managers, 40 theatre workers have expressed their support

SOURCE: The Stage Registration at 11:00am on April 30, 2019☆⚑

Tony Awards 2019: Nominations in full by Giverny Masso

The National Theatre's transfer of Hadestown is leading the nominations for this year's Tony Awards with 14 nods. The nominations were announced

SOURCE: The Stage Registration at 10:18am on April 30, 2019☆⚑

Musician and poet Xana: 'It's a challenge when I'm the only person who looks like me in the room' by Giverny Masso

Live looper musician, poet and sound designer Xana is an associate artist at the Ovalhouse Theatre in London. Xana tells Giverny Masso

SOURCE: The Stage Registration at 10:00am on April 30, 2019☆⚑

The Amber Trap review at Theatre503, London " 'intriguing but underdeveloped' by JN Benjamin

Young lovers Katie (Olivia Rose Smith) and Hope (Fanta Barrie) are about to celebrate their second anniversary. They still work in the

SOURCE: The Stage Registration at 8:06am on April 30, 2019☆⚑

Transform Festival: 'Boldness is the way for us not only to survive, but to thrive' by Matt Trueman

Amy Letman, the creative brains behind the Leeds event, talks to Matt Trueman about her mission to make the city a thriving

SOURCE: The Stage Registration at 7:30am on April 30, 2019☆⚑

Sheila Atim appointed trustee at London's Old Vic as theatre announces new ticketing schemes by Giverny Masso

Olivier-winning actor Sheila Atim has been announced as a new trustee at the Old Vic Theatre in London. The news was revealed

SOURCE: The Stage Registration at 7:00am on April 30, 2019☆⚑

RADA under pressure to level the audition playing field for people living in the nations by Matthew Hemley

RADA has been accused of neglecting potential students from Scotland, Wales and Northern Ireland because of its lack of audition opportunities in

SOURCE: The Stage Registration at 6:48am on April 30, 2019☆⚑

Hell Yes I'm Tough Enough review at Park Theatre, London " 'risible political satire' by Theo Bosanquet

It has often been said that the current political omnishambles has rendered the art of satire dead. This risible offering from Ben

SOURCE: The Stage Registration at 6:42am on April 30, 2019☆⚑

Daniel Radcliffe, Claire Foy and Matt Smith to star in Old Vic season by Giverny Masso

Daniel Radcliffe, Claire Foy and Matt Smith will all star in the Old Vic's new season. Artistic director Matthew Warchus' fifth season

SOURCE: The Stage Registration at 5:46am on April 30, 2019☆⚑

My first job: performer Danny Rogers " 'Always have smart, polished shoes' by John Byrne

I always loved watching and taking part in my dad's " Ted Rogers " shows across the country. From watching and mimicking

SOURCE: The Stage Registration at 5:27am on April 30, 2019☆⚑

Guildhall's Dan Shorten: 'Creatives have a constant nagging feeling things could be bigger and better' by John Byrne

How did you start in theatre? My sixth-form theatre studies teacher convinced me it was a good subject to try. What is

SOURCE: The Stage Registration at 5:00am on April 30, 2019☆⚑

The Green Room: What's your response to the Arts Council prioritising relevance over excellence? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​​​​​â€�…

SOURCE: The Stage Registration at 5:00am on April 30, 2019☆⚑

Director Adele Thomas: 'As soon as I stepped in to opera, I felt like I was home' by Tim Bano

Director Adele Thomas tells Tim Bano about setting stagehands on fire at Shakespeare's Globe, reviving Handel's Berenice after its 300-year absence from

SOURCE: The Stage Registration at 3:00am on April 30, 2019☆⚑

Getting a headshot? You might need to face up to hiring a pro by Paul Clayton

It may have been due to seeing more lines and creases in the mirror, or the fact that I haven't had many

SOURCE: The Stage Registration at 2:00am on April 30, 2019☆⚑

Stage manager Katie Jackson: Curbing bad behaviour backstage is the key to a happy company by Katie Jackson

Bad backstage etiquette is often the root cause of unhappy companies. The difficulty is catching it before it germinates. For most, 'backstage

SOURCE: The Stage Registration at 2:00am on April 30, 2019☆⚑

This Is My Family review at Minerva Theatre, Chichester " 'finds magic in the mundane' by Tim Bano

Tim Firth's better-known musicals The Girls and The Band have been doing the rounds the last couple of years, but this 2014

SOURCE: The Stage Registration at 5:30pm on April 29, 2019☆⚑

Jane Clegg review at Finborough Theatre, London " 'a sensitive production' by Julia Rank

Written at the height of the suffrage movement in 1913, St John Ervine's Jane Clegg contains echoes of Ibsen's A Doll's House.

SOURCE: The Stage Registration at 12:20pm on April 29, 2019☆⚑

Wave Me Goodbye review at Theatr Clwyd, Mold " 'bold and audacious theatre for a young audience' by Francesca Peschier

Jacqueline Wilson's books for children often balance fantasy with harsh reality. Wave Me Goodbye doesn't just depict the threat of the Second World

SOURCE: The Stage Registration at 11:49am on April 29, 2019☆⚑

Director and sound designer Munotida Chinyanga: 'I'd like to see a more fluid hierarchy in theatre' by Giverny Masso

Munotida Chinyanga is creative director of an immersive dining and theatre experience celebrating black history, which is set in a fictional Harlem

SOURCE: The Stage Registration at 11:41am on April 29, 2019☆⚑

Aerowaves, Paris: 'The meeting of minds and artists across borders is dance at its best' by Rachel Elderkin

A dance platform that creates performance opportunities for emerging choreographers has built its success on bridging divides and developing an international network.

SOURCE: The Stage Registration at 11:24am on April 29, 2019☆⚑

Worthing Theatres set to leave council control by Giverny Masso

Worthing Theatres is set to leave council control and be run by a newly formed independent trust. The venues involved are the

SOURCE: The Stage Registration at 11:15am on April 29, 2019☆⚑

Israel Galván: La Fiesta review at Sadler's Wells, London " 'magnificent surrealist flamenco' by Neil Norman

There is a sadness at the heart of Israel Galván's latest work. Inspired by the end of a flamenco performance when all

SOURCE: The Stage Registration at 9:14am on April 29, 2019☆⚑