38,681 stories from The New York Times
A sparse musical season included a radically reconceived version of “Cats” and a “Ragtime” revival. Pink will host a ceremony filled with nostalgic performances.
The ceremony, at Radio City Music Hall, will be broadcast on CBS starting at 8 p.m. Eastern, and livestreamed on Paramount+ for premium subscribers.
At 96, June Squibb is one of the oldest acting nominees in the history of the Tony Awards. Back in the 1960s, she was known for an entirely different distinction.
“Confessions II” features songs from the pop star’s coming album of the same name. At one point, green lasers shoot from the pelvises of gyrating women.
This year’s annual celebration of the best on Broadway is being hosted by Pink.
The choreographer took a barefoot leap for modern dance 100 years ago. Her influence continues to reverberate.
The choreographer Benjamin Millepied had an unusual brief: To create two short works for the championship matches at Roland Garros.
Rébecca Chaillon’s latest show tackles social stigma by featuring only performers she describes as “fat” — a label she also applies to herself.
Morgan Bassichis, whose solo show “Can I Be Frank?” resurrects an act by Frank Maya, joins others this season who are recreating the works of deceased artists.
The stars of “Giant,” “Fallen Angels,” “The Rocky Horror Show,” “Ragtime” and more prove they’ll go to great lengths to be believable in a role.
Expect wins for the musical “Schmigadoon!” and the play “Liberation,” and for the “Ragtime” stars Joshua Henry and Caissie Levy.
While the 1999 movie went for melodrama, this stage adaptation with songs by Aimee Mann honors the memoir’s coolly clinical prose.
On Thursday, Fred Rogers Productions started a channel dedicated to the beloved children’s host. Eventually it will be a repository for full episodes, behind-the-scenes footage and compila…
The stars Nathan Lane and Laurie Metcalf talk with the show’s director, Joe Mantello, about the exhilaration of collaborating and the trap of sentimentality.
With “Proof of Life,” Kiyon Ross wants to make his alma mater, the School of American Ballet, proud — and the dancers feel special. That’s what he would have wanted.
The nonprofit Second Stage Theater said it would present a reimagined version of “The Fantasticks” and the Pulitzer finalist “Gloria” at the Helen Hayes Theater.
Caissie Levy was Broadway’s first Elsa. She starred in “Hair” and “Ghost.” And now, for “Ragtime,” she is an odds-on favorite to win a Tony Award.
A man was shot dead surrounded by witnesses in Skidmore, Mo., but no one was ever prosecuted. Now that act of vigilante justice has inspired the play “Kenrex.”
With a starring role in “Power Ballad” and ambitions across mediums, the 33-year-old is carving a singular path.
Scottish Ballet realized it needed to make its nation’s history a bit more explicit to take its “Mary, Queen of Scots” on the road. It comes to Lincoln Center this week.
John J. Caswell’s triangular romance set in the early 1990s speaks to us from the smoking psychic caldera left by AIDS.
Kids Dance, from the New York Public School for Dance, is debuting a work featuring alumni. That’s not the only way former students are involved with the school.
