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765 stories by "Tim Bano"

Director Brigid Larmour: 'We need to embrace a theatrical culture that looks like our country' by Tim Bano

As her all-female Much Ado About Nothing hits the stage, the artistic director of Watford Palace Theatre talks to Tim Bano about

SOURCE: The Stage Registration at 12:25pm on October 2, 2018

Hogarth's Progress review at Rose Theatre, London " 'a muddled double-bill' by Tim Bano

Here's art not for art's sake, but for very little sake at all. Nick Dear's portrait of a young, horned-up William Hogarth,

SOURCE: The Stage Registration at 5:59am on October 1, 2018

Richard Twyman: 'I'm intent on taking English Touring Theatre on a journey' by Tim Bano

As the company celebrates its 25th anniversary, the award-winning director tells Tim Bano the occasion is giving him a chance to take

SOURCE: The Stage Registration at 12:00pm on September 25, 2018

The Human Voice review at Gate Theatre, London " 'drags despite being visually flashy' by Tim Bano

To use only simple elements was Jean Cocteau's aim for La Voix Humaine. “Not to rely too heavily on the production to

SOURCE: The Stage Registration at 5:58am on September 19, 2018

Heathers the Musical review at the Theatre Royal Haymarket " 'Carrie Hope Fletcher dazzles' by Tim Bano

Heather, Heather and Heather. Not only supercool high school megabitches but, thanks to Daniel Waters and Michael Lehmann's 1989 cult film, style

SOURCE: The Stage Registration at 7:06pm on September 13, 2018

Wasted review at Southwark Playhouse, London " 'odd but superbly directed and performed' by Tim Bano

The idea with Carl Miller and Christopher Ash's willfully weird show is that the Brontes were like a rock band. The musical

SOURCE: The Stage Registration at 6:40am on September 13, 2018

Holy Sh!t review at Kiln Theatre " 'slow and slippery play about religion and the middle classes' by Tim Bano

After wading through the daft protests outside the Kiln Theatre, the newly refurbished, rechristened building is beautiful. The auditorium feels wider and

SOURCE: The Stage Registration at 5:39am on September 11, 2018

The Humans review at Hampstead Theatre, London " 'bitingly funny and overwhelmingly sad' by Tim Bano

A few years ago twice Pulitzer-finalist Stephen Karam came across a risible self-help book called Think and Grow Rich by Napoleon Hill.

SOURCE: The Stage Registration at 7:40pm on September 6, 2018

Drip review at Roundabout, Summerhall, Edinburgh " 'sweet but slight musical about synchronised swimming' by Tim Bano

Tom Wells is master of the adorkable. There's a lovely, gentle, huggable quality to his plays. And that continues here, although perhaps

SOURCE: The Stage Registration at 9:34am on August 23, 2018

Pleasance director Anthony Alderson: 'The secret is to make chaos look as natural as possible' by Tim Bano

From humble beginnings, the Pleasance has risen to become one of the biggest venues at the world's biggest arts event " the

SOURCE: The Stage Registration at 3:00am on August 22, 2018

We've Got Each Other review at Pleasance Dome, Edinburgh " 'clever and funny one-man musical' by Tim Bano

This isn't a Jon Bon Jovi jukebox musical. Well it is and it isn't. It's definitely a very clever deconstruction and fond

SOURCE: The Stage Registration at 12:31pm on August 21, 2018

Loop review at Underbelly Cowgate, Edinburgh " 'a razor-sharp script and four great performances' by Tim Bano

Although Boxless makes physical theatre, the strongest moments in this piece about the impact of music on different generations come from the

SOURCE: The Stage Registration at 12:02pm on August 21, 2018

The Last Straw review at Summerhall, Edinburgh " 'deeply enigmatic and very watchable' by Tim Bano

It's apt for a show about fake news and the bombardment of information in the digital age that most of the time

SOURCE: The Stage Registration at 11:13am on August 21, 2018

KillyMuck review at Underbelly Bristo Square, Edinburgh " 'powerful monologue about poverty and class' by Tim Bano

When it's good, this is what the fringe excels at: a really tightly written, deftly performed monologue. And this is good. Growing

SOURCE: The Stage Registration at 10:41am on August 21, 2018

The Myth of the Singular Moment review at Summerhall, Edinburgh " 'prickling with moments of profundity' by Tim Bano

It's a bit difficult to grasp, this. The idea that nothing has happened until it's happened. And before that moment, infinite outcomes

SOURCE: The Stage Registration at 10:27am on August 21, 2018

Mistero Buffo review at Underbelly Cowgate, Edinburgh " 'magnificent production with an astounding performance' by Tim Bano

It takes brass to tackle Mistero Buffo. Dario Fo's twisted mystery play was a showcase for the late great man himself, as

SOURCE: The Stage Registration at 8:14am on August 21, 2018

A Life on the Silk Road review at Zoo Southside, Edinburgh " 'some wonderful moments' by Tim Bano

A really brief note on the free sheet for this physical show by National Theatre of China says it's about the life

SOURCE: The Stage Registration at 7:34am on August 21, 2018

Gulliver Returns review at Underbelly Cowgate, Edinburgh " 'inventive expansion of Swift's novel' by Tim Bano

As Lil points out at the beginning of this startling reinterpretation of Jonathan Swift's satire, the only bit of Gulliver's Travels people

SOURCE: The Stage Registration at 12:53pm on August 20, 2018

Hymns for Robots review at C Aquila, Edinburgh " 'super-smart recreation of the life of a pioneer' by Tim Bano

Earlier this year the BBC announced it was shutting down its Maida Vale studio. It's a shame considering its incredible history, no

SOURCE: The Stage Registration at 12:39pm on August 20, 2018

The Flop review at Summerhall, Edinburgh " 'weird and wonderful musical farce' by Tim Bano

It's a winner, this combination of Hijinx and Spymonkey. Hijinx works brilliantly with actors who have learning disabilities, while masters of daftness

SOURCE: The Stage Registration at 6:13am on August 20, 2018

The Song of Lunch review at Pleasance Courtyard, Edinburgh " 'insubstantial and overwritten' by Tim Bano

Purportedly a comedy, purportedly a dark one, there's no evidence of that in Christopher Reid's verse piece about a middle-aged man meeting

SOURCE: The Stage Registration at 5:32am on August 20, 2018

Dangerous Giant Animals review at Underbelly Cowgate, Edinburgh " 'Detailed and unadorned writing' by Tim Bano

A lot of the writing in Dangerous Giant Animals is so good because it's so taut and simple. Christina Murdock picks small

SOURCE: The Stage Registration at 1:08pm on August 17, 2018

The Beggar's Opera review at King's Theatre, Edinburgh " 'seriously out of touch' by Tim Bano

John Gay's 1728 opera was so popular in its time because it erased all the class associations of snobbish Italian opera. Gay

SOURCE: The Stage Registration at 11:46am on August 17, 2018

Strangers: Pairs review at Greenside, Edinburgh " 'a nice idea' by Tim Bano

The concept here is strong: to work magic into the narrative of a theatre piece. But this collection of three scenes doesn't

SOURCE: The Stage Registration at 11:33am on August 17, 2018

The Half review at Pleasance Courtyard, Edinburgh " 'intermittently powerful' by Tim Bano

One of the startling things that comes out of Danielle Ward's play is how the comedy industry is stacked against women's success.

SOURCE: The Stage Registration at 8:08am on August 17, 2018
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