245 stories by "Roslyn Sulcas"
In Akram Khan’s new full-length work for Danish National Ballet, Lady Macbeth is a pure-intentioned heroine.
Jess and Morgs, the creators of weird and wonderful works that blur the boundaries between live performance and digital, have reached the big time: the Paris Opera.
Audiences can embark on a very different type of theatrical experience in a new play at the Shed, blending the physical world with digital content.
The Albanian Greek director Mario Banushi talks about his dreamlike "Mami," which leads the Under the Radar festival in New York this month.
Dedicated to Ukraine, Alexei Ratmansky's evening-length ballet "The Art of the Fugue" is both dispassionately unsentimental and profoundly moving.
Mthuthuzeli November was determined to get out of his impoverished home town. Now has his work alongside George Balanchine at the Paris Opera Ballet.
The director's sumptuous rethinking of "Hedda Gabler" raises questions about women, freedom and the choices we make about our lives.
The Serbian artist's latest piece is a four-hour exploration of folklore and sexuality, featuring singers, dancers, musicians and film.
The company will perform the contemporary choreographer Hofesh Shechter's "Red Carpet" in California and New York.
"Mary, Queen of Scots," a new commission by Scottish Ballet, puts both her historical tale and contemporary views in motion.
Led by the former Royal Ballet principal Miyako Yoshida, the company made its European debut with "Giselle," showing itself the equal of major international troupes.
Artists including the musician John Grant have collaborated to find feelings beyond the words of Christopher Isherwood's 1964 book. Occasionally, they succeed.
For 50 years, Norton Owen has connected the past and present at the influential summer festival in the Berkshires.
Manuel Legris, a former étoile, returns to Paris Opera Ballet to stage his version of "Sylvia."
Her company's program at the Joyce Theater featured two notable works from the early 1980s and a Brown-inflected premiere by Lee Serle.
He brought grace and power to his roles before a serious injury encouraged him to try choreography " "maybe the richest part of my life."
Robert Garland has built the company's season on the idea that varied works can be in conversation with each other " and with dancers' bodies.
In "Sizwe Banzi Is Dead" and other works, bearing witness to forgotten lives and to the moral blindness and blinkered vision of the realities of apartheid South Africa.
Guillaume Diop has reached the highest level in the Paris Opera Ballet. He has also become a fashion-world darling and a symbol of a more diverse France.
"Kontakthof," a pivotal Bausch dance from 1978, is being staged with members of the original cast. They talk about coming back to it nearly 50 years later.
The Australian Ballet's premiere of "Oscar," based on the life of Oscar Wilde, explores the love relationship between two men.
Throughout her career and on "Downton Abbey," she perfected the role of the commanding Englishwoman with an arrow-sharp wit.
Original cast members look back at George Balanchine and Alexandra Danilova's staging of the 19th-century ballet. "Everyone knows when something is good," one said.
Atri Banerjee has channeled his own experiences into a new production of John Osborne's groundbreaking 1956 work "Look Back in Anger."
The plucky London City Ballet collapsed in 1996. Now it's getting a second life with a new mission: to stage little-known, small-scale works.
