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48 stories by "Mitch Montgomery"

NY Review: 'Degeneration X' by Mitch Montgomery

Leah Bachar and Merideth Edwards’ ambitious multimedia play “Degeneration X,” at the Living Theatre, leans too heavily on lengthy video segments.

SOURCE: Backstage at 8:00am on April 26, 2012

NY Review: 'The Shelter Presents: Art' by Mitch Montgomery

In "The Shelter Presents: Art," four short plays attempt to offer arguments for the necessity of art, managing some insights amid the self-involved clichés.

SOURCE: Backstage at 7:43am on April 22, 2012

NY Review: 'Blast Radius' by Mitch Montgomery

The second installment of Mac Rogers’ “Honeycomb Trilogy,” from Gideon Productions, directed by Jordana Williams, is almost as thrilling as the first.

SOURCE: Backstage at 5:13am on April 6, 2012

NY Review: 'The House of Fitzcarraldo' by Mitch Montgomery

Buran Theatre Company’s “The House of Fitzcarraldo” at the Brick showcases winning performances, brisk musical numbers, and cheeky self-awareness.

SOURCE: Backstage at 6:16am on March 8, 2012

NY Review: 'All the Indifferent Children of the Earth' by Mitch Montgomery

Old Kent Road Theater's "Hamlet"-inspired piece of absurdist theater, by Eric Bland, at the Brick Theater is mostly self-absorbed.

SOURCE: Backstage at 8:00am on February 17, 2012

NY Review: 'You, My Mother' by Mitch Montgomery

This stream-of-consciousness opera employs elegant slide projections and dissonant live music to coax a mother's life story out of her adult children.

SOURCE: Backstage at 6:18am on February 10, 2012

NY Review: 'Botanica' by Mitch Montgomery

This large, immersive multimedia production ruminates on the consciousness of plants by way of a magnificent set design, superb scenes of simultaneous action, and psychedelic effects.

SOURCE: Backstage at 8:00am on February 1, 2012

History of the World by Mitch Montgomery

This unfettered but ultimately unimposing interactive play asks audiences to take part in the great battles of the past and to consider which side they might have come down on in various h…

SOURCE: Backstage at 6:28am on January 13, 2012

Advance Man by Mitch Montgomery

Part 1 of a trilogy, Mac Rogers' absorbing play is set a few years after the first manned mission to Mars and thrives by entangling mysterious science fiction with straightforward domestic…

SOURCE: Backstage at 6:23am on January 13, 2012

It Is Done by Mitch Montgomery

Confidently staged in a Midtown bar, this moody, site-specific play transcends its potential gimmickry thanks to a sharp script, dark humor, and first-rate performers.

SOURCE: Backstage at 3:51am on November 16, 2011

The Climate Chronicles by Mitch Montgomery

Staged with absurd panache and true-to-life humor, this blithe send-up of four ineffectual climatologists hilariously addresses the hypocrisy and gridlock that have plagued the environment…

SOURCE: Backstage at 5:15am on November 11, 2011

A Hard Wall at High Speed by Mitch Montgomery

This is a masterfully executed production of Ashlin Halfnight's illuminating new play, which chronicles a Florida family's bizarre upheaval while reframing a well-known national tragedy wi…

SOURCE: Backstage at 8:00am on November 5, 2011

Saviour? by Mitch Montgomery

Race figures heavily into this charming and deftly written play about a reverse-discrimination lawsuit, but the big issues ultimately take a back seat to a twisty, somewhat implausible fam…

SOURCE: Backstage at 1:18am on October 17, 2011

The Love Letter You've Been Meaning to Write New York by Mitch Montgomery

This ambitious inside-out opus literally takes it to the streets by presenting action outside of the theater's floor-to-ceiling windows, but it isn't nearly as entertaining as the reaction…

SOURCE: Backstage at 9:00am on September 24, 2011

NY Review: 'Crane Story' by Mitch Montgomery

Inspired by the Japanese myth of the crane wife, this play about ghosts is rescued by its self-aware sense of humor as well as sensational stage flourishes and some deftly operated puppets.

SOURCE: Backstage at 8:00am on September 15, 2011

Epic Win Burlesque Presents the Star Trek Debate: Trek vs. Wars by Mitch Montgomery

The force is ultimately strong with this fanboy throw-down, which leans on a rotating ensemble of burlesque performers to arbitrate the question of superiority between "Star Trek" and "Sta…

SOURCE: Backstage at 1:44am on August 21, 2011

Theater of the Arcade: Five Classic Video Games Adapted for the Stage by Mitch Montgomery

This cycle of ingenious short plays is a collection of rollicking mash-ups, each pairing the signature style of a seminal playwright with the story of a beloved coin-op game.

SOURCE: Backstage at 3:27am on August 14, 2011

The Power of the Crystals by Mitch Montgomery

This loopy self-help seminar and rock concert teaches how to become a "funky dictator" and epitomizes the sort of well-conceived but laxly staged performances that end up in the Fringe.

SOURCE: Backstage at 3:53am on August 13, 2011

Oscar Wilde's Salome by Mitch Montgomery

Despite being spruced up with gorgeous multimedia elements and undulating choreography, this production of Oscar Wilde's grisly Biblical tale feels bloodless and utterly without humor.

SOURCE: Backstage at 9:00am on July 13, 2011

Death Valley by Mitch Montgomery

Thanks to a cunning use of genre conventions, this Western-zombie mash-up is a rip-roarin', gut-spillin' good time, with makeup and gore effects that elicit groans of morbid delight.

SOURCE: Backstage at 5:19am on June 27, 2011

Hamyul/Hamlet by Mitch Montgomery

This elegant and wearying Korean-language version of "Hamlet" includes artful Korean dances, costuming, and music, but these cultural flourishes ultimately hinder rather than enhance the p…

SOURCE: Backstage at 5:16am on June 27, 2011

No Problemo Amigo by Mitch Montgomery

Jaime Espinal's satiric but overly silly play, which offers a tale of a superhero Latino immigrant adjusting to American culture, is embellished with nifty projections and a precise sound …

SOURCE: Backstage at 3:45am on May 24, 2011

Here at Home by Mitch Montgomery

This experimental piece is a full-blown digital barrage, using projections and sound to bring the horrors of war to the home front.

SOURCE: Backstage at 8:00am on May 12, 2011
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