Although short by Edinburgh standards at 40 minutes, the play is framed with such intensity that it feels like any more would be too exhausting on the nerves
Oona Doherty's dance production is a powerful reflection of class and community
Scotland's Birds of Paradise theatre company is breaking down boundaries in how work made for and featuring disabled people is presented
E8, The Nights and The Wild Unfeeling World were all thoroughly enjoyed by our critic
Frankenstein: How to Make a Monster and Trying It On are two brilliant shows aimed at different generations, finds Dave Pollock
Despite common perceptions, Scottish artists and creators are represented at the Fringe... they just have more competition
Both shows are building strong word of mouth
Former veterinary school has imprinted itself as the third home of exceptionally good stage work during the festival
Tim Crouch is a fierce experimenter with the form and very concept of theatre, but this piece stretches even his ever-changing style to the margins