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300 stories by "Anna Winter"

Ballet Cymru: Romeo a Juliet review " full-throttle fights in the valleys by Anna Winter

New Vic, Newcastle-under-LymeThis nimble company has scaled Shakespeare back to suit its 12 dancers, and in Danila Marzilli they have a knockout Juliet Ballet Cymru's energetic Romeo a Julie…

SOURCE: The Guardian at 3:48pm on June 18, 2019

The Firebird/A Month in the Country/Symphony review in C at Royal Opera House, London " 'a blazing debut' by Anna Winter

Principal dancer Yasmine Naghdi makes a blazing debut in The Firebird in the Royal Ballet's latest triple bill. Against the mysterious glimmer

SOURCE: The Stage Registration at 8:22am on June 5, 2019

San Francisco Ballet: Snowblind/Bjork Ballet/The Infinite Ocean review at Sadler's Wells " 'blissful balletic rave' by Anna Winter

San Francisco Ballet continues to dish up delectable European premieres in the second of its four mixed programmes. The only narrative piece

SOURCE: The Stage Registration at 12:06pm on June 4, 2019

Royal Ballet principal Lauren Cuthbertson: 'I strive to improve, but I'm comfortable with who I am' by Anna Winter

Since joining the Royal Ballet in 2002, the principal dancer has developed an impressively varied repertoire that includes leading roles in works

SOURCE: The Stage Registration at 7:30am on June 4, 2019

Sergei Polunin: Programme 1 review at London Palladium " 'tedious and uncomfortable' by Anna Winter

Strap yourself in for some hollow sentiment and hubris " ballet's enfant terrible Sergei Polunin is back in town. The Ukrainian dancer's

SOURCE: The Stage Registration at 7:44am on May 29, 2019

Rambert: McGregor / Motin / Shechter review at Sadler's Wells, London " 'an unbalanced triple bill' by Anna Winter

Rambert's new artistic director Benoit Swan Pouffer has made a bold but dubious statement of intent with his initial programme, bringing in

SOURCE: The Stage Registration at 11:48am on May 17, 2019

How do you become a ballet dancer? by Anna Winter

Ballet's reputation for requiring hard work, long hours and physical pain is not without merit, but there is fun to be had

SOURCE: The Stage Registration at 8:00am on May 14, 2019

Dramaturg Uzma Hameed: 'Ballet is so sublime, it has to handle big ideas, surely?' by Anna Winter

Dramaturgs are not common in ballet. Uzma Hameed, the co-creator of Northern Ballet's Victoria and Wayne McGregor collaborator, tells Anna Winter how

SOURCE: The Stage Registration at 3:00am on May 14, 2019

Labouring the pointe: building the perfect ballet shoe by Anna Winter

Making ballerinas' footwear is a mix of physical labour and nuanced expertise. Anna Winter speaks to shoe experts and principals about the

SOURCE: The Stage Registration at 12:00pm on May 13, 2019

Dog Without Feathers review at Southbank Centre, London " 'acrobatic but tiresome new dance piece' by Anna Winter

Brazilian choreographer Deborah Colker's Dog Without Feathers, inspired by Joao Cabral de Melo Neto's poem of the same name, concerns the Capibaribe

SOURCE: The Stage Registration at 10:39am on May 13, 2019

Within the Golden Hour/Medusa/Flight Pattern review at Royal Opera House, London " 'serpentine new work from Sidi Larbi Cherkaoui' by Anna Winter

Abuse of power, victim-blaming, emasculation and female rage " the Medusa myth contains so much that resonates today. It's disappointing that superstar

SOURCE: The Stage Registration at 9:03am on May 9, 2019

Choreographer Russell Maliphant: 'The work is about sensing the body, that it's pulsing with blood' by Anna Winter

The award-winning choreographer's new work with video artist Panagiotis Tomaras draws on his training in the alternative therapy of Rolfing. He tells

SOURCE: The Stage Registration at 3:00am on April 9, 2019

Ivan Putrov's Against the Stream review at London Coliseum " 'triumphant hits and the odd miss' by Anna Winter

Dancer and producer Ivan Putrov's Against the Stream is an enjoyable showcase of works by choreographers who, to a greater or lesser

SOURCE: The Stage Registration at 8:48am on April 8, 2019

After Edward review at Sam Wanamaker Playhouse, London " 'poignant, funny and expertly performed' by Anna Winter

Tom Stuart's affecting and funny new play, written in response to playing Christopher Marlowe's doomed king, a role he's concurrently performing in

SOURCE: The Stage Registration at 10:16am on March 28, 2019

Victoria review at Sadler's Wells, London " 'a ballet to treasure' by Anna Winter

Choreographing the Corn Laws is a bit of an ask " narrative ballet inevitably struggles for nuance when it comes to statecraft.

SOURCE: The Stage Registration at 8:51am on March 27, 2019

Pepperland review at Sadler's Wells, London " 'Mark Morris' colourful Beatles tribute' by Anna Winter

Originally unveiled in 2017 to mark the 50th anniversary of the Beatles' Sgt. Pepper's Lonely Hearts Club Band, Mark Morris' Pepperland is

SOURCE: The Stage Registration at 8:19am on March 22, 2019

Ballet Boyz: Them/Us review at Sadler's Wells, London " 'rare, precious dance' by Anna Winter

BalletBoyz' short but riveting evening of new work begins with Them, a 30-minute piece devised via collective improvisation sessions in collaboration with

SOURCE: The Stage Registration at 8:31am on March 7, 2019

How to choose the best training for a contemporary dance career by Anna Winter

Potential dance students have many study options to choose from, each of which provide different styles of training and career prospects. Anna

SOURCE: The Stage Registration at 8:00am on March 6, 2019

Liam Scarlett's Frankenstein review at Royal Opera House, London " 'ambitious but unwieldy' by Anna Winter

Call the dramaturg! Liam Scarlett's Frankenstein is in dire need of a pacemaker and emergency surgery to slice away at its considerable

SOURCE: The Stage Registration at 7:12am on March 6, 2019

Richard Alston review at Sadler's Wells, London " 'inspired and intricate' by Anna Winter

Richard Alston has been making dance for 50 years; half of that time for his own company. Yet this celebratory programme, which

SOURCE: The Stage Registration at 7:05am on March 4, 2019

Tesseract review at Barbican Theatre, London " 'an onslaught of self-indulgence ' by Anna Winter

This theoretically involved but theatrically impotent creation is the result of a collaboration between filmmaker Charles Atlas and choreographers Rashaun Mitchell and

SOURCE: The Stage Registration at 8:35am on March 1, 2019

Choreographer Rhimes Lecointe: 'No matter if five women are in the room " all of them can make it' by Anna Winter

As a hip hop reinterpretation of The Wind in the Willows begins its UK tour, its choreographer tells Anna Winter about being

SOURCE: The Stage Registration at 7:30am on February 26, 2019

Don Quixote review at Royal Opera House, London " 'a joyful experience' by Anna Winter

Cervantes' nudnik knight-errant is back. Carlos Acosta's 2013 production of Don Quixote for the Royal Ballet is a big, bold, irresistible gift

SOURCE: The Stage Registration at 7:08am on February 18, 2019

Father (Vader) review at Barbican Theatre, London " 'absurd, astonishing and deeply moving' by Anna Winter

Father (Vader), which premiered in Europe in 2014, is the first instalment of Peeping Tom's surreal family-based trilogy. It's every bit as

SOURCE: The Stage Registration at 8:46am on February 1, 2019

Choreographer Robert Cohan: 'I like a lot of dance, but not when it's trying to sell itself with tricks' by Anna Winter

As the founding artistic director of the Place and the London Contemporary Dance School, Brooklyn-born Robert Cohan revolutionised dance in Britain. As

SOURCE: The Stage Registration at 8:00am on January 29, 2019
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