8,529 stories by "American Theatre Editors"
The embattled artistic director will be replaced by interim leader Jenny Gersten.
We won't achieve equity for marginalized voices by pitting themselves against each other, as Theresa Rebeck's recent column seemed to suggest.
Staged within a D.C. neighborhood block party, Pan Underground's production of Caridad Svich's play is designed connect local community members.
Last month Madison Mae Williams, a dramaturg with a focus on new plays, did the field proud in a national TV appearance.
Phantoms playing hide-and-seek, lighting with a mind of its own, floating shadows, and more fill our annual assortment of tales about haunted theatres.
The schedule includes virtual events in October, December, and January, and an in-person gathering in November.
Lloyd Suh's play, which will be the most-produced of the coming season, speaks directly both to our tangled past and our complicated present.
A co-production among Woolly Mammoth, the Huntington, and Pasadena Playhouse gives new life to Mike Lew's disability-themed spin on 'Richard III.'
This month Brian talks to the Brooklyn-based playwright about fighting back against abuse, hustling past gatekeepers, and finding her authentic voice.
For this episode, the editors talk to the artistic director of Atlanta's True Colors Theatre about the city, the theatre, and the art form.
When the L.A. theatre announced a season light on women playwrights, a protest led to change and greater transparency.
Seven artists in total will receive $275,000 each, including $250,000 in unrestricted funding.
Five producers gather to talk about what they do and the power they hold to make change.
Though he ran a magazine based in New York City, he tirelessly---and uniquely---spread the love around the entire national theatre scene.
The founding editor of American Theatre did everything with gusto, including mentoring two generations of theatre journalists.
Pandemic delays allowed the Chicago theatre to rethink their both production process and the meaning of the play, with strong input from their lead actor.
She may be alone onstage for the performance, but she contains---and reflects---multitudes.
For Hispanic Heritage Month, four Latinx/Latine play festival producers talk about their vision for a more expansive and inclusive American theatre.
Formerly the Minnesota Jewish Theatre Company, this Twin Cities mainstay is dedicated to new work rooted in Jewish culture.
As she steps into a new role at D.C.'s Folger Theatre and Library, she's focused on how a repurposed Bard can help build community.
Hired in 1982 to create a national theatre magazine, he spent decades covering and celebrating artists and companies in the U.S. and around the world.
The playwright of 'Middletown' and 'Thom Pain' talks about his new Ibsen adaptation, 'Gnit,' the often winding pursuit of the self, and the lessons of community.
From a warning against home-grown fascism to an R&H revisal, from WOW Café to slam poetry.
Among the doors the playwright and teacher opened: to the power of words, to the world of theatre, to the possibilities of meditation.
If confirmed, Lowe will be the first Native American head of the NEA, and Jackson the first African American and Mexican American to lead the NEA.
