14 stories by "Alison Broverman, Special To National Post"
Michael Shamata's adaptation of A Christmas Carol is spare and pared down, relying on the story itself to work its magic
'It began as a thought of someone affected by their environment, but as I began to grow it, it became more biblical'
'We have to take a lot of time with technology, and rather than resist that we've decided to use it. So the audience just has to wait'
'I've been part of this group since the beginning and I understand our process, which is a big part of our work here'
'I think they'll have memories of it that will come alive for them in the future. Because music and art happened in their city'
'Special to the festival context is the coming together and concentration of diverse approaches to performance'
'Matilda is a show that celebrates the importance of fairness, kindness and intelligence, three qualities that resonate with the cast mates'
Part of the fun of Fringe is seeing theatre outside of its usual context, and some of these shows are taking that far more literally than others
David French's 1979 play Jitters is back on at Soulpepper, and the cast could teach you a thing or two about learning to just breathe
Although "Mordecai Richler" and "musical theatre" may seem anathema to one another, when the Segal Centre officially opens its singing adaptation of The Apprenticeship of Dudday Kravitz on J…
It might sound like a weird pop-culture gimmick, but this isn't "Springfield: The Musical"
Under Mitchell Cushman's direction for the Harold Green Jewish Theatre, this production has the sort of experiential flourish that has become his signature
Jillian Keiley won the 2004 Siminovitch Prize for directing, one of the country's most prestigious theatre awards
Peter Herrndorf presides over the National Arts Centre like a benevolent grandfather
