Silas Farley’s dance for City Ballet’s Stravinsky festival has a score by David K. Israel that builds on a poem Balanchine wrote and set to music for Stravinsky.
SOURCE: The New York Times Subscription at 02:21PM“There are no rules,” says Janie Taylor, a former City Ballet principal, whose dances are featured in the L.A. Dance Project’s Joyce Theater season.
SOURCE: The New York Times Subscription at 01:43PMOn the 50th anniversary of New York City Ballet’s Stravinsky Festival, remembering a collaboration for the ages: Balanchine and Stravinsky.
SOURCE: The New York Times Subscription at 10:00AMMejia and Quan are the artists in residences at this summer’s festival, which will also feature new works by Justin Peck, Pam Tanowitz and others.
SOURCE: The New York Times Subscription at 02:00PMIn a new memoir, the former president of the Brooklyn Academy of Music reflects on some of the organization’s most memorable stagings and artists.
SOURCE: The New York Times Subscription at 10:06AMFor his new work at New York City Ballet, Peck enlisted the composer Caroline Shaw and the artist Eva LeWitt: “It has really felt like a back-and-forth conversation.”
SOURCE: The New York Times Subscription at 11:19AMRojo, who has given the English National Ballet a new allure, succeeds Helgi Tomasson as just the fifth director to lead the San Francisco company.
SOURCE: The New York Times Subscription at 11:19AMLefèvre, a former director of the Paris Opera Ballet, is stepping down from running the Cannes Dance Festival. What next? “I want to dance.”
SOURCE: The New York Times Subscription at 05:00AMShuler, a former dancer, has run the theater since 2003, instituting its popular Fall for Dance series.
SOURCE: The New York Times Subscription at 02:00PMIn his long career, most of it with the Royal Shakespeare Company, he played everyone from King Lear to Primo Levi to Ringo Starr.
SOURCE: The New York Times Subscription at 03:18PMBased on the 1830 novel by Stendhal, Pierre Lacotte’s new production for the Paris Opera Ballet is an old-fashioned costume drama.
SOURCE: The New York Times Subscription at 05:02AMWayne McGregor’s full-length work, a collaboration with Thomas Adès and Tacita Dean, opens at a moment of purgatorial relevance.
SOURCE: The New York Times Subscription at 01:06PMThe choreographer Andrea Miller chose Lido Pimienta — “she’s a superstar” — to score her new piece for New York City Ballet. They talk about breaking new ground.
SOURCE: The New York Times Subscription at 04:16PMLiam Scarlett killed himself after he was accused of misconduct. Now the dance world is grappling with the aftermath.
SOURCE: The New York Times Subscription at 09:16AMThe choreographer JoAnn M. Hunter has quietly become an important figure in the world of musical theater, especially with her work for Andrew Lloyd Webber.
SOURCE: The New York Times Subscription at 11:00AMSince last summer, leaders of New York’s pre-eminent dance companies have been meeting weekly to share ideas and problems.
SOURCE: The New York Times Subscription at 10:00AMThe National Ballet of Canada’s newly named artistic director discusses her vision for diversity, accessibility and transparency in dance.
SOURCE: The New York Times Subscription at 07:19PMThe annual arts event in the north of England suggests that focusing on community and inclusiveness could be a natural, post-pandemic outcome for artists.
SOURCE: The New York Times Subscription at 02:06PMThe festival lost some premieres, but gained others, including one by Dimitris Papaioannou, and kept a free project in an old factory.
SOURCE: The New York Times Subscription at 01:42PMBorn with a spinal deformity, he doubted he could ever dance, but he was able to incorporate his physical handicaps into his performances.
SOURCE: The New York Times Subscription at 09:38AMTen years after his death, Petit is still considered an important figure in France, though his works haven’t been performed with great regularity.
SOURCE: The New York Times Subscription at 10:00AMThe Royal Ballet’s program, “21st Century Choreographers,” featured a new work by Kyle Abraham.
SOURCE: The New York Times Subscription at 03:02PMHe helped popularize ballet with an all-American style, combining the nonchalance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
SOURCE: The New York Times Subscription at 10:12AMCoppola and Justin Peck talk about how they approached making a film for New York City Ballet’s digital spring gala.
SOURCE: The New York Times Subscription at 02:45PMHe embodied an all-American style, combining the nonchalant elegance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
SOURCE: The New York Times Subscription at 02:52PMThe dancer, Chloé Lopes Gomes, spoke out about racism last year after her contract was not renewed, and she will stay on, after arbitration.
SOURCE: The New York Times Subscription at 12:27PMOur recommendations for dance to stream online, whether from your couch or your yoga mat.
SOURCE: The New York Times Subscription at 08:35AMHe rose to fame in the dance world with remarkable speed. His subsequent downfall, amid allegations of sexual misconduct, happened just as abruptly.
SOURCE: The New York Times Subscription at 04:13PMShe was acclaimed for her work on the TV series “Peaky Blinders” and in three Harry Potter movies, but she first gained notice in the London theater.
SOURCE: The New York Times Subscription at 06:54PMThe celebrated choreographer created roles for her. The critics hailed her. Yet her death a year ago went largely unnoticed in the dance world.
SOURCE: The New York Times Subscription at 03:04PMFor “When We Fell,” a filmed dance, the choreographer took cues from a snowy bubble residency — and from Prince’s “Under the Cherry Moon.”
SOURCE: The New York Times Subscription at 10:49AM
