Thursday, January 26, 2023
Melanie Chisholm has collaborated with the choreographer Jules Cunningham on “How Did We Get Here?,” a dance piece exploring what the body holds.
SOURCE: The New York Times Subscription at 08:50AMMonday, January 23, 2023
Starring Jessica Lange and Ed Harris, Jonathan Kent’s adaptation of “Long Day’s Journey Into Night” started production, only to lose key financing.
SOURCE: The New York Times Subscription at 11:20AMTuesday, November 15, 2022
“Houseboy” took shape at the South Africa-based Center for the Less Good Idea, where artists are allowed to follow their own impulses.
SOURCE: The New York Times Subscription at 11:42AMFriday, October 28, 2022
Martinez, once a member of the company’s troupe and a former leader of the National Dance Company of Spain, will take up the position in December.
SOURCE: The New York Times Subscription at 10:24AMFriday, October 21, 2022
Crystal Pite’s “Light of Passage” at the Royal Ballet takes on big issues: refugees, life and death. At Ballet Black, Gregory Maqoma shines.
SOURCE: The New York Times Subscription at 09:49AMFriday, September 23, 2022
Benjamin Millepied’s L.A. Dance Project presents a “Romeo and Juliet” with same-sex lovers. And at Paris Opera Ballet, Alan Lucien Oyen goes Bauschian.
SOURCE: The New York Times Subscription at 04:26PMMonday, September 19, 2022
The events around Queen Elizabeth’s death have unfolded with an astonishing amount of formal, choreographed movement.
SOURCE: The New York Times Subscription at 05:14PMWednesday, September 14, 2022
“Burn” is an unlikely hybrid: A movement-focused show performed by a famous actor with no dance training, about a man whose medium was words.
SOURCE: The New York Times Subscription at 10:49AMTuesday, June 7, 2022
The choreographer Akram Khan and Tamara Rojo, English National Ballet’s artistic director, talk about their “Giselle,” coming to the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 07:25AMFriday, June 3, 2022
Christopher Wheeldon’s full-length work for the Royal Ballet succeeds best when not meeting the demands of storytelling.
SOURCE: The New York Times Subscription at 03:30PMTuesday, May 24, 2022
The British tenor Allan Clayton’s portrayal of the title role in Brett Dean’s opera is personal, emotional — and a breakthrough.
SOURCE: The New York Times Subscription at 11:02AMMonday, May 9, 2022
A former star ballerina with the company, Jaffe will assume the reins after the 30-year tenure of Kevin McKenzie.
SOURCE: The New York Times Subscription at 12:15PMTuesday, May 3, 2022
Silas Farley’s dance for City Ballet’s Stravinsky festival has a score by David K. Israel that builds on a poem Balanchine wrote and set to music for Stravinsky.
SOURCE: The New York Times Subscription at 02:21PMMonday, May 2, 2022
“There are no rules,” says Janie Taylor, a former City Ballet principal, whose dances are featured in the L.A. Dance Project’s Joyce Theater season.
SOURCE: The New York Times Subscription at 01:43PMThursday, April 28, 2022
On the 50th anniversary of New York City Ballet’s Stravinsky Festival, remembering a collaboration for the ages: Balanchine and Stravinsky.
SOURCE: The New York Times Subscription at 10:00AMThursday, March 24, 2022
Mejia and Quan are the artists in residences at this summer’s festival, which will also feature new works by Justin Peck, Pam Tanowitz and others.
SOURCE: The New York Times Subscription at 02:00PMWednesday, February 9, 2022
In a new memoir, the former president of the Brooklyn Academy of Music reflects on some of the organization’s most memorable stagings and artists.
SOURCE: The New York Times Subscription at 10:06AMTuesday, January 25, 2022
For his new work at New York City Ballet, Peck enlisted the composer Caroline Shaw and the artist Eva LeWitt: “It has really felt like a back-and-forth conversation.”
SOURCE: The New York Times Subscription at 11:19AMTuesday, January 11, 2022
Rojo, who has given the English National Ballet a new allure, succeeds Helgi Tomasson as just the fifth director to lead the San Francisco company.
SOURCE: The New York Times Subscription at 11:19AMThursday, December 23, 2021
Lefèvre, a former director of the Paris Opera Ballet, is stepping down from running the Cannes Dance Festival. What next? “I want to dance.”
SOURCE: The New York Times Subscription at 05:00AMWednesday, December 8, 2021
Sunday, December 5, 2021
In his long career, most of it with the Royal Shakespeare Company, he played everyone from King Lear to Primo Levi to Ringo Starr.
SOURCE: The New York Times Subscription at 03:18PMMonday, October 18, 2021
Based on the 1830 novel by Stendhal, Pierre Lacotte’s new production for the Paris Opera Ballet is an old-fashioned costume drama.
SOURCE: The New York Times Subscription at 05:02AMWednesday, October 13, 2021
Wayne McGregor’s full-length work, a collaboration with Thomas Adès and Tacita Dean, opens at a moment of purgatorial relevance.
SOURCE: The New York Times Subscription at 01:06PMTuesday, September 28, 2021
The choreographer Andrea Miller chose Lido Pimienta — “she’s a superstar” — to score her new piece for New York City Ballet. They talk about breaking new ground.
SOURCE: The New York Times Subscription at 04:16PMFriday, September 24, 2021
Liam Scarlett killed himself after he was accused of misconduct. Now the dance world is grappling with the aftermath.
SOURCE: The New York Times Subscription at 09:16AMFriday, September 3, 2021
The choreographer JoAnn M. Hunter has quietly become an important figure in the world of musical theater, especially with her work for Andrew Lloyd Webber.
SOURCE: The New York Times Subscription at 11:00AMThursday, August 12, 2021
Since last summer, leaders of New York’s pre-eminent dance companies have been meeting weekly to share ideas and problems.
SOURCE: The New York Times Subscription at 10:00AMTuesday, July 20, 2021
The National Ballet of Canada’s newly named artistic director discusses her vision for diversity, accessibility and transparency in dance.
SOURCE: The New York Times Subscription at 07:19PMTuesday, July 6, 2021
The annual arts event in the north of England suggests that focusing on community and inclusiveness could be a natural, post-pandemic outcome for artists.
SOURCE: The New York Times Subscription at 02:06PMTuesday, June 8, 2021
The festival lost some premieres, but gained others, including one by Dimitris Papaioannou, and kept a free project in an old factory.
SOURCE: The New York Times Subscription at 01:42PM 
