Wayne McGregor’s full-length work, a collaboration with Thomas Adès and Tacita Dean, opens at a moment of purgatorial relevance.
SOURCE: The New York Times Subscription at 01:06PMThe choreographer Andrea Miller chose Lido Pimienta — “she’s a superstar” — to score her new piece for New York City Ballet. They talk about breaking new ground.
SOURCE: The New York Times Subscription at 04:16PMLiam Scarlett killed himself after he was accused of misconduct. Now the dance world is grappling with the aftermath.
SOURCE: The New York Times Subscription at 09:16AMThe choreographer JoAnn M. Hunter has quietly become an important figure in the world of musical theater, especially with her work for Andrew Lloyd Webber.
SOURCE: The New York Times Subscription at 11:00AMSince last summer, leaders of New York’s pre-eminent dance companies have been meeting weekly to share ideas and problems.
SOURCE: The New York Times Subscription at 10:00AMThe National Ballet of Canada’s newly named artistic director discusses her vision for diversity, accessibility and transparency in dance.
SOURCE: The New York Times Subscription at 07:19PMThe annual arts event in the north of England suggests that focusing on community and inclusiveness could be a natural, post-pandemic outcome for artists.
SOURCE: The New York Times Subscription at 02:06PMThe festival lost some premieres, but gained others, including one by Dimitris Papaioannou, and kept a free project in an old factory.
SOURCE: The New York Times Subscription at 01:42PMBorn with a spinal deformity, he doubted he could ever dance, but he was able to incorporate his physical handicaps into his performances.
SOURCE: The New York Times Subscription at 09:38AMTen years after his death, Petit is still considered an important figure in France, though his works haven’t been performed with great regularity.
SOURCE: The New York Times Subscription at 10:00AMThe Royal Ballet’s program, “21st Century Choreographers,” featured a new work by Kyle Abraham.
SOURCE: The New York Times Subscription at 03:02PMHe helped popularize ballet with an all-American style, combining the nonchalance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
SOURCE: The New York Times Subscription at 10:12AMCoppola and Justin Peck talk about how they approached making a film for New York City Ballet’s digital spring gala.
SOURCE: The New York Times Subscription at 02:45PMHe embodied an all-American style, combining the nonchalant elegance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
SOURCE: The New York Times Subscription at 02:52PMThe dancer, Chloé Lopes Gomes, spoke out about racism last year after her contract was not renewed, and she will stay on, after arbitration.
SOURCE: The New York Times Subscription at 12:27PMOur recommendations for dance to stream online, whether from your couch or your yoga mat.
SOURCE: The New York Times Subscription at 08:35AMHe rose to fame in the dance world with remarkable speed. His subsequent downfall, amid allegations of sexual misconduct, happened just as abruptly.
SOURCE: The New York Times Subscription at 04:13PMShe was acclaimed for her work on the TV series “Peaky Blinders” and in three Harry Potter movies, but she first gained notice in the London theater.
SOURCE: The New York Times Subscription at 06:54PMThe celebrated choreographer created roles for her. The critics hailed her. Yet her death a year ago went largely unnoticed in the dance world.
SOURCE: The New York Times Subscription at 03:04PMFor “When We Fell,” a filmed dance, the choreographer took cues from a snowy bubble residency — and from Prince’s “Under the Cherry Moon.”
SOURCE: The New York Times Subscription at 10:49AMAt Ballet National de Marseille, a varied night of dances by Lucinda Childs, Tânia Carvalho, Lasseindra Ninja and Oona Doherty.
SOURCE: The New York Times Subscription at 02:44PMCalvin Royal III, slated to be the 2020 artist in residence, will take up the mantle this year instead.
SOURCE: The New York Times Subscription at 01:00PMKevin McKenzie, the company’s artistic director, will leave his job after the 2022 season.
SOURCE: The New York Times Subscription at 03:11PMHugo Marchand talks about his memoir, “Danser,” about the intensity of the company and about dancing with Anselm Kiefer paintings.
SOURCE: The New York Times Subscription at 11:28AMRenowned as both a star dancer and the director of the Paris Opera Ballet, he was a household name in France from an early age.
SOURCE: The New York Times Subscription at 12:02PM“It felt like the right next step,” the former New York City Ballet dancer said of taking on a leadership role at the Colburn School.
SOURCE: The New York Times Subscription at 06:10PMThe history of the Royal Academy of Dance, outlined at an exhibition in London, is synonymous with the history of ballet in Britain.
SOURCE: The New York Times Subscription at 05:12AMMore than 20 countries have sent over 100 productions, including large-scale works by some of the hottest directors. So why have so few heard of the event?
SOURCE: The New York Times Subscription at 12:06PMIn Michael Keegan-Dolan’s reimagining at the Next Wave Festival, there are no tutus, Tchaikovsky or castles.
SOURCE: The New York Times Subscription at 12:24PMThe Théâtre du Châtelet is reopening after a two-and-a-half-year renovation, with a new artistic director and an inclusive new mission.
SOURCE: The New York Times Subscription at 06:42AMRoyal Opera House, LondonWhat Yuri Grigorovich’s Soviet-era ballet lacks in subtlety it makes up for in sheer virtuosity and spectacle Liberation! Courage! Indomitable will! Sacrifice for …
SOURCE: The Guardian at 06:24AM