Melanie Chisholm has collaborated with the choreographer Jules Cunningham on “How Did We Get Here?,” a dance piece exploring what the body holds.
SOURCE: The New York Times Subscription at 08:50AMStarring Jessica Lange and Ed Harris, Jonathan Kent’s adaptation of “Long Day’s Journey Into Night” started production, only to lose key financing.
SOURCE: The New York Times Subscription at 11:20AM“Houseboy” took shape at the South Africa-based Center for the Less Good Idea, where artists are allowed to follow their own impulses.
SOURCE: The New York Times Subscription at 11:42AMMartinez, once a member of the company’s troupe and a former leader of the National Dance Company of Spain, will take up the position in December.
SOURCE: The New York Times Subscription at 10:24AMCrystal Pite’s “Light of Passage” at the Royal Ballet takes on big issues: refugees, life and death. At Ballet Black, Gregory Maqoma shines.
SOURCE: The New York Times Subscription at 09:49AMBenjamin Millepied’s L.A. Dance Project presents a “Romeo and Juliet” with same-sex lovers. And at Paris Opera Ballet, Alan Lucien Oyen goes Bauschian.
SOURCE: The New York Times Subscription at 04:26PMThe events around Queen Elizabeth’s death have unfolded with an astonishing amount of formal, choreographed movement.
SOURCE: The New York Times Subscription at 05:14PM“Burn” is an unlikely hybrid: A movement-focused show performed by a famous actor with no dance training, about a man whose medium was words.
SOURCE: The New York Times Subscription at 10:49AMThe choreographer Akram Khan and Tamara Rojo, English National Ballet’s artistic director, talk about their “Giselle,” coming to the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 07:25AMChristopher Wheeldon’s full-length work for the Royal Ballet succeeds best when not meeting the demands of storytelling.
SOURCE: The New York Times Subscription at 03:30PMThe British tenor Allan Clayton’s portrayal of the title role in Brett Dean’s opera is personal, emotional — and a breakthrough.
SOURCE: The New York Times Subscription at 11:02AMA former star ballerina with the company, Jaffe will assume the reins after the 30-year tenure of Kevin McKenzie.
SOURCE: The New York Times Subscription at 12:15PMSilas Farley’s dance for City Ballet’s Stravinsky festival has a score by David K. Israel that builds on a poem Balanchine wrote and set to music for Stravinsky.
SOURCE: The New York Times Subscription at 02:21PM“There are no rules,” says Janie Taylor, a former City Ballet principal, whose dances are featured in the L.A. Dance Project’s Joyce Theater season.
SOURCE: The New York Times Subscription at 01:43PMOn the 50th anniversary of New York City Ballet’s Stravinsky Festival, remembering a collaboration for the ages: Balanchine and Stravinsky.
SOURCE: The New York Times Subscription at 10:00AMMejia and Quan are the artists in residences at this summer’s festival, which will also feature new works by Justin Peck, Pam Tanowitz and others.
SOURCE: The New York Times Subscription at 02:00PMIn a new memoir, the former president of the Brooklyn Academy of Music reflects on some of the organization’s most memorable stagings and artists.
SOURCE: The New York Times Subscription at 10:06AMFor his new work at New York City Ballet, Peck enlisted the composer Caroline Shaw and the artist Eva LeWitt: “It has really felt like a back-and-forth conversation.”
SOURCE: The New York Times Subscription at 11:19AMRojo, who has given the English National Ballet a new allure, succeeds Helgi Tomasson as just the fifth director to lead the San Francisco company.
SOURCE: The New York Times Subscription at 11:19AMLefèvre, a former director of the Paris Opera Ballet, is stepping down from running the Cannes Dance Festival. What next? “I want to dance.”
SOURCE: The New York Times Subscription at 05:00AMShuler, a former dancer, has run the theater since 2003, instituting its popular Fall for Dance series.
SOURCE: The New York Times Subscription at 02:00PMIn his long career, most of it with the Royal Shakespeare Company, he played everyone from King Lear to Primo Levi to Ringo Starr.
SOURCE: The New York Times Subscription at 03:18PMBased on the 1830 novel by Stendhal, Pierre Lacotte’s new production for the Paris Opera Ballet is an old-fashioned costume drama.
SOURCE: The New York Times Subscription at 05:02AMWayne McGregor’s full-length work, a collaboration with Thomas Adès and Tacita Dean, opens at a moment of purgatorial relevance.
SOURCE: The New York Times Subscription at 01:06PMThe choreographer Andrea Miller chose Lido Pimienta — “she’s a superstar” — to score her new piece for New York City Ballet. They talk about breaking new ground.
SOURCE: The New York Times Subscription at 04:16PMLiam Scarlett killed himself after he was accused of misconduct. Now the dance world is grappling with the aftermath.
SOURCE: The New York Times Subscription at 09:16AMThe choreographer JoAnn M. Hunter has quietly become an important figure in the world of musical theater, especially with her work for Andrew Lloyd Webber.
SOURCE: The New York Times Subscription at 11:00AMSince last summer, leaders of New York’s pre-eminent dance companies have been meeting weekly to share ideas and problems.
SOURCE: The New York Times Subscription at 10:00AMThe National Ballet of Canada’s newly named artistic director discusses her vision for diversity, accessibility and transparency in dance.
SOURCE: The New York Times Subscription at 07:19PMThe annual arts event in the north of England suggests that focusing on community and inclusiveness could be a natural, post-pandemic outcome for artists.
SOURCE: The New York Times Subscription at 02:06PMThe festival lost some premieres, but gained others, including one by Dimitris Papaioannou, and kept a free project in an old factory.
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