Wednesday, October 13, 2021
Wayne McGregor’s full-length work, a collaboration with Thomas Adès and Tacita Dean, opens at a moment of purgatorial relevance.
SOURCE: The New York Times Subscription at 01:06PMTuesday, September 28, 2021
The choreographer Andrea Miller chose Lido Pimienta — “she’s a superstar” — to score her new piece for New York City Ballet. They talk about breaking new ground.
SOURCE: The New York Times Subscription at 04:16PMFriday, September 24, 2021
Liam Scarlett killed himself after he was accused of misconduct. Now the dance world is grappling with the aftermath.
SOURCE: The New York Times Subscription at 09:16AMFriday, September 3, 2021
The choreographer JoAnn M. Hunter has quietly become an important figure in the world of musical theater, especially with her work for Andrew Lloyd Webber.
SOURCE: The New York Times Subscription at 11:00AMThursday, August 12, 2021
Since last summer, leaders of New York’s pre-eminent dance companies have been meeting weekly to share ideas and problems.
SOURCE: The New York Times Subscription at 10:00AMTuesday, July 20, 2021
The National Ballet of Canada’s newly named artistic director discusses her vision for diversity, accessibility and transparency in dance.
SOURCE: The New York Times Subscription at 07:19PMTuesday, July 6, 2021
The annual arts event in the north of England suggests that focusing on community and inclusiveness could be a natural, post-pandemic outcome for artists.
SOURCE: The New York Times Subscription at 02:06PMTuesday, June 8, 2021
The festival lost some premieres, but gained others, including one by Dimitris Papaioannou, and kept a free project in an old factory.
SOURCE: The New York Times Subscription at 01:42PMMonday, May 31, 2021
Born with a spinal deformity, he doubted he could ever dance, but he was able to incorporate his physical handicaps into his performances.
SOURCE: The New York Times Subscription at 09:38AMWednesday, May 26, 2021
Ten years after his death, Petit is still considered an important figure in France, though his works haven’t been performed with great regularity.
SOURCE: The New York Times Subscription at 10:00AMWednesday, May 19, 2021
Wednesday, May 5, 2021
He helped popularize ballet with an all-American style, combining the nonchalance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
SOURCE: The New York Times Subscription at 10:12AMTuesday, May 4, 2021
Coppola and Justin Peck talk about how they approached making a film for New York City Ballet’s digital spring gala.
SOURCE: The New York Times Subscription at 02:45PMMonday, May 3, 2021
He embodied an all-American style, combining the nonchalant elegance of Fred Astaire with the nobility of a classic male dancer. Hollywood came calling, too.
SOURCE: The New York Times Subscription at 02:52PMThursday, April 22, 2021
The dancer, Chloé Lopes Gomes, spoke out about racism last year after her contract was not renewed, and she will stay on, after arbitration.
SOURCE: The New York Times Subscription at 12:27PMTuesday, April 20, 2021
Saturday, April 17, 2021
He rose to fame in the dance world with remarkable speed. His subsequent downfall, amid allegations of sexual misconduct, happened just as abruptly.
SOURCE: The New York Times Subscription at 04:13PMFriday, April 16, 2021
She was acclaimed for her work on the TV series “Peaky Blinders” and in three Harry Potter movies, but she first gained notice in the London theater.
SOURCE: The New York Times Subscription at 06:54PMTuesday, April 13, 2021
The celebrated choreographer created roles for her. The critics hailed her. Yet her death a year ago went largely unnoticed in the dance world.
SOURCE: The New York Times Subscription at 03:04PMTuesday, April 6, 2021
For “When We Fell,” a filmed dance, the choreographer took cues from a snowy bubble residency — and from Prince’s “Under the Cherry Moon.”
SOURCE: The New York Times Subscription at 10:49AMFriday, April 2, 2021
At Ballet National de Marseille, a varied night of dances by Lucinda Childs, Tânia Carvalho, Lasseindra Ninja and Oona Doherty.
SOURCE: The New York Times Subscription at 02:44PMWednesday, March 31, 2021
Thursday, March 25, 2021
Friday, March 19, 2021
Hugo Marchand talks about his memoir, “Danser,” about the intensity of the company and about dancing with Anselm Kiefer paintings.
SOURCE: The New York Times Subscription at 11:28AMSaturday, March 13, 2021
Renowned as both a star dancer and the director of the Paris Opera Ballet, he was a household name in France from an early age.
SOURCE: The New York Times Subscription at 12:02PMThursday, February 25, 2021
“It felt like the right next step,” the former New York City Ballet dancer said of taking on a leadership role at the Colburn School.
SOURCE: The New York Times Subscription at 06:10PMWednesday, January 6, 2021
The history of the Royal Academy of Dance, outlined at an exhibition in London, is synonymous with the history of ballet in Britain.
SOURCE: The New York Times Subscription at 05:12AMTuesday, December 3, 2019
More than 20 countries have sent over 100 productions, including large-scale works by some of the hottest directors. So why have so few heard of the event?
SOURCE: The New York Times Subscription at 12:06PMTuesday, October 15, 2019
In Michael Keegan-Dolan’s reimagining at the Next Wave Festival, there are no tutus, Tchaikovsky or castles.
SOURCE: The New York Times Subscription at 12:24PMFriday, September 13, 2019
The Théâtre du Châtelet is reopening after a two-and-a-half-year renovation, with a new artistic director and an inclusive new mission.
SOURCE: The New York Times Subscription at 06:42AMSunday, August 4, 2019
Royal Opera House, LondonWhat Yuri Grigorovich’s Soviet-era ballet lacks in subtlety it makes up for in sheer virtuosity and spectacle
Liberation! Courage! Indomitable will! Sacrifice for …
SOURCE: The Guardian at 06:24AM 
