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The former James Bond stars in an uninvolving and ponderous production that's a real Blunderball.
The new musical has hearty laughs and glorious punchlines that are knocked outta the park by a master.
The new play is a weird and wired comedy that imagines a White House fiasco.
“Ouch!” is the main takeaway of the intriguing, autobiographical new musical “A Strange Loop,” which opened Tuesday night on Broadway.
The set is the real star in Thornton Wilder’s geezer of a play that saw its latest revival open Monday night on Broadway.
This sorely lacking new production rains on the old musical’s parade.
The new comedy is a heaping scoop of jaw-droppers and taboos — albeit with a sophisticated takeaway about the justice system — that’ll make wimps clutch their pearls for dear life.
The sluggish revival of the 1976 drama, which opened Wednesday night on Broadway, doesn’t make a particularly compelling case for its up-to-the-minute-ness.
Mary-Louise Parker returns to the role she first played 25 years ago in "How I Learned To Drive" on Broadway.
The new play from the “August: Osage County" scribe has crackling dialogue, strong-willed performances — and an ending that's prompting audience members to run.
A pass-the-popcorn revival of David Mamet’s carnivorous 1975 drama has opened on Broadway.
Barry Manilow’s new musical “Harmony” has a lot going for it. Still, there is some discord.
Can she sing and dance?! That’s been the question on everybody’s lips since we first learned the "Baywatch" star was daring Broadway
“Prince” is much too petit for big old Broadway.
There are flickers of beauty in the new Broadway play “Birthday Candles.”
The A-list London show tries to differentiate itself with that brand of breathing-down-your-neck intimacy and immersion.
The old saying “there’s no crying in baseball” gets a shellacking in this fantastic revival.
Despite a powerhouse performance by its leading lady, this new musical from Canadian ex-con Garth Drabinsky is excessive and emotionally manipulative.
Co-starring Parker’s husband Matthew Broderick, the 1960s-set comedy is an old-fashioned affair to be sure, but no less a sparkling one.
With Pamela Anderson joining the cast of "Chicago," we’re living in a golden age for the golden-haired bombshell.
Hello, Tonys! It’s so nice to have you back where you belong.
Beyond appearing in more than 100 films such as “Star Wars” and “Coming to America” during his storied career, Jones, 91, has been on Broadway in 21 shows.
The producer of “Paradise Square” is notorious fraudster Garth Drabinsky, and, sources said, he's out of cash.
A deeply uncomfortable experience for its audience — not because of its fascinating probes into the ugliness of racism, but due to how poorly the story has been handled theatrically.
“The Music Man,” I’m sorry to say, does not live up to our oversize expectations. Quite unexpectedly, you leave not raving about Jackman, but the music woman — Sutton Foster. She’s…
The pat dialogue feels as if it was co-authored by a lawyer for the Jackson Estate — one of the producers — with Wite-Out and a Sharpie.
With Omicron surging in New York, understudies, standbys and emergency last-minute fill-ins are the glue keeping Broadway from falling apart.
"Flying Over Sunset” is a stuffy show with an off-putting premise: A 1950s acid trip between Cary Grant, Aldous Huxley and Clare Boothe Luce.
Minutes into the Stephen Sondheim musical “Company,” which opened Thursday at the Bernard B. Jacobs Theatre, it hits you — Broadway really is back.
Why has a movie that was never anything more than a ridiculous vehicle for the late Robin Williams’ comedic talents been dragged onstage almost 30 years later without him?
Spielberg also revealed that the two became friends, and had onset nicknames.