4,600 stories from Toronto Star
Classic musical closes Young People's Theatre's 50th anniversary season.
Smart vocal casting and creative staging helps elevate Opera Atelier production of early Mozart opera.
Kara Huber uses two baseballs and a glove to pound the keys in sports-themed concert
A key to the Bard's enduring appeal: His characters cover every demographic, from a teenage Juliet to a doddering King Lear.
Ayad Akhtar's pay opens at the Panasonic Theatre in Toronto.
The production at Theatre Passe Muraille touches on privilege, domestic violence, but doesn't have time to unpack them.
Artist Gerard Gauci's portraits part of set at production of Lucio Silla
Dance inspired by late actor is keenly focused on the very act of the body in motion.
"The goal is to create this open, trusting, non-judgmental atmosphere," says dancer and choreographer Joe Laughlin.
d'bi.young anitafrika's latest performance depicts, through ritual and song, how the movement of racialized bodies has been supervised and policed.
Disgraced at the Panasonic, Killer Joe at the Coal Mine, and Matt & Ben at the Imperial Pub.
Main character Joe is much easier to root against than for in this Lucy Kirkwood play.
Everett's emotional and intellectual presence brings us along on Oscar Wilde's torturous journey of endurance.
British actor has won raves playing Oscar Wilde in The Judas Kiss and he's turning the tale into a movie.
Virtuoso's International Travelling Organ, which can be taken apart and reassembled, has been on the road since 2014. Toronto sees it April 1 in a concert at Koerner Hall.
Bahram Beyzaie's play deals with a suffering family and the invasion of Persia.
Jeff Melanson has resigned as president and CEO of Toronto Symphony Orchestra after less than two years, and a marriage breakup
There's delightful chemistry between Virgilia Griffth and Marcel Stewart, but the storytelling is overcomplicated.
Burying the past is one theme in choreographer's solo works, danced by Perry and old friend Molly Johnson.
The thriller Chimerica, confessional dance in Funny/Funeral, a slave's journey in Esu Crossing the Middle Passage.
As she brings the Victoria Symphony to play Roy Thomson Hall on March 31, trailblazer says there's no longer a set way for conductors to look, dress or act.
Judith Thompson's production of The Crackwalker, a reworking of her 1980 play, does not correct the exoticization of aboriginal people, but in fact extends it, writes reviewer Karen Fricker
The Hotline Always Blings Twice uses off-kilter, off-colour and hilarious humour to deliver some knockout punches.
Gein Wong's direction and Drake's writing and performing appeal in show about queer and trans dating.
