4,600 stories from Toronto Star
Theatre company adds vocal ringers like Alana Bridgewater and Jackie Richardson to cast for Toronto and New York runs.
Also on the Top Ticket, Aparna Nancherla at Comedy Bar and World Stage Redux at Harbourfront Centre.
Canadian Stage is presenting this well-travelled autobiographical show from Australia.
Ngozi Paul's solo show about a black woman's journey to understand her sexuality takes place in a bathroom, and there's hardly a better setting.
Actors stage a play within this play by Guillermo Calderon, but it's not clear when we should believe and disbelieve.
Wayne McGregor's Genus defies anatomical limits while Balanchine's Tarantella still sparkles.
Crawlspace, Karen Hines' one woman-tale of a real estate nightmare, is being remounted at Soulpepper Theatre.
Voice of the late Sudha Khandwani heard in narration at Fleck Dance Theatre performance.
Stars singer's True Crime, at Streetcar Crowsnest April 4, grew from fascination with con man Christian Gerhartsreiter.
Toronto police Inspector Chris Boddy " no theatre devotee " came away impressed by the realism of the harrowing play Butcher, now at the Panasonic.
The National Ballet of Canada is host the North American premiere of Genus, whose creator drew inspiration from Charles Darwin.
Also on the Top Ticket, an indigenous dance showcase from Native Earth and Anusree Roy's latest at Factory Theatre.
A smart, complex psychological drama comes to the Tarragon Theatre.
The 2016 season also saw attendance pass the 500,000 mark.
Sousatzka, simply and sadly put, is an overproduced, overcomplicated mess, hobbled by a weak book and lyrics and even weaker music.
Second City show doesn't ignore post-Trump world but also provides welcome distraction from it.
Musical about Windmill Theatre loses its lighthearted tone in second act and becomes clichéd and melodramatic.
South-Asian Canadian playwright is gaining new perspectives from a new version of her high school Fish Eyes Trilogy.
Nudity is featured in both Mrs. Henderson Presents and Sheets, in which nakedness is meant to seem normal.
But show's disjointed nature, meant to mirror Cullen's dyslexia, gets tedious as autobiographical musical goes on.
The Singapore-born choreographer provides social commentary on prejudice in Holy Cow(s)!
The play takes a seemingly plain idea and both fulfils and defies expectations, leaving audience members with something to think about.
We get closer to Ian Lake's Macbeth, Krystin Pellerin's Lady Macbeth and other deeply felt acting on movie screen.
Encores of Nicolas Billon's Butcher and Salvatore Antonio's S h e e t s also in this week's Top Ticket.
Broadway veteran Victoria Clark and relative newcomer Jordan Barrow are the stars of Sousatzka.
