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35,882 stories from The Stage

John Caird to direct world premiere of The Mozart Question at Cirencester's Barn Theatre by Ruth Comerford

John Caird will direct Michael Morpurgo's The Mozart Question,  as part of the Barn Theatre's 2020 season. The show, which has been

SOURCE: The Stage Registration at 11:03am on November 29, 2019

A Christmas Carol review at Bridge House Theatre, London " 'immensely talented cast' by Grace Wood

Pub theatre the Bridge House has a strong reputation for its Christmas shows, and this year it takes on Charles Dickens' A

SOURCE: The Stage Registration at 10:56am on November 29, 2019

The Last Noël review at Wimbledon Library " 'Chris Bush explores the true meaning of Christmas' by Tim Bano

Touring libraries and other non-theatre spaces in South London before a run in Oxford, this sweet play from Merton-based company Attic doesn't

SOURCE: The Stage Registration at 10:35am on November 29, 2019

The Steamie " the Scottish classic that 'doesn't need a plot, just human beings' by David Pollock

After a few years gathering dust in a drawer, Tony Roper's comedy-drama The Steamie finally hit the stage in 1987. More than

SOURCE: The Stage Registration at 9:14am on November 29, 2019

Merce Cunningham 3D film to be released in 2020 by Ruth Comerford

A film about the life and work of Merce Cunningham is set to be released in cinemas in 2020. Following his centenary

SOURCE: The Stage Registration at 7:12am on November 29, 2019

Low pay and skills shortages among 'critical issues' for health of creative industries " report by Georgia Snow

Low pay, diminishing arts education, skills shortages and regional equality are among the most acute challenges threatening the future success of the

SOURCE: The Stage Registration at 7:12am on November 29, 2019

Snow White review at the Customs House, South Shields " 'delivers plenty of laughs' by Tracey Sinclair

Celebrating its 25th anniversary, the Customs House returns to the story of its first panto, Snow White, with this crowd-pleasing production. An

SOURCE: The Stage Registration at 7:04am on November 29, 2019

Cinderella review at Vaults, London " 'brassy, boozy karaoke panto' by Joe Holyoake

At this time of year, there's a tendency to be overly kind towards lacklustre festive entertainment because "it's Christmas". With this in

SOURCE: The Stage Registration at 6:12am on November 29, 2019

The Scouse Snow White review at Liverpool Royal Court " 'entertaining Christmas caper' by Catherine Jones

"I used to be Snow White," Mae West famously wisecracked, "but then I drifted." While Hayley Sheen's Scouse Snow White may be

SOURCE: The Stage Registration at 5:23am on November 29, 2019

The Wolf of Wall Street review at Sun Street, London " 'tawdry and grim immersive experience' by Theo Bosanquet

The grim excesses of the financial world are well documented, and particularly the abhorrent behaviour of one Jordan Belfort, the self-monikered "Wolf

SOURCE: The Stage Registration at 5:19am on November 29, 2019

West Side Story review at Curve, Leicester " 'vivid, original choreography' by Dave Fargnoli

In some ways, little has changed since West Side Story " the perennially popular musical from Arthur Laurents, Leonard Bernstein and Stephen

SOURCE: The Stage Registration at 5:11am on November 29, 2019

Howard Sherman: Political pundits must stop using theatre as a punch bag by Howard Sherman

When pundits want to ridicule what they see as shallow displays of governance, or stunts on the campaign trail, they tend to

SOURCE: The Stage Registration at 2:00am on November 29, 2019

The Boy in the Dress review at Royal Shakespeare Company, Stratford-upon-Avon " 'Bright performances, but a disappointing score' by Paul Vale

Actor and comedian David Walliams has made more than £100 million as a children's author, putting him up there in the popularity

SOURCE: The Stage Registration at 6:30pm on November 28, 2019

Jeremy Herrin: Regional funding cuts will 'homogenise' theatre by Giverny Masso

Headlong artistic director Jeremy Herrin has warned that a lack of funding for regional theatre will "homogenise the work" and result in

SOURCE: The Stage Registration at 12:33pm on November 28, 2019

Arts boards under spotlight as initiative launched to diversify trustees by Georgia Snow

An initiative dedicated to improving the diversity of arts organisations' boards has been launched, with plans to create a bank of diverse

SOURCE: The Stage Registration at 12:33pm on November 28, 2019

National theatre of Scotland unveils its 2020 season by Ruth Comerford

The National Theatre of Scotland has announced its 2020 season of work, which features a new adaptation of Henrik Ibsen's The Enemy

SOURCE: The Stage Registration at 12:33pm on November 28, 2019

Actor Carly Mercedes Dyer: 'Our West Side Story is shining a light on what's happening today' by Tom Wicker

After cutting her teeth on big West End shows such as Dreamgirls and Memphis the Musical, Carly Mercedes Dyer wanted to step

SOURCE: The Stage Registration at 12:20pm on November 28, 2019

Sleeping Beauty review at the Everyman, Liverpool " 'immense fun' by Nigel Smith

Writers Sarah A Nixon and Mark Chatterton (who also directs) strike the perfect balance of storytelling and seasonal lunacy in their new

SOURCE: The Stage Registration at 9:57am on November 28, 2019

Rhys Ifans to star as Atticus Finch in To Kill a Mockingbird by Matthew Hemley

Rhys Ifans is to star as Atticus Finch in To Kill a Mockingbird, Aaron Sorkin's play based on Harper Lee's novel. Directed

SOURCE: The Stage Registration at 9:53am on November 28, 2019

Homing Birds review at Tara Theatre, London " 'the writing is insightful and agile' by Naomi Obeng

There's much to appreciate about Homing Birds, Rukhsana Ahmad's new play, marking her return to Kali Theatre which she co-founded. Her slick

SOURCE: The Stage Registration at 7:24am on November 28, 2019

Come from Away launches dedicated podcast by Georgia Snow

West End musical Come from Away has launched its own podcast, offering a behind-the-scenes glimpse into the inspiration and the making of

SOURCE: The Stage Registration at 7:18am on November 28, 2019

Wendell Pierce: 10% of seats in all theatres should go to school kids by Giverny Masso

The Wire star Wendell Pierce has argued that at least 10% of the seats in all theatres should be filled by school

SOURCE: The Stage Registration at 7:18am on November 28, 2019

The Astonishing Times of Timothy Cratchit review, Hope Mill, Manchester " 'ambitious' by Chris Bartlett

It's ambitious enough to mount a new musical, let alone to revisit some of English literature's best-loved characters and effectively pick up

SOURCE: The Stage Registration at 7:11am on November 28, 2019

Secret Cinema presents Stranger Things review, Secret Location, London " 'eye-wateringly cool' by Rafaella Marcus

The best pop culture depictions of the Eighties are poised on a knife edge: bright colours! Big hair! Definitive pop! But also

SOURCE: The Stage Registration at 6:39am on November 28, 2019

Wild Goose Dreams review at Ustinov Studio, Bath " 'tender and eventually tragic' by Jeremy Brien

Yet more new territory for Theatre Royal Bath's intrepid Ustinov Studio to explore. Artistic director Lawrence Boswell has added Asia to his impressive

SOURCE: The Stage Registration at 6:22am on November 28, 2019
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