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35,882 stories from The Stage

From the House of the Dead review at Wales Millennium Centre, Cardiff " 'stupendous' by Steph Power

Notes from the House of the Dead, Dostoyevsky's semi-autobiographical account of life in a Siberian prison camp, might seem the starkest of

SOURCE: The Stage Registration at 10:47am on October 9, 2017☆⚑

31 Hours review at the Bunker, London " 'earnest, but unfocused' by Dave Fargnoli

There is a suicide on the UK's railways every 31 Hours. Packed with informed research, Kieran Knowles' second play draws out the

SOURCE: The Stage Registration at 9:18am on October 9, 2017☆⚑

Cosi fan Tutte review at Glyndebourne " 'comedy to savour' by Inge Kjemtrup

It's a beautiful sunny day in Naples, but it might as well be the frozen North for two young men who have

SOURCE: The Stage Registration at 8:51am on October 9, 2017☆⚑

Poll: Should more West End theatres prioritise audience comfort over seating capacity? by The Stage

Last week The Stage reported on a planned redevelopment of the Theatre Royal Drury Lane in the West End, which will undergo

SOURCE: The Stage Registration at 8:01am on October 9, 2017☆⚑

Kings review at New Diorama, London " 'riveting and compassionate' by Anna Winter

Precarity, pride and power underpin Oli Forsyth's riveting Kings. It's both a compassionate political indictment of the contemporary rise in homelessness and

SOURCE: The Stage Registration at 7:51am on October 9, 2017☆⚑

Casting announced for The Winslow Boy tour by Georgia Snow

Tessa Peake-Jones and Aden Gillett are to star in the forthcoming production of The Winslow Boy, which tours next year. The Chichester

SOURCE: The Stage Registration at 7:48am on October 9, 2017☆⚑

Mark Shenton's week: Why do critics review sold-out shows? by Mark Shenton

Last Saturday I was part of a panel on the new TV edition of BBC’s Front Row, talking about (among other things)

SOURCE: The Stage Registration at 7:48am on October 9, 2017☆⚑

ITV writers get 2% pay rise by Georgia Snow

Scriptwriters for ITV are to receive a 2% pay rise following negotiations between the broadcaster and the Writers’ Guild of Great Britain.

SOURCE: The Stage Registration at 7:12am on October 9, 2017☆⚑

National Theatre Wales signs up for UK-wide arts scheme for young entrepreneurs by Giverny Masso

National Theatre Wales has been announced as a new partner in a creative programme for young entrepreneurs. The organisation will join Battersea

SOURCE: The Stage Registration at 7:12am on October 9, 2017☆⚑

Liz Wilson to replace Kate Ashcroft as executive director at Oxford School of Drama by Roda Musa

Liz Wilson has been appointed executive director of the Oxford School of Drama. From December she will replace Kate Ashcroft, who will

SOURCE: The Stage Registration at 7:12am on October 9, 2017☆⚑

Hammer House of Horror Live: The Soulless Ones review at Hoxton Hall " 'not particularly frightening' by Paul Vale

In its heyday, between the 1950s and 1970s, Hammer Films, the British horror film studio, successfully snatched the horror genre back from

SOURCE: The Stage Registration at 7:10am on October 9, 2017☆⚑

The Lie review at the Menier Chocolate Factory, London " 'a slick, soulless comedy' by Sam Marlowe

"You have to believe me if you want me to believe you." So says adulterer Paul to his equally faithless wife Alice

SOURCE: The Stage Registration at 6:16am on October 9, 2017☆⚑

Sonum Batra: 5 tips for theatre musicians working on new musicals by Susan Elkin

Sonum Batra has a degree in music from King’s College London, after which she took private piano lessons because she couldn't afford

SOURCE: The Stage Registration at 6:00am on October 9, 2017☆⚑

Lyn Gardner: Theatremakers should see each others' work to avoid reinventing the wheel by Lyn Gardner

"Wasn't that amazing!" said a smiling young woman as we were both leaving Dreamthinkspeak's One Day Maybe, a commission for Hull City

SOURCE: The Stage Registration at 2:00am on October 9, 2017☆⚑

The Four Men review at the Connaught Theatre, Worthing " 'evocative eulogy to Sussex' by Bella Todd

It may be an elegiac period piece about the dwindling of country ways and the autumn of life. But this new touring

SOURCE: The Stage Registration at 1:45pm on October 6, 2017☆⚑

Cardiff campaigners claim victory in bid to protect live music venues after developer withdraws plans to built flats by Georgia Snow

  Campaigners fighting to preserve Cardiff's live music scene have heralded a breakthrough after plans to develop flats in the heart of

SOURCE: The Stage Registration at 12:48pm on October 6, 2017☆⚑

Brighton opens virtual reality lab to theatre companies by Giverny Masso

A new immersive lab has opened in Brighton which will enable theatre companies to experiment with virtual reality technology. This is the

SOURCE: The Stage Registration at 12:48pm on October 6, 2017☆⚑

Soho Theatre announces shortlist for 2017 Verity Bargate Award by Georgia Snow

The shortlist for the 2017 Verity Bargate playwriting award has been announced. For its 16th year, the competition " run by London's

SOURCE: The Stage Registration at 11:27am on October 6, 2017☆⚑

Belfast International Arts Festival: telling 'a new narrative' about Northern Ireland by Michael Quinn

The Belfast International Arts Festival is Northern Ireland's largest annual arts event and one of the region's oldest celebrations of live performance.

SOURCE: The Stage Registration at 11:12am on October 6, 2017☆⚑

Pink Sari Revolution review at Curve, Leicester " 'powerfully authentic drama' by Pat Ashworth

Purva Naresh's powerful new drama is enabled by Arts Council England's Reimagine India and has been two years in development, including time

SOURCE: The Stage Registration at 10:54am on October 6, 2017☆⚑

The Barber of Seville review at London Coliseum " 'sparkling revival' by David Gutman

Forced to dispense with unaffordable innovation, English National Opera repeats another of its classic Jonathan Miller productions, last seen only two years

SOURCE: The Stage Registration at 10:30am on October 6, 2017☆⚑

Sheffield Theatres' season to include regional premiere of Frost/Nixon by Roda Musa

Artistic director of Sheffield Theatres Robert Hastie has announced his new season for 2018, which will include Peter Morgan's Frost/Nixon. Hastie has

SOURCE: The Stage Registration at 10:06am on October 6, 2017☆⚑

James Graham's Labour of Love at the Noel Coward Theatre " review round-up by Fergus Morgan

Does James Graham ever take a break? Not content with two West End runs already in 2017 " This House, which finished its long-overdue transfer back

SOURCE: The Stage Registration at 9:00am on October 6, 2017☆⚑

Edward and Eliza and the Smashing of the Van review at Hope Mill Theatre, Manchester " 'committed performances' by Chris Bartlett

The tragic events 150 years ago that inspired this modest two-hander happened only a few miles away from the Manchester venue in

SOURCE: The Stage Registration at 8:35am on October 6, 2017☆⚑

English Touring Opera's Giulio Cesare Part II: Cleopatra's Needle review " 'much to admire' by George Hall

It is English Touring Opera’s experienced general director, James Conway, who devised and stages this version of Handel’s opera seria, split over

SOURCE: The Stage Registration at 8:23am on October 6, 2017☆⚑
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