5,522 stories from Broadway News
The former SpotCo and RPM staffer has founded Eleven O'Clock Studio.
Susanne Sulby explains her unique approach in sculpting the aural experience of Jamie Wax's northern Louisiana-set drama.
The Pekoe Group's Chase Haylon uses one campaign as a case study for the merits of in-agency collaboration.
Yasmina Reza's play begins performances at the Music Box Theatre on August 28 and officially opens on September 16.
The release will include new interviews with the original cast.
What did it take to design and construct the Mrs. Doubtfire mask?
The Disney Theatrical production will surpass a Schönberg and Bublil classic.
Chayefsky is the Oscar-winning scribe of "Network," "Marty" and "The Hospital."
For the week ending Aug. 3, the 28 currently running productions grossed $30,062,727.
The production, directed by Adam Penford, begins on September 9 at Manhattan Theatre Club's Samuel J. Friedman Theatre.
Performances will begin at the Hudson Theatre on September 13, with opening night set for September 28.
MarroquÃn succeeds Sophie Carmen-Jones, whose final performance will be on August 10.Â
The longtime director of the nonprofit's accessibility programs retired on June 30.
The songs are performed by Liisi LaFontaine and Solea Pfeiffer.
King will moderate a post-performance conversation.
Industry leaders Adrian Bryan-Brown, Lisa Cecchini, Lucas McMahon, Rick Miramontez and Matt Polk weigh in on the loss of Stephen Colbert's platform and its potential effect on Broadway's bra…
Why student audiences are important and how a little creativity can get them to your show
Directed by Whitney White, previews will begin October 8 ahead of an October 28 opening.Â
The collaboration is in honor of the musical's 10th anniversary on Broadway.
Habel will start in the role in January 2026.
The firm behind campaigns for "Maybe Happy Ending," "The Outsiders" and more announces three new hires and an internal promotion.
Situation founder and president Damian Bazadona argues the industry must focus on behavior rather than identity when it comes to wooing audiences.
