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35,882 stories from The Stage

Stephanie Street: What right does anyone have to judge an actor's appearance? by Stephanie Street

The issue of body-shaming in reviews has reared its ugly head this month. Unfortunately this is nothing new. The pursuit of the

SOURCE: The Stage Registration at 2:00am on November 29, 2017☆⚑

The Secret Garden review at Theatre by the Lake, Keswick " 'superbly designed' by Stephen Longstaffe

Theatre by the Lake tends to go in for Christmas shows rather than pantomime. Jessica Swale's new adaptation of Frances Hodgson Burnett's

SOURCE: The Stage Registration at 12:29pm on November 28, 2017☆⚑

Investigation reveals secondary ticket sites are flouting UK law by Tim Bano

Secondary ticketing websites suspected of breaking the law will face enforcement action, including court action, the Competition and Markets Authority announced today.

SOURCE: The Stage Registration at 11:35am on November 28, 2017☆⚑

Peter Nichols at 90: 'Playwriting was my dream. Acting was just a stopgap' by Giverny Masso

As one of the UK's most underrated living playwrights celebrates his 90th birthday, Giverny Masso charts his long and successful career writing

SOURCE: The Stage Registration at 10:23am on November 28, 2017☆⚑

Composer Dave Price: 'Each project is increasingly difficult; the bar gets raised and I get better' by Roda Musa

Having worked on numerous Gecko Theatre productions, Dave Price talks to Roda Musa about his journey into theatre and the upcoming production

SOURCE: The Stage Registration at 10:00am on November 28, 2017☆⚑

Rosalie Craig joins The Ferryman by Roda Musa

Rosalie Craig is to join the West End cast of Jez Butterworth's The Ferryman. Craig, who has appeared in As You Like

SOURCE: The Stage Registration at 9:33am on November 28, 2017☆⚑

Theatre staff more at risk sexual harassment than other arts workers, claims survey by Roda Musa

Those working in theatre are more likely to be subjected to sexual harassment than other arts workers, according to a new survey.

SOURCE: The Stage Registration at 7:32am on November 28, 2017☆⚑

Bristol Old Vic faced with 65% local funding cut by Giverny Masso

Bristol City Council plans to cut its funding for the Old Vic by almost two thirds, the theatre has revealed. The Bristol

SOURCE: The Stage Registration at 7:13am on November 28, 2017☆⚑

Pat Nevin: At last, a play that shows the authentic drama of the beautiful game by Pat Nevin

Last week, I saw two 95-minute performances that underlined the drama of football. Just 48 hours after commentating on Liverpool's Champions League

SOURCE: The Stage Registration at 2:00am on November 28, 2017☆⚑

This week's best theatre shows: our critics' picks (November 30) by The Stage

Natasha Tripney Don’t miss Goats " Jerwood Theatre Downstairs, Royal Court, London Alongside its cast of humans, Hamish Pirie’s production of Syrian

SOURCE: The Stage Registration at 2:00am on November 28, 2017☆⚑

Privates on Parade review at Union Theatre, London " 'an engaging ensemble' by Julia Rank

Charting the Malay Emergency of 1948, Peter Nichols' play with songs Privates on Parade is a curious cross between a pantomime and

SOURCE: The Stage Registration at 12:54pm on November 27, 2017☆⚑

Red Ladder secures grant to tackle working class 'under-representation' in theatre by Giverny Masso

Red Ladder Theatre Company has been awarded £36,000 to tackle the industry's under-representation of people from working class backgrounds in the north

SOURCE: The Stage Registration at 12:36pm on November 27, 2017☆⚑

Chick Whittington review at Macrobert, Stirling " 'clever updating' by Thom Dibdin

Johnny McKnight has gone back to the future for his return to the Macrobert, writing, directing and starring in a plot-heavy update of Dick Whittington. Emma

SOURCE: The Stage Registration at 12:15pm on November 27, 2017☆⚑

Hull Truck Theatre's Mark Babych: 'It's the end of the line, but we're also the beginning of the line' by Giverny Masso

As Hull's official tenure as UK City of Culture 2017 draws to a close, Hull Truck Theatre's artistic director  Mark Babych tells

SOURCE: The Stage Registration at 12:00pm on November 27, 2017☆⚑

Poll: Should we say 'actor' or 'actress' when describing a female performer? by Giverny Masso

Whether to use the term ‘actor’ or ‘actress’ is an ongoing discussion. Denise Gough stands by the label of ‘actress’, arguing that

SOURCE: The Stage Registration at 11:36am on November 27, 2017☆⚑

Treasure Island review at New Vic Theatre, Newcastle-under-Lyme " 'a damp squib' by Anna Winter

Theresa Heskins' Treasure Island is a misguided festive show that's ended up on the rocks. It's an odd choice of Christmas fare,

SOURCE: The Stage Registration at 11:21am on November 27, 2017☆⚑

Scrooge the Musical review at Curve, Leicester " 'a lavish revival' by Pat Ashworth

In his revival of Leslie Bricusse's 1992 musical, Nikolai Foster exploits all the scale and technical wizardry of Curve's vast stage, filling

SOURCE: The Stage Registration at 11:12am on November 27, 2017☆⚑

Singer Charlotte Rose: 'The Sex Worker's Opera gives people the opportunity to listen to real voices' by Giverny Masso

Charlotte Rose is performing in the UK tour of the Sex Worker's Opera, which mixes genres including opera, hip hop and poetry

SOURCE: The Stage Registration at 10:42am on November 27, 2017☆⚑

Plays from Stephen Adly Giurgis and Brad Birch feature in Sherman Theatre season by Roda Musa

The Sherman Theatre in Cardiff has announced its 2018 season, which includes Brad Birch's new play Tremor. Directed by Rachel O'Riordan and

SOURCE: The Stage Registration at 10:24am on November 27, 2017☆⚑

Girls of the Golden West review at War Memorial Opera House, San Francisco " 'a flawed gem' by Inge Kjemtrup

The operas of John Adams " Nixon in China, Doctor Atomic and The Death of Klinghoffer among them " confront the American

SOURCE: The Stage Registration at 9:07am on November 27, 2017☆⚑

Designer Rae Smith: 'My job is to bring the show to life on stage in its most creative form' by Catherine Love

The award-winning designer talks to Catherine Love about the challenges and thrills of turning the West Yorkshire Playhouse's Quarry stage into a

SOURCE: The Stage Registration at 8:30am on November 27, 2017☆⚑

Aladdin review at Theatre Royal, Wakefield " 'roof-raising levels of noise' by Chris Bartlett

Sticking slavishly to the standard panto playbook, this in-house show doesn't offer much in the way of surprises. However, what it lacks

SOURCE: The Stage Registration at 8:14am on November 27, 2017☆⚑

Goats director Hamish Pirie: 'I'm drawn to plays that are messy, odd and weird' by Tom Wicker

Hamish Pirie's latest production for the Royal Court, which examines life in Syria, features real goats, but the director has no fear

SOURCE: The Stage Registration at 7:30am on November 27, 2017☆⚑

Roller review at the Barbican, London " 'dynamic show about female power' by Anna Winter

Roller is a fervent, funny and touching show about female aggression. While asking questions about revolution and progress, it contrasts the pugnacity

SOURCE: The Stage Registration at 7:21am on November 27, 2017☆⚑

Royal Variety Performance 2017 review at London Palladium " 'enjoyably silly and eccentric' by Tim Bano

This year's Royal Variety Performance, returning to the London Palladium for the 41st time, in the presence of Kate and Wills, is

SOURCE: The Stage Registration at 6:14am on November 27, 2017☆⚑
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