38,591 stories from The New York Times
Broadway plans to replace the cast-change slips that are stuffed into Playbills with QR codes. Some understudies and theater buffs will mourn their loss.
Best known "for playing unfortunate wives," she had a decades-long career in the theater and on television.
American Ballet Theater's first Black female principal dancer has given her farewell performance. But she's not done with this art form yet.
The president says he hasn't really thought about a third term. Meyers said that was "like James Cameron saying he hasn't thought about 'Avatar 4.'"
Laurie Metcalf, Gary Sinise and other members of the Chicago company reminisce about unexpected performances, stunning monologues and career-changing roles.
The choreographer Mandy Moore feels at home everywhere. She even sees herself as a kind of dance therapist. "Teach them the love first and the steps later."
A "Girls" girl no more, the actress discusses film roles, family and exactly how often she lets herself sing.
The star never imagined he'd be performing as the Boss in front of the Boss. But the head-spinning nature of the role has paid off.
She exuded earnest maternal wisdom and wistful contentment as a farm wife on "Lassie" and, later, as an interplanetary castaway on "Lost in Space."
It is "the actual reason all of us crazy folks go back to the theater," said the actor, who has joined the Season 2 cast of "Nobody Wants This."
The new Lorenz Hart biopic "Blue Moon" gets a lot right about the creation of musicals that a spate of 1940s films got wildly wrong.
Summary TK; should be hidden on the body of the article itself.
A gleefully provocative new musical and a quiet 1930s domestic drama speak to each other across time, resounding quite loudly in our present.
The actor, who died this year at 95, led a quiet life in New Mexico. An auction of his belongings offers insights into his life and work.
Abigail Levine's new work, at Target Margin Theater, is terrific as a kind of enhanced reading, but lags on the level of choreography.
The director Scott Cooper narrates a scene in which Bruce Springsteen (White) records the song "My Father's House."
This firebrand guitarist pulled songs from his lesser-known catalog for "Revolution(s)," about family of activists, now playing in Chicago.
Scott Cooper narrates a sequence from his film, featuring Jeremy Allen White playing Bruce Springsteen.
A former dancer with the company accused Mr. Morris, the prominent choreographer, of discrimination. He denied the claims.
The trailblazing ballerina returned to the stage after five years for one final performance at a gala for American Ballet Theater.
Jeremy Allen White plays the singer-songwriter in an affecting drama about the making of his 1982 album "Nebraska" when he slipped into a terrible darkness.
The tentative agreement, which still requires ratification by union members, comes five days after a similar agreement with actors and stage managers.
Ben Stiller directs a moving portrait of his father and mother, the comedy pair Jerry Stiller and Anne Meara.
Tina Romero, the daughter of George A. Romero, the filmmaker behind the legendary "Night of the Living Dead," brings a queer horror comedy to Brooklyn.
She also had leading roles in "Doctor Dolittle" with Rex Harrison, "Walk, Don't Run" with Cary Grant and "The Molly Maguires" with Sean Connery.
