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35,882 stories from The Stage

The Green Room: If you could be an actor in any era, which would it be? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​​​​​ Ga…

SOURCE: The Stage Registration at 5:00am on May 1, 2018☆⚑

Actor Maureen Beattie becomes second female president in Equity's history by Matthew Hemley

Actor Maureen Beattie has become only the second female president in Equity’s history. She told The Stage her goal is to ensure

SOURCE: The Stage Registration at 3:54am on May 1, 2018☆⚑

Maggie Brown: Channel 4's big move opens the door to a wealth of regional talent by Maggie Brown

Hollyoaks has long played a valuable role in bringing new acting talent to television, thanks to its high turnover of characters and

SOURCE: The Stage Registration at 2:00am on May 1, 2018☆⚑

Catherine Kodicek: Working-class costume workers are vanishing thanks to low pay by Catherine Kodicek

Sometimes in this business you can be talking about an issue and, all of a sudden, it is everywhere in the press.

SOURCE: The Stage Registration at 2:00am on May 1, 2018☆⚑

Paul Johnson: Producers beware " don't get stung by venues' extra charges by Paul Johnson

The age when producers could rely on a box-office split as a reliable indicator of earnings is long gone. Paul Johnson warns

SOURCE: The Stage Registration at 7:01pm on April 30, 2018☆⚑

Belonging review at Chapter Arts Centre, Cardiff " 'a moving play about dementia' by Jafar Iqbal

What separates Belonging from other recent plays about dementia is its focus on the wider social problem. The company has spent years

SOURCE: The Stage Registration at 1:08pm on April 30, 2018☆⚑

Absolute Hell at the National Theatre, London " review round-up by Fergus Morgan

Rodney Ackland's The Pink Room was smashed to smithereens by critics when it premiered in 1952, effectively stopping Ackland's successful playwriting career

SOURCE: The Stage Registration at 12:49pm on April 30, 2018☆⚑

Carey Mulligan to star in New York transfer of Girls and Boys by Matthew Hemley

Girls and Boys starring Carey Mulligan is to transfer to New York. The Royal Court production, written by Dennis Kelly, will run

SOURCE: The Stage Registration at 12:36pm on April 30, 2018☆⚑

Windrush: Movement of the People review at Peacock Theatre, London " 'timely new work' by Rachel Elderkin

Windrush: Movement of the People is the timely new full length work by Phoenix Dance Theatre. Choreographed by artistic director Sharon Watson,

SOURCE: The Stage Registration at 12:25pm on April 30, 2018☆⚑

The Grief of Antigone/The Diary of One Who Vanished review at Omnibus, London " 'works a treat' by George Hall

The poems on which Janacek based his song-cycle The Diary of One Who Vanished were published in a Czech newspaper in 1916.

SOURCE: The Stage Registration at 12:05pm on April 30, 2018☆⚑

For King and Country showrunner Lauren Reed: 'The audience leads the action. We have to be prepared for anything' by Fergus Morgan

Lauren Reed is showrunner of Second World War drama For King and Country, which allows its audience to decide the direction of

SOURCE: The Stage Registration at 12:00pm on April 30, 2018☆⚑

Darlington's Majestic Theatre closes leaving debts of £16k by Giverny Masso

Financial problems have forced Darlington's Majestic Theatre to close, with the former owner leaving about £16,000 owed to theatre companies. The 400-seat

SOURCE: The Stage Registration at 11:03am on April 30, 2018☆⚑

Colchester's Mercury teams up with publisher Josef Weinberger for playwriting prize by Giverny Masso

The Mercury Theatre in Colchester has teamed up with publishing house Josef Weinberger to relaunch a playwriting prize aimed at uncovering productions

SOURCE: The Stage Registration at 11:00am on April 30, 2018☆⚑

Theatres Trust awards £50,000 to fund building improvements for 10 small theatres by Simon Fearn

Venues including London’s Theatre 503 and the Tron Theatre in Glasgow are among 10 venues to be awarded up to £5,000 each to

SOURCE: The Stage Registration at 10:58am on April 30, 2018☆⚑

We Can Time Travel review at Shoreditch Town Hall, London " 'imaginative gig theatre' by Francesca Peschier

We Can Time Travel is the latest piece of gig theatre from Dom Coyote, who created genre frontrunner Songs for the End

SOURCE: The Stage Registration at 10:54am on April 30, 2018☆⚑

The Effect review at the Other Room, Cardiff " 'a taut revival, terrifically performed' by Nicholas Davies

Love, science, trust and ethics all collide in Lucy Prebble's intelligent 2012 play, The Effect, set in a pharmaceutical trial facility. It's

SOURCE: The Stage Registration at 10:17am on April 30, 2018☆⚑

Musical theatre actor Daniel Bailey: 'Being a swing pushed my understanding of my own skills' by Giverny Masso

As well as performing West End musicals, Daniel Bailey runs an arts activism website. He tells Giverny Masso about his latest role

SOURCE: The Stage Registration at 10:00am on April 30, 2018☆⚑

Masterpieces review at Finborough Theatre, London " 'disappointingly dated' by Rosemary Waugh

In light of #MeToo and its relevance to the theatre industry, it's understandable why the Finborough Theatre would see now as a

SOURCE: The Stage Registration at 8:45am on April 30, 2018☆⚑

UK transfer of Gerard Alessandrini's Hamilton spoof comes to Menier Chocolate Factory by Simon Fearn

The UK debut of Spamilton, which parodies megahit Hamilton along with a variety of other Broadway musicals, will open at the Menier

SOURCE: The Stage Registration at 8:37am on April 30, 2018☆⚑

Broken review at Old Red Lion, London " 'a sweary, seamy verse play' by Fergus Morgan

Matthew Lyon's verse play Broken wears its influences on its sleeve. It embraces that swaggering, strutting Berkoffian vibe, spitting out its story

SOURCE: The Stage Registration at 7:31am on April 30, 2018☆⚑

Actor and writer Charlotte Josephine: 'UK theatre could do with being braver " it should be visceral' by Natasha Tripney

Having made her name performing hard-hitting, self-penned shows, Charlotte Josephine is playing Mercutio in the RSC's Romeo and Juliet. She tells Natasha

SOURCE: The Stage Registration at 7:30am on April 30, 2018☆⚑

Musical theatre festival From Page to Stage partners with Manchester's Hope Mill by Matthew Hemley

New musical theatre festival From Page to Stage has unveiled a partnership with the Hope Mill Theatre in Manchester, which will see

SOURCE: The Stage Registration at 7:30am on April 30, 2018☆⚑

Poll: Should the industry do more to support people with anxiety? by Matthew Hemley

Last week, performers opened up about their experiences suffering from anxiety in the industry, in a bid to break the taboo around

SOURCE: The Stage Registration at 7:06am on April 30, 2018☆⚑

Pieces of String review at Mercury Theatre. Colchester " 'an impressive original British musical' by Mark Shenton

After a recent spate of jukebox musicals, it’s a thrill to welcome an entirely original British musical to the stage. Gus Gowland's

SOURCE: The Stage Registration at 5:45am on April 30, 2018☆⚑

Lyn Gardner: Theatres must support emerging writers with residencies by Lyn Gardner

It has been a good year for first-time playwrights, which bodes well for the The Stage Debut Awards in 2018. First, at

SOURCE: The Stage Registration at 2:00am on April 30, 2018☆⚑
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