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35,882 stories from The Stage

Stephanie Street: Fear of Missing Out on post-show beers is a reality now I'm a parent by Stephanie Street

I have never been what you would describe as 'down with the kids', so when one of my excellent colleagues on Quiz

SOURCE: The Stage Registration at 2:00am on June 5, 2018☆⚑

Katie Jackson: A theatre 'family' can be a source of many happy memories by Katie Jackson

The end of a show run is never easy. Whether you've been working on a it for three years or three weeks,

SOURCE: The Stage Registration at 2:00am on June 5, 2018☆⚑

Zack Polanski: Making immersive theatre is a risky venture in need of funding by Zack Polanski

Working in the arts is hard. It can be beautiful, rewarding, inspiring and often we couldn't dream of really doing anything else.

SOURCE: The Stage Registration at 2:00am on June 5, 2018☆⚑

Killer Joe starring Orlando Bloom review at Trafalgar Studios, London " 'unpleasant revival of a nasty play' by Tim Bano

Fourteen years before he won the Pulitzer Prize for August: Osage County, Tracy Letts made his playwriting debut with Killer Joe, a

SOURCE: The Stage Registration at 5:00pm on June 4, 2018☆⚑

Isobel Waller-Bridge: 'People struggle with non-visual art, but you can paint with sound' by Catherine Love

As a sound designer and composer Isobel Waller-Bridge works across stage and screen. She tells Catherine Love about the skills theatre has

SOURCE: The Stage Registration at 12:00pm on June 4, 2018☆⚑

Pulse Festival at New Wolsey Theatre, Ipswich " 'invigorating work from red-hot names and emerging artists' by Fergus Morgan

Pulse is an important event, one of a dwindling handful of regional festivals focussed firmly on early-career theatremakers and dedicated to nurturing

SOURCE: The Stage Registration at 11:56am on June 4, 2018☆⚑

Fight disrupts performance of Julie at National Theatre by Matthew Hemley

A performance of Julie at the National Theatre was disrupted in its final moments after two audience members became embroiled in a

SOURCE: The Stage Registration at 11:29am on June 4, 2018☆⚑

Not Now, Bernard review at Unicorn Theatre, London " 'effective adaptation of popular children's book' by Jo Caird

Happily-ever-afters are so ubiquitous in work for children that a story that embraces ambiguity is a refreshing experience. Based on the picture

SOURCE: The Stage Registration at 10:57am on June 4, 2018☆⚑

National Theatre of Korea's Trojan Women at Queen Elizabeth Hall, London " 'moving spectacle' by Tim Bano

Euripides' tragedy, a long wail by the women left behind after the sacking of Troy, has seen innumerable adaptations but none, perhaps,

SOURCE: The Stage Registration at 10:30am on June 4, 2018☆⚑

DH Ensemble founder Sophie Stone: 'Acting and sign-language saved me' by Giverny Masso

Sophie Stone was the first deaf student to gain a place at RADA and is co-founder of deaf and hearing theatre company

SOURCE: The Stage Registration at 10:00am on June 4, 2018☆⚑

Cosi Fan Tutte review at Opera Holland Park, London " 'nuanced intelligence' by George Hall

Just as Shakespeare has his problem plays, Mozart has Cosi Fan Tutte " one might translate the title as That's What Women

SOURCE: The Stage Registration at 9:29am on June 4, 2018☆⚑

A Night With Boy Blue review at Barbican Theatre, London " 'exhilarating and joyful showcase' by Anna Winter

Last year, hip-hop company Boy Blue Entertainment presented the searing triptych Blak Whyte Gray in London and Edinburgh, a performance that brought

SOURCE: The Stage Registration at 8:37am on June 4, 2018☆⚑

Tartuffe at Theatre Royal Haymarket, London " review round-up by Fergus Morgan

The West End doesn't get much weirder than this. A bilingual staging of Moliere's 1664 comedy Tartuffe, relocated to contemporary California, translated

SOURCE: The Stage Registration at 8:15am on June 4, 2018☆⚑

Goldfish Bowl review at Battersea Arts Centre, London " 'full of flighty, free-wheeling energy' by Fergus Morgan

Ex-English teacher and poet Caleb Femi has had a hell of a life. He spent his early childhood in Nigeria, followed his

SOURCE: The Stage Registration at 8:03am on June 4, 2018☆⚑

Ballet Now: the Birmingham trailblazer boosting new dance works by Neil Norman

Ballet Now will launch 10 new works in five years, pledging to expand its classical repertoire with fresh offerings. Neil Norman finds

SOURCE: The Stage Registration at 7:54am on June 4, 2018☆⚑

Chicago review at Pitlochry Festival Theatre " 'timely and beautifully choreographed' by David Pollock

The intensive summer repertory schedule at Pitlochry Festival Theatre bears an extra weight of expectation this season, with long-standing artistic director John

SOURCE: The Stage Registration at 7:33am on June 4, 2018☆⚑

The Hour We Knew Nothing of Each Other review at Edinburgh's Royal Lyceum " 'Engaging play with huge community cast' by Thom Dibdin

People-watching is recreated as theatre in director Wils Wilson’s engaging production of Peter Handke’s dialogue-free play The Hour We Knew Nothing of

SOURCE: The Stage Registration at 7:32am on June 4, 2018☆⚑

Poll: Should job titles in theatre be gender neutral? by Georgia Snow

A column in The Stage this week argues that gendered job titles, such as wardrobe mistress and wardrobe master, should be ditched

SOURCE: The Stage Registration at 7:31am on June 4, 2018☆⚑

Sheila Atim joins cast of Othello at Shakespeare's Globe by Georgia Snow

Full casting has been announced for Othello at Shakespeare’s Globe, starring the previously announced Mark Rylance and Andre Holland. They are joined

SOURCE: The Stage Registration at 6:51am on June 4, 2018☆⚑

Guys and Dolls review at Kilworth House Theatre " 'scintillating, glowing revival' by Mark Shenton

The perfect juxtaposition of country-house charm in venue and urban sophistication in material, this joyous revival of Frank Loesser’s 1950 Broadway classic

SOURCE: The Stage Registration at 6:48am on June 4, 2018☆⚑

Channing Tatum brings Magic Mike Live show to London by Giverny Masso

Channing Tatum is bringing a live show based on the film Magic Mike to London's Hippodrome Casino. Magic Mike Live begins previews

SOURCE: The Stage Registration at 6:05am on June 4, 2018☆⚑

Capriccio review at Garsington Opera, Wormsley " 'makes a profound impression' by George Hall

Garsington has a long track record with Richard Strauss, and in their 30th season, they return to his operatic will and testament,

SOURCE: The Stage Registration at 6:00am on June 4, 2018☆⚑

Stitchers review at Jermyn Street Theatre, London " 'hope without sentimentality' by Julia Rank

Sewing tends to be thought of as a quiet, meditative activity performed by women in peaceful surroundings. The men’s prison in which

SOURCE: The Stage Registration at 5:52am on June 4, 2018☆⚑

Andrzej Lukowski: In defence of Tanya Burr by Andrzej Lukowski

Much like Jennifer Lawrence and and Marilyn Monroe, Tanya Burr does not have any formal acting qualifications. Unlike those two, the YouTube

SOURCE: The Stage Registration at 2:00am on June 4, 2018☆⚑

Lyn Gardner: Children are as big a diversity problem for theatre as any other group by Lyn Gardner

I spent part of last week at the Edinburgh International Children's Festival. It's one of an increasing number of children's arts and

SOURCE: The Stage Registration at 2:00am on June 4, 2018☆⚑
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