38,433 stories from The New York Times
The playwright Samuel D. Hunter makes his Broadway debut with an addition to his Idaho oeuvre, set during the Covid-19 pandemic and its aftermath.
For its gala, New York City Center revives an antic show about a half-man tabloid sensation, with catchy music and lyrics by the versatile Laurence O'Keefe.
The Aix-en-Provence Festival in France has named Huffman to succeed the visionary Pierre Audi, who died earlier this year.
The French troupe Compagnie Dyptik is making its United States debut with a show seemingly inspired by pandemic isolation and its aftermath.
Emma Thompson plays the private-eye heroine of Mick Herron's first series of novels in a new series for Apple TV.
Twenty-five years after he left "S.N.L.," he is still finding new audiences, most recently with a new CBS sitcom and a role in the DC Comics universe.
​​Tessa Thompson plays mind games with her guests in Nia DaCosta's endlessly surprising adaptation of the Henrik Ibsen production.
Desi Lydic called the president's reception "a 'yes, king' rally for Trump."
From Broadway to the small screen, these unnerving theater productions are not just about horror and frights.
The "Harry Potter" alumnus, who won a Tony Award last year, will star in a solo play that involves something unexpected: audience participation.
All four characters in this bleak tragicomedy, staged by the Druid theater company, share the human desire to hear the same tales again and again.
The prolific character actor has spent decades playing memorable supporting roles. He makes it look easy. It wasn't always so.
The 15-year-old actor has performed professionally since she was 6. Playing Ethan Hawke's daughter feels especially close to home.
"Wait a second, what's that in his stomach? It's the Epstein files!" the "Late Show" host said.
Bess Wohl's play, about a consciousness-raising group in 1970s Ohio, transfers to Broadway where it remains powerfully moving " and funny.
Despite its small stage, the cabaret space inside New York's Public Theater building has made an outsize imprint on the city's art scene.
Ari'el Stachel's "Other" and Zoë Kim's "Did You Eat?" are self-interrogations that deal with family, race and identity.
Broadway plans to replace the cast-change slips that are stuffed into Playbills with QR codes. Some understudies and theater buffs will mourn their loss.
Best known "for playing unfortunate wives," she had a decades-long career in the theater and on television.
American Ballet Theater's first Black female principal dancer has given her farewell performance. But she's not done with this art form yet.
The president says he hasn't really thought about a third term. Meyers said that was "like James Cameron saying he hasn't thought about 'Avatar 4.'"
Laurie Metcalf, Gary Sinise and other members of the Chicago company reminisce about unexpected performances, stunning monologues and career-changing roles.
The choreographer Mandy Moore feels at home everywhere. She even sees herself as a kind of dance therapist. "Teach them the love first and the steps later."
A "Girls" girl no more, the actress discusses film roles, family and exactly how often she lets herself sing.
The star never imagined he'd be performing as the Boss in front of the Boss. But the head-spinning nature of the role has paid off.
