Helen Rosner writes about how restaurants like the Spotted Pig have responded to sexual-misconduct scandals by promoting women to leadership roles to clean up the messes men have made.
Michael Schulman interviews the actor Paul Dano about his directorial début, "Wildlife,"Â which is based on a novel by Richard Ford and stars Carey Mulligan and Jake Gyllenhaal.
The director of "First Man" examines a chunk of moon rock and ponders space exploration.
Richard Brody writes about the four versions of the film "A Star is Born""from 1937, 1954, 1976, and 2018"and recommends three for streaming, in addition to the 1932 film "What Price Hollywo…
Two of the creators of "Big Mouth" return to the White Plains middle school where they first started cracking each other up.
Researching his role in "The Lifespan of a Fact," the actor embeds in The New Yorker's fact-checking department.
Naomi Fry writes about Lady Gaga's performance of authenticity in the two films "Gaga: Five Foot Two" and "A Star Is Born."
Richard Brody reviews "A Star Is Born," directed by Bradley Cooper and starring Cooper and Lady Gaga.
Anthony Lane reviews Bradley Cooper's remake, starring Lady Gaga, and David Lowery's genial tale of an elderly bank robber, starring Robert Redford.
Michael Schulman interviews the actress and activist Jane Fonda about talking to voters, supporting \#MeToo, and growing into herself.
Michael Schulman writes about the 2018 Primetime Emmy awards, where a surprise marriage proposal one the night.
Howard Fishman writes about the ups and downs of a regional-theatre company in Chester, Massachusetts.
In shows such as "The Leftovers" and "Fargo," she exudes a Midwestern pragmatism that has its own kind of mystery, Michael Schulman writes.
A swarm struck Times Square. Members of an élite beekeeping squad rushed to the scene, Michael Schulman writes.Â
Michael Schulman writes on the inability to see actors as laborers in light of the recent shaming of the actor Geoffrey Owens, of "The Cosby Show," after he was photographed working at a Tra…
Michael Schulman reviews the new film "The Wife," starring Glenn Close, and writes about the parallels between Close's life and personality and those of the character she plays in the movie.
Michael Schulman on the intrepid British writer touring the city's public and private pools on a hot summer day.
"Razzle dazzle" is more than a song from the Broadway hit "Chicago." A hundred years ago, the term was used to describe the red-and-white camouflage pattern invented by the British painter N…
Superstar Vehicles, a Radical "Oklahoma!"
Michael Schulman reviews the newly opened Broadway musical "Pretty Woman," at the Nederlander Theatre, starring Samantha Barks, Andy Karl, Eric Anderson, and Orfeh.
Michael Schulman on Matt Tyrnauer's new documentary, "Scotty and the Secret History of Hollywood," about the nonagenarian Scotty Bowers, whose 2012 tell-all book, "Full Service," recounted X…
Richard Brody reviews "The Spy Who Dumped Me," directed by Susanna Fogel and starring Mila Kunis and Kate McKinnon.
Six women accuse the C.E.O. of harassment and intimidation, and dozens more describe abuse at his company.
Young Jean Lee's first Broadway play not only lacks the humor, recklessness, and passion of her earlier works; it refutes those things, writes Hilton Als.
At her new digs in the West Village, the actress and newly minted memoirist gets locked out.