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35,882 stories from The Stage

Wuthering Heights review at Royal Exchange Theatre, Manchester " 'heady, full-throttled and unfettered' by Chris Bartlett

Painter and poet Dante Gabriel Rossetti called Emily Brontë's gothic masterpiece Wuthering Heights "a fiend of a book". This full-throttled, unfettered and

SOURCE: The Stage Registration at 6:24am on February 13, 2020

Far Away review at Donmar Warehouse " 'vivid, chilling, dread-filled' by Natasha Tripney

Caryl Churchill's Far Away is a short play, but it's not a small play: it's global in scope, untethered by time, part

SOURCE: The Stage Registration at 5:49am on February 13, 2020

Guildhall halves audition fees for acting courses in bid to level playing field for applicants by Matthew Hemley

Guildhall School of Music and Drama has slashed audition fees for its acting courses by almost 50%, in a move aimed at

SOURCE: The Stage Registration at 5:12am on February 13, 2020

Editor's View: Guildhall's move to cut fees is welcome, but schools have been slow to act by Alistair Smith

Is the tide finally turning against exorbitant drama school audition fees? Guildhall School of Music and Drama, for a long time one

SOURCE: The Stage Registration at 5:00am on February 13, 2020

Sherlock creators Mark Gatiss and Steven Moffat team up as part of starry Chichester season by Matthew Hemley

Novelist Kate Mosse and Sherlock co-creator Steven Moffat are to make their full-length playwriting debuts at Chichester Festival Theatre, as part of

SOURCE: The Stage Registration at 3:54am on February 13, 2020

Richard Jordan: It's time theatres started showing singletons love again by Richard Jordan

"To Frank and Alex… at last, people are holding hands in the theatre again! All my love, David Merrick." This was the

SOURCE: The Stage Registration at 2:00am on February 13, 2020

Jess Thom: Relaxed venues can radically improve theatre experiences by Jess Thom

Many theatres with inaccessible spaces exclude disabled people, says Jess Thom, who explains how relaxed performances make space for inclusivity and foster

SOURCE: The Stage Registration at 7:01pm on February 12, 2020

Leopoldstadt review at Wyndham's Theatre, London " 'Tom Stoppard's supremely moving new play' by Tim Bano

Tom Stoppard has spent a career searching for the key to the human condition through metaphor: quantum mechanics, gymnastics, Latin love poetry,

SOURCE: The Stage Registration at 6:00pm on February 12, 2020

Punchdrunk and Sky to blend TV series with immersive theatre for new project by Georgia Snow

Punchdrunk and Sky are set to collaborate on a new series spanning TV and immersive theatre. It marks the theatre company's first

SOURCE: The Stage Registration at 2:30pm on February 12, 2020

Lucy Briers and Hammed Animashaun win at Clarence Derwent Awards by Matthew Hemley

Lucy Briers and Hammed Animashaun have been named winners of this year's Clarence Derwent Awards. The awards, which have been presented since

SOURCE: The Stage Registration at 12:48pm on February 12, 2020

Blood Wedding review at Salisbury Playhouse " 'elegiac tribute to unseen lives' by Ben Kulvichit

Barney Norris, Wiltshire's unofficial contemporary chronicler, swaps dry earth and baking heat for chalky hills and the A350 in his new adaptation

SOURCE: The Stage Registration at 12:35pm on February 12, 2020

Royal Conservatoire of Scotland external review reveals 'favouritism and bullying' claims by Georgia Snow

An external review into the Royal Conservatoire of Scotland's contemporary performance practice degree programme has revealed claims of "favouritism, bullying and misuse

SOURCE: The Stage Registration at 11:03am on February 12, 2020

Kate Wasserberg: Terry Hands taught me how to love a production into being by Stuart Gidden

The Out of Joint artistic director recalls her work and friendship with the late Terry Hands, former artistic director of the Royal

SOURCE: The Stage Registration at 11:02am on February 12, 2020

Tom Scutt: Design is often underestimated by critics by Giverny Masso

Designer Tom Scutt has claimed theatre design is "underestimated" by critics, claiming intelligent reviews are needed to help those working in his

SOURCE: The Stage Registration at 10:09am on February 12, 2020

Diary: Her Madgesty decides the show must go on by Tabard

Just a hunch, but one suspects Andrew Lloyd Webber may be regretting handing over his beloved London Palladium to Madonna, who is

SOURCE: The Stage Registration at 10:00am on February 12, 2020

The Whip review at Swan Theatre, Stratford-upon-Avon " 'rich, complex, troubling play' by Naomi Obeng

Juliet Gilkes Romero's troubling new play The Whip dramatises the 1833 Abolition of Slavery Act, and the £10 billion repayments the British

SOURCE: The Stage Registration at 9:39am on February 12, 2020

Nora: A Doll's House review at Young Vic, London " 'poetic and ambitious reimagining of Ibsen' by Natasha Tripney

In her fresh take on Ibsen's 1879 play about a woman trapped in a stifling marriage, Stef Smith splits Nora's story into

SOURCE: The Stage Registration at 9:34am on February 12, 2020

Sticky Door at the Vaults, London " 'funny, moving and energetically performed solo show' by Grace Wood

Katie Arnstein must be one of the hardest-working theatremakers at this year's Vault Festival as she's performing all three shows of her

SOURCE: The Stage Registration at 9:28am on February 12, 2020

Hamlet, February 13 by Harry Venning

SOURCE: The Stage Registration at 9:00am on February 12, 2020

Is experimental theatre 'a lot of silly nonsense'? 50 years ago in The Stage (February 12, 1970) by The Stage

The Stage has always endeavoured to cover the waterfront when it comes to the type of work being staged in theatres across

SOURCE: The Stage Registration at 9:00am on February 12, 2020

Crongton Knights review at Belgrade Theatre, Coventry " 'an energetic and engaging adaptation' by Mert Dilek

"Tonight's been a drama-overload," observes one of the "magnificent six" in Crongton Knights. She is not exaggerating: Emteaz Hussain's adaptation of Alex

SOURCE: The Stage Registration at 8:28am on February 12, 2020

Amateurs play a key role in industry and deserve more recognition " your views, February 13 by The Stage

In '140 years of The Stage', Alistair Smith writes of "the relationship between the professional and amateur sectors: a connection that has

SOURCE: The Stage Registration at 8:00am on February 12, 2020

Juliet Stevenson: Some Shakespeare plays should be "buried and forgotten" by Giverny Masso

Juliet Stevenson has argued that Shakespeare should be performed in modern dress and that some of his plays should be "buried and

SOURCE: The Stage Registration at 6:54am on February 12, 2020

Open mic night for musical theatre performers launches free showreel service by Matthew Hemley

An open mic night is offering musical theatres performers the chance to have their performances filmed for free, in a bid to

SOURCE: The Stage Registration at 6:54am on February 12, 2020

RADA under fire for failing to address student concerns as partnership with diversity initiative is severed by Matthew Hemley

RADA has been accused of failing to address student concerns around "race, class, disability and sexual harassment", as it emerges the drama

SOURCE: The Stage Registration at 6:54am on February 12, 2020
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