13,356 stories from The Financial Times
The 'Gomorrah' director talks about revisiting dark aspects of Italy " this time via a murderous dog groomer
At 71, the singer is part of rock and roll royalty, and she's just made a raw and mesmerising new album
A droll guide to the movie that introduced a generation of schoolboys to the war film
Matthew Weiner's eight-part series examines what it might feel like to have " or believe you have " imperial blood in your veins
Tops are hand-crafted in Germany using cordierite, a mineral found in metamorphic rocks
'I never had any ambition. One thing led to another'
The formidable songwriter is also a comics nut. She shows the FT her collection
Edward Burtynsky reveals natural landscapes profoundly changed by mankind
The most audacious prank yet by the street artist left one of his pictures in tatters " and threatened to shred the credibility of the art market
Artist designates 'Girl With Balloon' as a new work called 'Love Is In the Bin'
The drummer and his band played with a rhythmic ebb-and-flow
Pianist father and violinist son were among the performers in this Greek-themed programme
A play that defies explanation, yet still grips " thanks largely to its two central performances
A production of Handel's opera that lets the music speak for itself
The production may have lost Edward Watson to injury, but the company's other talents shone brilliantly
Martin Herdman is an affable underdog in Mark Gillis's film
Chris Hemsworth, Jeff Bridges and Jon Hamm star in a sprawly, messy affair
Gosling is the star of this Moon-landing story but Claire Foy dominates the film
The playwright's new political drama doesn't lack ambition, but it's a curiously sterile affair
The group's 1976 hit captures the joy and sadness of being a teenager
Paul Greengrass and his cast of Norwegian unknowns capture the horrifying and the humdrum alike
It's a weird hybrid: the corpse of a dysfunctional family drama infused with the embalming fluid of Gothic horror
Andris Nelsons conducted a panoramic-sounding Mahler
Cherubini's opera is dragged down by Daniel Barenboim's conducting
Kwame Kwei-Armah's first production as artistic director is a lively musical adaptation of Shakespeare
