1,898 stories from The New Yorker
A lot of people are completely delusional about their high-school theatre programs being special, but not us.
Getting lost with "Orlando," "My Neighbour Totoro," and "The Burnt City."
The return of the Public's annual festival includes "LatinXoxo," by the Venezuelan-born performance artist Migguel Anggelo.
After George Floyd's murder, Black artists like Britton Smith forced Broadway to acknowledge structural racism in the industry. Now Smith looks at what has changed"and what hasn't.
"Swagger and Tenderness," at the Bronx Museum, brings back the beauty of a struggling community.
The poet's new book of photographs and verse is haunted by the dead who will not stay dead.
The playwright and author discusses preshow rituals, throbbing anger, tenderness, and her new play, "Becky Nurse of Salem."
Brilliant casting and a palpable sense of joy make old stories feel new.
A very funny, moving new play looks at the foibles of a Protestant youth group. Plus: Adrienne Kennedy's Broadway début, with "Ohio State Murders."
The shows we couldn't stop thinking about had a way with words.
Even when the scenes drag, the songs soar.
Will Arbery tackles the climate crisis with a funny nightmare about human and environmental fragility.
A new musical, based on Billy Wilder's classic man-in-a-dress comedy, splices old-school fun with contemporary gender politics.
Mia Chung's drama, by turns comedic, bitter, and ineffable, shows how racism soaks through an American family.
Adrienne Kennedy's 1992 one-act play, which revisits the playwright's time in college, has its Broadway début, directed by Kenny Leon.
Shouts & Murmurs by Jesse Eisenberg: This production contains strobe lights, nude people whom you don't want to see nude, and a didactic speech about Lenin.
The return of Alvin Ailey American Dance Theatre, the tap wiz Michelle Dorrance, an unusual ballet by Alexei Ratmansky, and more.
Josh Groban and Annaleigh Ashford in "Sweeney Todd," Aaron Sorkin's revised "Camelot," Andy Warhol and Jean-Michel Basquiat together onstage, and more.
In a full-tilt production at BAM, Lars Eidinger gives the sad prince a punk, chaotic edge and turns familiar tragedy into Dionysian revel.
Museum shows capture the great realist painter's vision of the city and, at Just Above Midtown, the work of artists of color from the seventies and eighties.
Victoria Clark and the cast of "Kimberly Akimbo" turned into rink rats to prepare for their Broadway opening.
A virtuoso of the eighteenth-century version of viral memes and fake news, he had a sense of political theatre that helped create a radical new reality.
A stage adaptation, at BAM, crams Hanya Yanagihara's sprawling novel into a single evening"not without some violence.
The director Kenny Leon puts a realistic spin on Suzan-Lori Parks's allegorical tour de force.
LaTanya Richardson Jackson directs a stunning encore of August Wilson's most enigmatic work.
