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37,850 stories from The New York Times

17 Off Broadway Shows to Enliven Your October by Laura Collins-hughes

André De Shields does Molière, Romy and Michele take the stage and Bat Boy makes his return just in time for Halloween.

SOURCE: The New York Times Subscription at 12:48pm on October 3, 2025[SHARE]

He'll Have the 10-Hour Theater Show, Please by Laura Cappelle

As director of Odéon-Théâtre de l'Europe, one of France's top playhouses, Julien Gosselin is facing strong budgetary headwinds. But he's keeping his vision big.

SOURCE: The New York Times Subscription at 11:36am on October 3, 2025[SHARE]

'The Honey Trap' Is a Thriller That Keeps Audiences Rapt Until the End by Laura Collins-hughes

For a British soldier, a fatal night out breeds a hunger for revenge in Leo McGann's suspenseful play at Irish Repertory Theater.

SOURCE: The New York Times Subscription at 1:18pm on October 2, 2025[SHARE]

'This Much I Know' Review: 'Eureka Day' Playwright Still Has Questions by Juan A. Ramírez

After his Tony win, Jonathan Spector returns with a dark, cerebral comedy involving academics and Stalin's daughter.

SOURCE: The New York Times Subscription at 5:36am on October 2, 2025[SHARE]

'Caroline' Review: Chloë Grace Moretz as a Mother Starting Over by Laura Collins-hughes

The actress stars in a closely observed new drama by Preston Max Allen about addiction, class and the safety of a transgender 9-year-old.

SOURCE: The New York Times Subscription at 5:36am on October 1, 2025[SHARE]

Paris Opera Ballet Brings Hofesh Shechter Work to America, Leaving Tutus at Home by Roslyn Sulcas

The company will perform the contemporary choreographer Hofesh Shechter's "Red Carpet" in California and New York.

SOURCE: The New York Times Subscription at 5:02am on October 1, 2025[SHARE]

'And Then We Were No More' Review: Not Quite Kafka by Elisabeth Vincentelli

The actor Tim Blake Nelson has penned a dystopian drama set in an unspecified future that puts forth lofty themes. Too bad it's short on specifics.

SOURCE: The New York Times Subscription at 12:36pm on September 30, 2025[SHARE]

Organizations in 5 Boroughs Get a Boost With City Funds by Michaela Towfighi

BRIC, the Noble Maritime Collection, Pregones/Puerto Rican Traveling Theater, the Bronx Children's Museum and the Louis Armstrong House Museum get a permanent investment.

SOURCE: The New York Times Subscription at 11:24am on September 30, 2025[SHARE]

'Masquerade' Review: 'Phantom of the Opera' Gets the Immersive Remix by Alexis Soloski

Andrew Lloyd Webber's "The Phantom of the Opera" returns to New York in an immersive spectacle, as silly as it is thrilling.

SOURCE: The New York Times Subscription at 10:24pm on September 29, 2025[SHARE]

'Punch' Review: After a Fatal Blow, an Unlikely Connection by Elisabeth Vincentelli

James Graham's Broadway play tells the true story of how restorative justice brought together a young man who threw a fatal punch and the parents of the victim.

SOURCE: The New York Times Subscription at 9:48pm on September 29, 2025[SHARE]

Stars Cheer On Keanu Reeves and Alex Winter at 'Waiting for Godot' Opening Night by Vivian S. Toy

Lin-Manuel Miranda, Jonathan Groff and Kieran Culkin were among the headliners who came out to support Keanu Reeves and Alex Winter's new collaboration.

SOURCE: The New York Times Subscription at 11:18am on September 29, 2025[SHARE]

For Natalie Palamides, 'Weer' and Her Stage Work Are Her Clowning Glory by Elisabeth Vincentelli

Natalie Palamides's mind-scrambling work oscillates between big laughs and pathos. Her show "Weer" is the first long run at the renovated Cherry Lane Theater.

SOURCE: The New York Times Subscription at 5:31am on September 29, 2025[SHARE]

'Waiting for Godot' Review: Keanu Reeves and Alex Winter on Broadway by Laura Collins-hughes

Jamie Lloyd's pristinely chic Broadway revival of the existential tragicomedy casts the "Bill & Ted" stars Keanu Reeves and Alex Winter as Samuel Beckett's clowns.

SOURCE: The New York Times Subscription at 10:18pm on September 28, 2025[SHARE]

How John Leguizamo Spends a Day Before Taking the Stage by Sarah Bahr Photographs and Video By Christian Rodriguez

The actor fits in tennis with his son, a writing session and lots of dancing before performing his new show at the Public Theater.

SOURCE: The New York Times Subscription at 3:18am on September 27, 2025[SHARE]

Review: Mozart's 'Figaro' Meets Larry Kramer's Fire Island by Joshua Barone

Kevin Carillo dreams up an unlikely combination, with results that are delirious and often persuasive, but also excessive.

SOURCE: The New York Times Subscription at 12:02pm on September 26, 2025[SHARE]

In "The Unwomanly Face of War," History's Record Is Corrected by Laura Cappelle

A stage adaptation of the Nobel laureate Svetlana Alexievich's "The Unwomanly Face of War" gives Soviet women credit for their complex roles in World War II.

SOURCE: The New York Times Subscription at 10:18am on September 26, 2025[SHARE]

In 'Punch' on Broadway, Trying to Summon Empathy for the Unforgivable by Laura Collins-hughes

The Broadway play "Punch" retells the true story of a fatal blow and how restorative justice brought healing to the parents and to the young man who threw the punch.

SOURCE: The New York Times Subscription at 5:06am on September 26, 2025[SHARE]

In Alice Birch's New Play, It's Bleak Being a Man by Houman Barekat

Alice Birch's latest play offers two modish genres for the price of one: the trauma narrative and the earnest inquiry into masculinity.

SOURCE: The New York Times Subscription at 10:36pm on September 25, 2025[SHARE]

'The Other Americans' Review: John Leguizamo's Family Drama Aims Big by Juan A. Ramírez

For the first play he's written, the actor stars as a striving Colombian American patriarch in the mold of Willy Loman or Walter Younger.

SOURCE: The New York Times Subscription at 10:06pm on September 25, 2025[SHARE]

Rashid Johnson Stages 'Dutchman' at Russian and Turkish Baths by Rachel Sherman

No phones, no street clothing. The artist Rashid Johnson has returned to the Russian and Turkish Baths with Amiri Baraka's incendiary play "Dutchman."

SOURCE: The New York Times Subscription at 5:24pm on September 25, 2025[SHARE]

Manhattan Theater Club Names First New Artistic Director in 53 Years by Michael Paulson

Nicki Hunter will succeed Lynne Meadow in December, taking charge of a major nonprofit that stages shows on and off Broadway.

SOURCE: The New York Times Subscription at 11:02am on September 25, 2025[SHARE]

Andrew Lloyd Webber Reimagines 'Phantom of the Opera' With 'Masquerade' by Michael Paulson

A night out with the composer as he attended his latest project: "Masquerade," a $25 million reimagining of "The Phantom of the Opera."

SOURCE: The New York Times Subscription at 5:06am on September 24, 2025[SHARE]

'Mexodus' Tells an Underground Railroad Story You've Probably Never Heard by Sopan Deb

In this new hip-hop musical from Nygel D. Robinson and Brian Quijada, audiences hear a tale of reverse migration: Slaves leaving the United States for Mexico.

SOURCE: The New York Times Subscription at 12:24pm on September 22, 2025[SHARE]

The Broadway Musical Is in Trouble by Michael Paulson

With the cost of staging song-and-dance spectacles skyrocketing and audiences drawn to older hits, none of the musicals that opened last season has made a profit. Fewer are planned this seas…

SOURCE: The New York Times Subscription at 5:18am on September 22, 2025[SHARE]

Gerald Arpino Brought 'Zah!' to Ballet. How Does His Work Hold Up? by Marina Harss and Elias Williams

The choreographer's dances were athletic, often sexy, and dealt with contemporary themes. A two-week festival of his work comes to the Joyce Theater.

SOURCE: The New York Times Subscription at 5:02am on September 22, 2025[SHARE]
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