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35,882 stories from The Stage

Long Read: As Brexit chaos reigns, what does it really mean for theatre? by Mark Shenton

Performing arts exports to Europe " alongside music and visual arts " are worth £360 million to the UK, but that and

SOURCE: The Stage Registration at 9:00am on March 27, 2019☆⚑

Victoria review at Sadler's Wells, London " 'a ballet to treasure' by Anna Winter

Choreographing the Corn Laws is a bit of an ask " narrative ballet inevitably struggles for nuance when it comes to statecraft.

SOURCE: The Stage Registration at 8:51am on March 27, 2019☆⚑

Employment lawyer Nick Hall: What are the legal rights in The Color Purple row? by Nick Hall

The story of The Color Purple last week could have been a question set by an examiner for would-be lawyers studying employment

SOURCE: The Stage Registration at 8:37am on March 27, 2019☆⚑

Dear West End Producer: 'Why doesn't the theatre industry do more to support parents?' by @westendproducer

Why doesn't the industry do more to support / help parents who work in it? As a working parent I find it

SOURCE: The Stage Registration at 8:00am on March 27, 2019☆⚑

Careers Clinic: How can I boost my chances at an interview for a technical theatre role? by John Byrne

I started in theatre tech thanks to my drama teacher at school who was really into this area of the business. From

SOURCE: The Stage Registration at 8:00am on March 27, 2019☆⚑

US-UK theatre producer exchange scheme to 'forge stronger connections' by Matthew Hemley

An exchange programme between the US and the UK has been launched that aims to forge stronger connections between producers in the

SOURCE: The Stage Registration at 7:49am on March 27, 2019☆⚑

Royal Court suspends Sackler-funded trainee scheme over opioid allegations by Georgia Snow

The Royal Court has suspended the operation of a trainee scheme funded by the Sackler Trust, amid an increasing controversy over the

SOURCE: The Stage Registration at 7:40am on March 27, 2019☆⚑

Obituary: Pat Laffan " 'actor best known for playing milkman Pat Mustard in Father Ted' by Michael Quinn

Pat Laffan's contribution to Irish theatre went far beyond the iconic brace of comic performances he will be remembered for: the libidinous

SOURCE: The Stage Registration at 6:27am on March 27, 2019☆⚑

Obituary: Louise Clifford " 'showed inspirational leadership as theatre director' by Nick Smurthwaite

Regarded as one of the most valued and respected employees of the HQ Theatres Group, Louise Clifford has died after a two-year

SOURCE: The Stage Registration at 6:18am on March 27, 2019☆⚑

Edinburgh International Festival expands remit as Fergus Linehan announces new line-up by Thom Dibdin

The Edinburgh International Festival is expanding its remit to take on mid-scale work from a much broader geographical reach at this year's

SOURCE: The Stage Registration at 6:00am on March 27, 2019☆⚑

Editor's View: Theatres must negotiate the murky waters of arts sponsorship with caution by Alistair Smith

The Sackler Trust's decision to suspend its UK grants amid growing controversy has helped a few high-profile arts organisations avoid some extremely

SOURCE: The Stage Registration at 4:00am on March 27, 2019☆⚑

David Benedict: Great musicals like Mamma Mia! confound the haters by David Benedict

"I hate musicals, I hate 'em." So said Richard Hawley in an interview quoted last week on BBC Radio 4's Front Row.

SOURCE: The Stage Registration at 3:00am on March 27, 2019☆⚑

Wolfie review at Theatre503, London " 'a fizzy, vivid debut play' by Natasha Tripney

Ross Willis' debut play takes the form of a weird, wild ride, a verbal helter-skelter. Twin girls burst into the world, eloquent

SOURCE: The Stage Registration at 12:53pm on March 26, 2019☆⚑

Natasha Tripney: The Color Purple producers must learn from this debacle and make something celebratory with the LGBT community by Natasha Tripney

Now that Seyi Omooba is no longer part of the Leicester Curve and Birmingham Hippodrome's production of The Color Purple, I suspect

SOURCE: The Stage Registration at 12:45pm on March 26, 2019☆⚑

Playwright Tariq Jordan: 'I wanted to look at the relationship between Muslims and Jews' by Giverny Masso

With his debut play Ali and Dahlia exploring a love story between an Israeli and a Palestinian, Tariq Jordan tells Giverny Masso

SOURCE: The Stage Registration at 11:00am on March 26, 2019☆⚑

Actors' social media use in spotlight following Seyi Omooba case by Matthew Hemley

Actors have been warned to exercise caution when sharing on social media, following a tumultuous week in which performer Seyi Omooba left

SOURCE: The Stage Registration at 8:31am on March 26, 2019☆⚑

Ophelia Lovibond: 'I enjoy spending weeks building a character in the rehearsal room' by Nick Clark

Known for her TV roles in W1A and Elementary, Ophelia Lovibond's theatre career has blossomed in recent years. She tells Nick Clark

SOURCE: The Stage Registration at 8:30am on March 26, 2019☆⚑

Opening of new immersive theatre venue Space 18 delayed by Giverny Masso

The opening of a new multi-million immersive theatre venue in London's West End has been delayed by more than four months. Space

SOURCE: The Stage Registration at 8:11am on March 26, 2019☆⚑

Opera singer forced to change pro-EU dress after audiences complain it is 'too provocative' by Georgia Snow

An opera singer who performed at the Royal Albert Hall wearing a pro-EU dress was forced to change it after receiving complaints

SOURCE: The Stage Registration at 8:02am on March 26, 2019☆⚑

Virgin Trains to meet Equity after admitting social media responses were 'ill-judged' by Matthew Hemley

Virgin Trains bosses have agreed to meet with Equity following an unpaid voice-over competition it launched that sparked outrage among performers. In

SOURCE: The Stage Registration at 7:48am on March 26, 2019☆⚑

Us Against Whatever review at Everyman Theatre, Liverpool " 'angry, compassionate, electric' by Nigel Smith

Before the show begins the cast chats with the audience " some in English, others in Polish, ensuring that there isn't a

SOURCE: The Stage Registration at 7:05am on March 26, 2019☆⚑

Othello review at Union Theatre, London " 'elegant, accomplished and beautifully designed' by Julia Rank

Phil Willmott's elegant production relocates Shakespeare's play to the Edwardian British Raj and makes Othello a conflicted collaborator in the British army.

SOURCE: The Stage Registration at 6:30am on March 26, 2019☆⚑

The Green Room: What's your experience of the other side of the curtain? by Jon Dryden Taylor

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details…​​​​​ Albert

SOURCE: The Stage Registration at 6:00am on March 26, 2019☆⚑

Production arts teacher Marc Fairclough: 'It is such a male-dominated industry " it's time that changed' by John Byrne

How did you start off in theatre? I've been involved in theatre since I was seven. I studied drama at college, then

SOURCE: The Stage Registration at 6:00am on March 26, 2019☆⚑

Lighting technician Chloe Anne James on her first theatre job: 'I was in the right place at the right time' by John Byrne

My first theatre job was as assistant stage manager on Peter Pan, at Bromley's Churchill Theatre, in 2007. As the winter holidays

SOURCE: The Stage Registration at 6:00am on March 26, 2019☆⚑
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