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35,882 stories from The Stage

Such Filthy F*cks review at Pleasance Dome, Edinburgh " 'intelligent, nuanced exploration of pornography' by Natasha Tripney

Luka likes porn. A lot. She watches it at work. She watches so much of it that her boss has started to

SOURCE: The Stage Registration at 9:43am on August 5, 2019☆⚑

Obituary: Joe Longthorne " 'one of the biggest light-entertainment stars of his generation' by Michael Quinn

Joe Longthorne, who has died at the age of 64, was one of the biggest light-entertainment stars of his generation, admired within

SOURCE: The Stage Registration at 8:22am on August 5, 2019☆⚑

The Canary and the Crow review at Summerhall, Edinburgh " 'punchy gig-theatre' by Fergus Morgan

Hull-based Middle Child Theatre is one of Edinburgh Fringe's big success stories in recent years. Back at the Paines Plough Roundabout again

SOURCE: The Stage Registration at 8:16am on August 5, 2019☆⚑

Poll: Has the cost of taking a show to Edinburgh stopped you going? by The Stage

As the Edinburgh Festival Fringe kicks off for 2019, the financial barriers to taking a show to working there have been widely

SOURCE: The Stage Registration at 7:20am on August 5, 2019☆⚑

Edinburgh International Festival performers reject sterling payments over Brexit fears by Georgia Snow

Uncertainty around Brexit has prompted performers at the Edinburgh International Festival to ask for their fees to be paid in euros or

SOURCE: The Stage Registration at 7:05am on August 5, 2019☆⚑

La Reprise Histoire(s) du Theatre (I) review at Royal Lyceum Theatre, Edinburgh " 'extraordinarily powerful' by Natasha Tripney

One of the rules of Milo Rau's manifesto for NTGent states that the goal of theatre is not to depict the world,

SOURCE: The Stage Registration at 6:54am on August 5, 2019☆⚑

Put on the best possible performance with Shure sound systems by Promoted Content

It's every performer's worst nightmare. You've got the part, learned your lines and rehearsed and rehearsed and rehearsed. It's opening night and

SOURCE: The Stage Registration at 6:54am on August 5, 2019☆⚑

A Table Tennis Play review at Underbelly, Edinburgh " 'studded with moments of magic' by Natasha Tripney

Walrus Theatre scored a big Edinburgh Fringe hit with 2015's Lemons, Lemons, Lemons, Lemons, Lemons, Sam Steiner's deft, elegant play about relationships

SOURCE: The Stage Registration at 6:39am on August 5, 2019☆⚑

Brainiac Live review at the Garrick Theatre, London " 'explosive school holiday fun' by Sally Hales

Based on the long-dead TV show of the same name, Brainiac Live has toured the globe with its stage show for young

SOURCE: The Stage Registration at 6:19am on August 5, 2019☆⚑

The Borrowers review at Grosvenor Park Open Air Theatre, Chester " 'magical retelling' by Francesca Peschier

Grosvenor Open Air Theatre's The Borrowers fully embraces the 21st century. It is truly a land of wonders with "two measures in

SOURCE: The Stage Registration at 6:16am on August 5, 2019☆⚑

Cats review at Kilworth House Theatre " 'radical approach and outstanding delivery' by Pat Ashworth

Nick Winston's production dispels at a single magnificent stroke those habitual audience demurrals that, however showy and extraordinary it is, Cats doesn't

SOURCE: The Stage Registration at 6:14am on August 5, 2019☆⚑

The Colours review at Soho Theatre, London " 'moving verbatim theatre' by Ka Bradley

Harriet Madeley's verbatim play about palliative care and terminal illness takes its name from a visualisation exercise. For some exercises, the patients

SOURCE: The Stage Registration at 5:40am on August 5, 2019☆⚑

Top 5 theatre shows to see this week (August 5-11) by Natasha Tripney

Total Immediate Collective Imminent Terrestrial Salvation " Festival Theatre Studio, Edinburgh Writer and theatrical experimenter Tim Crouch presents a new piece for

SOURCE: The Stage Registration at 2:00am on August 5, 2019☆⚑

Matt Trueman: Edinburgh Fringe is bigger and better than ever " despite its flaws by Matt Trueman

Every year, the cry goes up: the Edinburgh Festival Fringe is in mortal danger. It has sacrificed its soul on the altar

SOURCE: The Stage Registration at 2:00am on August 5, 2019☆⚑

Sex Education review at Summerhall, Edinburgh " 'a sex-positive confessional' by Paul Vale

When Harry Clayton-Wright came out to his parents at 14, his mother accepted this revelation but was unable to talk to him

SOURCE: The Stage Registration at 3:34pm on August 4, 2019☆⚑

#HonestAmy review at Pleasance Dome, Edinburgh " 'candid solo show about cancer battle' by Paul Vale

Amy Booth-Steel has been through the mill. A successful jobbing actor and a popular member of the theatre community, the trajectory of

SOURCE: The Stage Registration at 3:09pm on August 4, 2019☆⚑

Deer Woman review at CanadaHub, Edinburgh " 'powerful story weakened by graphic violence' by Nicole Serratore

For decades in Canada, Indigenous women went missing and were murdered with little government response or action. Tara Beagan's play Deer Woman

SOURCE: The Stage Registration at 2:28pm on August 4, 2019☆⚑

Tartuffe review at Assembly Rooms, Edinburgh " 'delightful update of Moliere into Scots' by David Pollock

"Ah'm nae angel," sneers Andy Clark's Tartuffe, one of theatre's great con artists, as he attempts to downplay his own manipulative awfulness

SOURCE: The Stage Registration at 10:20am on August 4, 2019☆⚑

The Red review at Pleasance Dome, Edinburgh " 'Marcus Brigstocke's bittersweet tale of alcohol addiction' by Paul Vale

Marcus Brigstocke has made regular appearances at the Edinburgh Fringe since winning the BBC New Comedy Award in 1996, either doing stand-up

SOURCE: The Stage Registration at 9:47am on August 4, 2019☆⚑

Cotton Fingers review at Summerhall, Edinburgh " 'powerful and poetic' by Nicole Serratore

In Ireland, the eight amendment referendum didn't just change the law around abortion; in Rachel Trezise's Cotton Fingers, it inspired a teen

SOURCE: The Stage Registration at 7:11am on August 4, 2019☆⚑

The Crucible review at Edinburgh Playhouse " 'triumphant and elemental' by David Pollock

It's sad to note that Arthur Miller's 1953 conflation of the Salem witch trials and the McCarthy hearings of the playwright's own

SOURCE: The Stage Registration at 6:49am on August 4, 2019☆⚑

Hold On Let Go review at Summerhall, Edinburgh " 'warm and thoughtful' by Natasha Tripney

How much of our lives do we remember? Are there benefits to forgetting? Luca Rutherford's nuanced, thoughtful show explores the role that

SOURCE: The Stage Registration at 6:27am on August 4, 2019☆⚑

Collapsible review at Assembly Roxy, Edinburgh " 'Breffni Holahan is mesmeric' by Natasha Tripney

Essie is losing her grip. She's lost her job and split with her girlfriend. She feels like one of those folding chairs.

SOURCE: The Stage Registration at 12:55pm on August 3, 2019☆⚑

Sparkle review at Summerhall, Edinburgh " 'heavy-handed show for the over-threes' by Thom Dibdin

Using her own son's experiences of being bullied at primary school for wearing dresses and all things glitter, Annie Cusick Wood has

SOURCE: The Stage Registration at 12:36pm on August 3, 2019☆⚑

Enough review at Traverse Theatre, Edinburgh " 'poetic play about flight attendants never ascends' by Natasha Tripney

A sense of instability permeates Stef Smith's play. By the end the world feels on the verge of collapse. Toni (Amanda Wright)

SOURCE: The Stage Registration at 8:19am on August 3, 2019☆⚑
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