Such Filthy F*cks review at Pleasance Dome, Edinburgh " 'intelligent, nuanced exploration of pornography'
Luka likes porn. A lot. She watches it at work. She watches so much of it that her boss has started to
Luka likes porn. A lot. She watches it at work. She watches so much of it that her boss has started to
Joe Longthorne, who has died at the age of 64, was one of the biggest light-entertainment stars of his generation, admired within
Hull-based Middle Child Theatre is one of Edinburgh Fringe's big success stories in recent years. Back at the Paines Plough Roundabout again
As the Edinburgh Festival Fringe kicks off for 2019, the financial barriers to taking a show to working there have been widely
Uncertainty around Brexit has prompted performers at the Edinburgh International Festival to ask for their fees to be paid in euros or
One of the rules of Milo Rau's manifesto for NTGent states that the goal of theatre is not to depict the world,
It's every performer's worst nightmare. You've got the part, learned your lines and rehearsed and rehearsed and rehearsed. It's opening night and
Walrus Theatre scored a big Edinburgh Fringe hit with 2015's Lemons, Lemons, Lemons, Lemons, Lemons, Sam Steiner's deft, elegant play about relationships
Based on the long-dead TV show of the same name, Brainiac Live has toured the globe with its stage show for young
Grosvenor Open Air Theatre's The Borrowers fully embraces the 21st century. It is truly a land of wonders with "two measures in
Nick Winston's production dispels at a single magnificent stroke those habitual audience demurrals that, however showy and extraordinary it is, Cats doesn't
Harriet Madeley's verbatim play about palliative care and terminal illness takes its name from a visualisation exercise. For some exercises, the patients
Total Immediate Collective Imminent Terrestrial Salvation " Festival Theatre Studio, Edinburgh Writer and theatrical experimenter Tim Crouch presents a new piece for
Every year, the cry goes up: the Edinburgh Festival Fringe is in mortal danger. It has sacrificed its soul on the altar
When Harry Clayton-Wright came out to his parents at 14, his mother accepted this revelation but was unable to talk to him
Amy Booth-Steel has been through the mill. A successful jobbing actor and a popular member of the theatre community, the trajectory of
For decades in Canada, Indigenous women went missing and were murdered with little government response or action. Tara Beagan's play Deer Woman
"Ah'm nae angel," sneers Andy Clark's Tartuffe, one of theatre's great con artists, as he attempts to downplay his own manipulative awfulness
Marcus Brigstocke has made regular appearances at the Edinburgh Fringe since winning the BBC New Comedy Award in 1996, either doing stand-up
In Ireland, the eight amendment referendum didn't just change the law around abortion; in Rachel Trezise's Cotton Fingers, it inspired a teen
It's sad to note that Arthur Miller's 1953 conflation of the Salem witch trials and the McCarthy hearings of the playwright's own
How much of our lives do we remember? Are there benefits to forgetting? Luca Rutherford's nuanced, thoughtful show explores the role that
Essie is losing her grip. She's lost her job and split with her girlfriend. She feels like one of those folding chairs.
Using her own son's experiences of being bullied at primary school for wearing dresses and all things glitter, Annie Cusick Wood has
A sense of instability permeates Stef Smith's play. By the end the world feels on the verge of collapse. Toni (Amanda Wright)