734 stories from The Idiolect
Bernstein's operetta of Candide clinging to optimism in the face of countless horrors has a troubled history of its own.
The Cold War comes home to the suburbs in Just Theater's new play.
Seriously, what is it with Wonder Woman and redheaded rivals?
THIS WEDNESDAY a short play of mine is playing in the San Francisco Olympians Festival!
An octogenerian Alice takes one last trip to the fantastical land of her youth.
Wonder Woman by Gilbert Hernandez? Don't mind if I do!
Our dog is sick. Like, $10,000 worth of sick.
The Woman in Black is an old-fashioned ghost story, with emphasis on "old-fashioned."
She's Little Red Riding Hood and the Big Bad Wolf all rolled into one.
Ain't no party like the Black Panther Party at Berkeley Rep.
It's funny to see how thoroughly a show about foul-mouthed puppets has entered the mainstream of Broadway musicals.
Bye Bye Birdie depicts the cultlike following of a rock star, but it's not a rock musical. Far from it.
It would be nice for the Wonder Woman plotline not to be about who loves whom.
"Assumptions abound when it comes to writing. At least in the Bay Area about how I write plays."
SF Mime Troupe writer Michael Gene Sullivan whips up a satire about a revolutionary baking circle for Central Works.
It's the Jesus Christ Superstar of single-celled organisms.
Azzarello doesn't want his 23 issues of buildup about his new Big Bad to have been for nothing.
The latest of several new Stuart Bousel plays premiering this year is about, by and mostly for theater people.
A play about a 600-pound man, performed by a skinny guy in a fat suit, is a tricky proposition.
I've had the latest hardcover collection of the current Wonder Woman series lying around for months now.
Mike Daisey is back with four separate monologues about the Bard's great tragedies.
There's a macabre feast of theatrical treats on local stages this Halloween season.
Lauren Gunderson's latest play explores the near-impossibility of love under state-sponsored repression.
Bobby, Bobby baby, Bobby bubbee, in comes Company at Town Hall Theatre.
Christopher Chen borrows from fabulist Italo Calvino to create a dizzying web of fantastical fragments about marriage.
