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84 stories by "Rachel Saltz"

Theater Review | 'The Rover': Courtesans on the Make and Actors on the Move by Rachel Saltz

New York Classical Theater turns a Lower Manhattan commercial space into a makeshift theater to stage Aphra Behn's 17th-centuray comedy about sexual politics.

SOURCE: The New York Times Subscription at 5:53pm on March 11, 2011[SHARE]

Theater Review | 'Heaven on Earth': Civilizations End, but Does Happiness? by Rachel Saltz

In "Heaven on Earth" Charles L. Mee and some collaborators adapt the techniques of collage for the stage.

SOURCE: The New York Times Subscription at 5:30pm on February 21, 2011[SHARE]

Theater Review | 'The Man Who Ate Michael Rockefeller': A Primitive Artist and His Patron by Rachel Saltz

Jeff Cohen's new play uses Michael Rockefeller's death to consider cultural misunderstandings.

SOURCE: The New York Times Subscription at 5:11pm on February 14, 2011[SHARE]

Theater Review | 'The Momentum': Life Is an Existential Cabaret, My Friend by Rachel Saltz

What ails the young urbanites of "The Momentum," at the Laurie Beechman Theater, are unmet expectations, romantic disappointments and a lingering sense of ill-being.

SOURCE: The New York Times Subscription at 8:42pm on February 8, 2011[SHARE]

Theater Review | 'Lysistrata': When the Puppets Called a Sex Strike by Rachel Saltz

In Theodora Skipitares's production of "Lysistrata" at La MaMa, her puppets and masks provide distance between audience and play, a veil that offers both discretion and license.

SOURCE: The New York Times Subscription at 6:43pm on February 8, 2011[SHARE]

Theater Review | 'The Wife': Opposites Attract, and React, in a Dark Neighborhood by Rachel Saltz

In his play "The Wife," Tommy Smith pulls strange fellows from the urban melting pot.

SOURCE: The New York Times Subscription at 6:07pm on December 12, 2010[SHARE]

Theater Review | 'What She Knew': Oedipus' Mom Explains It All to You by Rachel Saltz

In George Hunka's "What She Knew" at Manhattan Theater Source, Jocasta holds forth about blood, pestilence and sex.

SOURCE: The New York Times Subscription at 3:38pm on December 8, 2010[SHARE]

Theater Review | 'Uncle Tom's Cabin': Familiar Americana, but Still Full of Life by Rachel Saltz

The stage version of Harriet Beecher Stowe's "Uncle Tom's Cabin" gets a fresh look from the Metropolitan Playhouse in a production that values the text.

SOURCE: The New York Times Subscription at 5:20pm on November 28, 2010[SHARE]

Theater Review | 'Juan and John': 40 Years Later, and Still Feeling the Sting From a Smack in the Batter's Box by Rachel Saltz

Roger Guenveur Smith believes in the interconnectedness of history: that our lives, big and small, are enmeshed in the great tangle of events, big and small.

SOURCE: theater2.nytimes.com at 1:01am on December 17, 2009[SHARE]
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