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97 stories by "Rachel Elderkin"

Review: The Toad Knew at Sadler's Wells by Rachel Elderkin

An space for imaginations to wander: James Thierree's surreal dance show is full of delights and enchantment. The post Review: The Toad Knew at Sadler’s Wells appeared first on Exeunt …

SOURCE: exeuntmagazine.com at 3:57am on May 8, 2017

Motionhouse: Scattered review at Peacock Theatre, London " 'daring feats' by Rachel Elderkin

Motionhouse makes highly physical and daring dance work, often performed outdoors. The set always plays a major role in the company's work,

SOURCE: The Stage Registration at 11:03am on April 27, 2017

Marc Brew Company: Brewband review at Sadler's Wells, London " 'creative and eclectic' by Rachel Elderkin

Ear plugs are being offered to the audience on the way in. Brewband, part gig, part dance piece, is the work of

SOURCE: The Stage Registration at 11:22am on April 26, 2017

Tarantiseismic review at Sadler's Wells, London " 'primal and passionate' by Rachel Elderkin

A series of hunched forms are draped in grey cloaks. They look like a landscape. A palpable tension runs through the figures

SOURCE: The Stage Registration at 11:01am on April 24, 2017

MK Ultra review at Laban Theatre, London " 'slick and striking' by Rachel Elderkin

Rosie Kay is known for the extensive research she conducts for her projects. Previous piece 5 Soldiers saw her dancers undertake training

SOURCE: The Stage Registration at 10:09am on April 21, 2017

Aracaladanza review at Sadler's Wells, London " 'playful and inventive' by Rachel Elderkin

Dance company Aracaladanza has been a regular part of the Sadler's Wells family weekend since 2008. The two-day event sees the building

SOURCE: The Stage Registration at 8:43am on April 19, 2017

Men and Girls Dance review at the Place, London " 'direct and vital' by Rachel Elderkin

Men and Girls Dance is undoubtedly a provocative title. But then this is a piece designed to challenge the preconceptions of its

SOURCE: The Stage Registration at 6:20am on April 19, 2017

Review: RUN at The Place by Rachel Elderkin

Adrenalin-fuelled, beguiling, and vaguely Dionyisian: Rebecca Elderkin is frustrated by 2Faced Dance's uneven triple-bill. The post Review: RUN at The Place appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 9:30am on April 7, 2017

Jewels review at Royal Opera House, London " 'sparkling and sublime' by Rachel Elderkin

It's a decade since Jewels first entered the Royal Ballet's repertoire as a full work and, in the year that sees the

SOURCE: The Stage Registration at 9:47am on April 4, 2017

Bausch/Forsythe/van Manen Triple Bill review at Sadler's Wells, London " 'ambitious' by Rachel Elderkin

Tamara Rojo has created an ambitious programme. Featuring signature works of Pina Bausch, William Forsythe and Hans van Manen, it's a triple

SOURCE: The Stage Registration at 7:48am on March 24, 2017

Wayne McGregor's Tree of Codes review at Sadler's Wells, London " 'exhilarating' by Rachel Elderkin

Wayne McGregor's Tree of Codes, a work which sees his company perform alongside dancers of the Paris Opera Ballet, is based upon

SOURCE: The Stage Registration at 7:09am on March 8, 2017

Arthur Pita's Stepmother/Stepfather review at the Place, London " 'unsettling and ingenious' by Rachel Elderkin

Arthur Pita's fairytale double-bill revels in the dark side of human nature. A macabre medley of fairytales, Stepmother features the petite, innocent-looking

SOURCE: The Stage Registration at 8:47am on March 4, 2017

Cinderella review at Hippodrome, Birmingham " 'a joy to watch' by Rachel Elderkin

David Bintley’s production of Cinderella for Birmingham Royal Ballet is, for the most part, a sparkling version of the traditional tale. But

SOURCE: The Stage Registration at 11:15am on February 17, 2017

Matthew Bourne's Early Adventures review at Richmond Theatre " 'joyous and entertaining' by Rachel Elderkin

After winning the International Award for his company’s touring work at The Stage Awards 2017, Early Adventures sees Matthew Bourne return to

SOURCE: The Stage Registration at 10:14am on February 14, 2017

52 Portraits review at Lilian Baylis Studio, London " 'honest and insightful' by Rachel Elderkin

Throughout 2016, choreographer Jonathan Burrows, composer Matteo Fargion and video maker Hugo Glendinning released a weekly video portrait of a selected dance

SOURCE: The Stage Registration at 8:19am on January 26, 2017

Resolution review at the Place, London " 'innovative and unpredictable' by Rachel Elderkin

This is the 28th edition of Resolution, the Place's annual festival for contemporary dance. Showing three pieces a night across the six

SOURCE: The Stage Registration at 10:37am on January 24, 2017

Moscow City Ballet's Romeo and Juliet review at Richmond Theatre " 'expressive and spirited' by Rachel Elderkin

Moscow City Ballet’s touring production of Romeo and Juliet opens with its closing tableaux. The bodies of the tragic lovers and their

SOURCE: The Stage Registration at 10:00am on January 19, 2017

The Little Match Girl review, Lilian Baylis Studio, Sadler's Wells " 'an inventive delight' by Rachel Elderkin

It seems odd to say that the story of an orphaned, shivering match girl is a delight, but Arthur Pita's remake of

SOURCE: The Stage Registration at 12:35pm on December 13, 2016

Plan B for Utopia review at the Place, London " 'upfront dance-theatre' by Rachel Elderkin

Why is it easier to imagine the end of the world than the world changing for the better? That is the question

SOURCE: The Stage Registration at 12:17pm on November 11, 2016

Rambert Contemporaries review at Sadler's Wells, London " 'superbly danced' by Rachel Elderkin

In the company's 90th year, Rambert Contemporaries brings together the work of three rising choreographers, all of whom have danced with the

SOURCE: The Stage Registration at 12:29pm on November 8, 2016

Yang Liping: Under Siege review at Sadler's Wells, London " 'a cinematic quality' by Rachel Elderkin

Clusters of scissors are suspended above the stage. Every so often they are lowered, their sharp points encroaching on the space as

SOURCE: The Stage Registration at 2:23pm on November 4, 2016

Virgin Territory review at the Place, London " 'bold and honest dance theatre' by Rachel Elderkin

It's concerning that, in a world where sexualised images are part of our culture, adults have little control over what their children

SOURCE: The Stage Registration at 8:21am on November 3, 2016
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