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835 stories by "Paul Vale"

Hot Gay Time Machine review at Other Palace, London " 'energetic satirical cabaret' by Paul Vale

Camp stereotypes and the class system have always been mainstays of British comedy. Long before homosexuality was decriminalised in the UK, there

SOURCE: The Stage Registration at 8:21am on November 6, 2017

Awful Auntie review at Richmond Theatre, London " 'madcap and inventive' by Paul Vale

Following on from the successful stage adaptation of David Walliams’ Gangsta Granny, Horrible Histories’ writer Neal Foster has turned Awful Auntie "

SOURCE: The Stage Registration at 12:26pm on November 3, 2017

Imagine This review at Union Theatre, London " 'brave, but flawed' by Paul Vale

Though it's common on the fringe to see big shows scaled down for small spaces, it’s a precarious game that can sometimes

SOURCE: The Stage Registration at 9:54am on October 30, 2017

Our House review at Churchill Theatre, Bromley " 'bags of energy' by Paul Vale

With music and lyrics by Madness, Our House went on to win the Olivier award for best new musical after ist premiere

SOURCE: The Stage Registration at 6:38am on October 26, 2017

Why Canadian musicals are flying high by Paul Vale

Investment in workshops and development programmes is paying off as the North American nation looks to develop a production line of hit

SOURCE: The Stage Registration at 11:00am on October 25, 2017

The Legend of King Arthur review at Spiegeltent, Guildford " 'hearty theatrics' by Paul Vale

A week after the National Theatre's flailing attempt to turn the story of Saint George into a state of the nation play,

SOURCE: The Stage Registration at 8:17am on October 18, 2017

Perfect Wedding review at Mill at Sonning " 'great comic timing' by Paul Vale

The rituals of a wedding are prime fodder for a farce. The heightened emotions surrounding the event have been a huge source

SOURCE: The Stage Registration at 11:36am on October 16, 2017

Gilgamesh review at White Bear Theatre, London " 'an entertaining adaptation' by Paul Vale

The Epic of Gilgamesh is one of the earliest piece of literature known to man, dating back to the Third Dynasty of

SOURCE: The Stage Registration at 9:05am on October 13, 2017

Hammer House of Horror Live: The Soulless Ones review at Hoxton Hall " 'not particularly frightening' by Paul Vale

In its heyday, between the 1950s and 1970s, Hammer Films, the British horror film studio, successfully snatched the horror genre back from

SOURCE: The Stage Registration at 7:10am on October 9, 2017

Big Foot review at Stratford Circus Arts Centre, London " 'gentle yet persuasive message' by Paul Vale

Beneath the bold, humorous theatrical style of Joseph Barnes Phillips’ new play Big Foot is a simple, semi-autobiographical rites of passage tale.

SOURCE: The Stage Registration at 7:26am on October 6, 2017

Child of the Divide review at Polka Theatre, London " 'imaginative and educational' by Paul Vale

In 1947, the partition of India and the newly formed Pakistan resulted in the migration of more that 16 million people. The

SOURCE: The Stage Registration at 7:48am on October 5, 2017

Flashdance review at New Wimbledon Theatre, London " 'strangely joyless production' by Paul Vale

Nobody expected the 1983 movie Flashdance to be a hit. The story of the welder-by-day, dancer-by-night turned out to be the perfect

SOURCE: The Stage Registration at 7:30am on October 4, 2017

Lucky Stiff review at Union Theatre, London " 'madcap musical' by Paul Vale

For his directorial debut Paul Callen has chosen Lynn Ahrens and Stephen Flaherty’s collaborative debut Lucky Stiff. The couple have since gone

SOURCE: The Stage Registration at 11:48am on October 2, 2017

Gin for Breakfast review at Tristan Bates Theatre, London " 'stylish debut play on mental health issues' by Paul Vale

It comes as no surprise that Gin For Breakfast began life as a writing exercise as much as a play. Author Jess

SOURCE: The Stage Registration at 7:57am on September 29, 2017

Gate review at Cockpit Theatre, London " 'quirky and amusing' by Paul Vale

Deadpan Theatre's Gate offers us a vision of the afterlife. A quartet of angels herald us into Artemis Fitzalan Howard's new play,

SOURCE: The Stage Registration at 7:10am on September 19, 2017

Holding the Man review at Above the Stag, London " 'a bittersweet love story' by Paul Vale

Penguin published Timothy Conigrave's autobiography Holding the Man posthumously in 1995, four months after his untimely Aids-related death. The book became a

SOURCE: The Stage Registration at 7:59am on September 18, 2017

And the Rest of Me Floats review at Rose Lipman Building, London " 'a generosity of spirit' by Paul Vale

Blending physical theatre with music and spoken word, Outbox Theatre " a company made up of a mix of trans, non-binary, lesbian

SOURCE: The Stage Registration at 6:28am on September 16, 2017

Driving Miss Daisy review at Richmond Theatre, London " 'tender and intimate' by Paul Vale

This 30th anniversary revival of Alfred Uhry's Pulitzer-winning play by Theatre Royal Bath is a salient reminder of how sometimes the most

SOURCE: The Stage Registration at 6:51am on September 13, 2017

The Knowledge review at Charing Cross Theatre, London " 'a strong ensemble' by Paul Vale

In an age before satnav and Uber, the Knowledge was everything. A unique and complex route test, it was required by anyone

SOURCE: The Stage Registration at 10:58am on September 12, 2017

Wait Until Dark review at Richmond Theatre, London " 'an assured performance' by Paul Vale

Frederick Knott's play Wait Until Dark is probably best known for the 1967 movie adaptation staring Audrey Hepburn. Originating on Broadway, the

SOURCE: The Stage Registration at 6:26am on September 6, 2017

Royal Vauxhall review at Royal Vauxhall Tavern, London " 'a slice of LGBT social history' by Paul Vale

Desmond O’Connor’s musical Royal Vauxhall has been knocking around for a while now, including a run at last year's Edinburgh Fringe. This current

SOURCE: The Stage Registration at 11:50am on September 1, 2017

Frank Carson: Rebel Without a Pause review at Assembly, Edinburgh " 'enlightening' by Paul Vale

The popular image of Frank Carson is that of a larger than life Belfast comedian with a distinctive brogue, a pair of

SOURCE: The Stage Registration at 7:57am on August 30, 2017

The Revlon Girl review at Assembly Roxy, Edinburgh " 'emotional clarity' by Paul Vale

In the months following the Aberfan disaster, the bereaved mothers would meet up on a regular basis to offer comfort and support

SOURCE: The Stage Registration at 9:26am on August 29, 2017

Arlene! The Glitz, the Glamour, the Gossip review at Assembly Checkpoint, Edinburgh " 'unremarkable' by Paul Vale

Despite a career spanning four decades, Arlene Phillips has not yet attempted a stint at the Edinburgh Fringe. Of course, there has

SOURCE: The Stage Registration at 8:23am on August 24, 2017

A Thousand Doorways review at C-Primo, Edinburgh " 'epic story, skilfully told' by Paul Vale

Diane Edgecomb is a force to be reckoned with. An American-born storyteller of great energy and imagination, A Thousand Doorways provides a

SOURCE: The Stage Registration at 5:22am on August 22, 2017
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