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361 stories by "Paul Taylor, Paul Taylor"

Waitress, Adelphi Theatre, review: 'This show is the real deal' by Paul Taylor, Paul Taylor

This is both a romcom set in the workplace and a feminist drama

SOURCE: The Independent at 7:11am on March 7, 2019[SHARE]

Come from Away, Phoenix Theatre, review: Drama thrives on conflict and this musical about 9/11 has very little of that by Paul Taylor, Paul Taylor

It would be impossible to imagine a more complete antidote to Neil LaBute's 2002 play 'The Mercy Seat' than this warm musical by Irene Sankoff and David Hein

SOURCE: The Independent at 5:54pm on February 18, 2019[SHARE]

All About Eve, Noel Coward Theatre, review: Gillian Anderson is arresting in emphatically successful update of classic film by Paul Taylor, Paul Taylor

The supporting cast are hit-and-miss, but Anderson and Lily James deliver strong performances in production of Joseph Mankiewicz's 1950 masterpiece

SOURCE: The Independent at 7:54am on February 13, 2019[SHARE]

Pinter 7, Harold Pinter Theatre, London review: This season will be much missed by Paul Taylor, Paul Taylor

It's hard to credit the profusion of top talent that has been involved in this project over the past six months

SOURCE: The Independent at 9:12am on February 7, 2019[SHARE]

The Tragedy of King Richard the Second review, Almeida, London: A fresh and challenging evening by Paul Taylor, Paul Taylor

Simon Russell Beale proves himself our foremost Shakespearean actor

SOURCE: The Independent at 6:12am on December 19, 2018[SHARE]

True West, Vaudeville Theatre, review: An engaging dose of visceral elation by Paul Taylor, Paul Taylor

While Harington impresses, it's Johnny Flynn whose comic perfection elevates this wonderfully warped production

SOURCE: The Independent at 7:36am on December 5, 2018[SHARE]

Pinter Three and Four, review: 'Surprisingly joyous. I can't wait for the next batch of shows' by Paul Taylor, Paul Taylor

Jamie Lloyd's six month season celebrating the complete corpus of Pinter's short plays continues

SOURCE: The Independent at 12:12pm on November 12, 2018[SHARE]

White Teeth, Kiln Theatre, London, review: The first ever stage adaptation of Zadie Smith's novel by Paul Taylor, Paul Taylor

You can't help but raise a cheer for Smith and for this lively, light-footed take on her work

SOURCE: The Independent at 7:18pm on November 6, 2018[SHARE]

'Ear for eye', Royal Court, review: An impassioned play about stalled progress by Paul Taylor, Paul Taylor

debbie tucker green's piece gives us snapshots of African American and black British experience at a time of deep frustration with the racist forces at the top

SOURCE: The Independent at 8:42pm on November 1, 2018[SHARE]

A Very Very Very Dark Matter review, Bridge Theatre, London: Martin McDonagh play lacks intellectual nuance by Paul Taylor, Paul Taylor

From the man who wrote and directed 'Three Billboards Outside Ebbing, Missouri' comes this determinedly dark and twisted fable that fails to live up to expectations

SOURCE: The Independent at 5:12pm on October 24, 2018[SHARE]

Company review, Gielgud Theatre, London: Broadway legend Patti LuPone steals show in modern version of groundbreaking Sondheim musical by Paul Taylor, Paul Taylor

Bobby becomes Bobbie in this female-led version of the sexual revolution classic

SOURCE: The Independent at 7:04pm on October 17, 2018[SHARE]

David Hare's 'I'm Not Running', National Theatre, Lyttelton review: An absorbing, flawed evening by Paul Taylor, Paul Taylor

Play starring Sian Brooke and Alex Hassell is a bemusing work that seems to be operating in a kind of vacuum or alternative past

SOURCE: The Independent at 7:42am on October 10, 2018[SHARE]

Antony & Cleopatra, Olivier, National Theatre review: Ralph Fiennes and Sophie Okonedo offer blazing star power by Paul Taylor, Paul Taylor

Simon Godwin's production of the Shakespearian tragedy proves to be an astute and moving work

SOURCE: The Independent at 7:24am on September 27, 2018[SHARE]

Heathers, Theatre Royal, Haymarket, review: Packed with talent, but is this jollied-up version sufficiently unsettling? by Paul Taylor, Paul Taylor

Part of the appeal of the cult 1989 movie is how it traces a fine line between satire and bad taste as it tackles peer pressure, bullying, body image, teen suicide and mass school shootings

SOURCE: The Independent at 7:32pm on September 13, 2018[SHARE]

Holy Sh!t, Kiln Theatre, Kilburn, London review: A vigorously funny production of Alexis Zegerman's sharp play by Paul Taylor, Paul Taylor

Zegerman's astringent comedy is in the theatre's best traditions of being provocatively topical

SOURCE: The Independent at 7:54am on September 11, 2018[SHARE]

The Humans, Hampstead Theatre, review: Remarkably daring production from Edward Hall by Paul Taylor, Paul Taylor

Insecurities stalk this bitterly funny and piercingly sad play

SOURCE: The Independent at 10:33am on September 7, 2018[SHARE]

Love's Labour's Lost, Sam Wanamaker Playhouse, London, review: Enchantingly daft and dexterous by Paul Taylor, Paul Taylor

There's real delicacy of feeling in this production as well as full-blooded fun

SOURCE: The Independent at 11:42am on August 30, 2018[SHARE]

Pericles, Olivier, National Theatre, London, review: 'An uplifting achievement' by Paul Taylor, Paul Taylor

A company of 200 Londoners of all ages and backgrounds has joined forces with professional actors for this show

SOURCE: The Independent at 5:48am on August 27, 2018[SHARE]

Tamburlaine, Swan Theatre, Stratford-upon-Avon, review: A vivid and incisive version suggesting resonances with our own age of tyrants by Paul Taylor, Paul Taylor

A stimulating, fluent, and strongly cast production that's trenchantly alive to Christopher Marlowe's provocative black comedy

SOURCE: The Independent at 9:48am on August 24, 2018[SHARE]

Emilia, Shakespeare's Globe, London - review: a landmark moment for the theatre by Paul Taylor, Paul Taylor

Paul Taylor reviews the stunning Morgan Lloyd Malcolm's extraordinarily rousing new play

SOURCE: The Independent at 12:54pm on August 16, 2018[SHARE]

The Merry Wives of Windsor, Royal Shakespeare Theatre, Stratford-upon-Avon, review - The play has never felt so strongly feminist by Paul Taylor, Paul Taylor

Shakespeare effectively invented the sitcom with the only play he set in England in his own times

SOURCE: The Independent at 8:36am on August 15, 2018[SHARE]

Little Shop of Horrors, Open Air Theatre, Regent's Park, London, review: 'You'd be mad to miss this uplifting revival' by Paul Taylor, Paul Taylor

Alan Menken and Howard Ashman's tongue-in-cheek 1982 musical tells the Faustian story of a hapless Skid Row florist who wins love, fame and fortune when he cultivates a rampantly bloodthirst…

SOURCE: The Independent at 7:33am on August 15, 2018[SHARE]

Aristocrats, Donmar Warehouse, London, review: A fresh and arresting revival by Paul Taylor, Paul Taylor

Lyndsey Turner, the director of the Benedict Cumberbatch Hamlet and Lucy Kirkwood's Chimerica, directs the first major revival of Brian Friel's 1979 play since his death three years ago

SOURCE: The Independent at 9:32am on August 14, 2018[SHARE]

Little Shop of Horrors, Open Air Theatre, Regent's Park, London, review: 'You'd be mad to miss this uplifting revival' by Paul Taylor, Paul Taylor

Alan Mencken and Howard Ashman's tongue-in-cheek 1982 musical tells the Faustian story of a hapless Skid Row florist who wins love, fame and fortune when he cultivates a rampantly bloodthirs…

SOURCE: The Independent at 9:24am on August 13, 2018[SHARE]

The Importance of Being Earnest, Vaudeville Theatre: Manages to be subversive and conformist at the same time by Paul Taylor, Paul Taylor

Does anybody need The Importance "decoding" in this heavy-handed, pseudo-radical way?

SOURCE: The Independent at 12:48pm on August 3, 2018[SHARE]
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