1,125 stories by "Natasha Tripney"
The Bridge Theatre transports its audience to Narnia for its Christmas show, itself transported from Leeds Playhouse where it opened in 2017.
The Lyric Hammersmith pantomime has a tradition of getting new writing and directing talent to put a contemporary spin on the form.
The Arrival " Bush Theatre, London Olivier-winning director Bijan Sheibani " whose past productions include the majestic Barber Shop Chronicles " helms
The candlelit Sam Wanamaker Playhouse, one of London's most enchanting spaces, is made to feel menacing in this exhilarating conclusion to Shakespeare's
Shakespeare's Globe continues its cycle of history plays " which kicked off with an all-female version of Richard II in the Sam
The house lights are up. The stage is bare. A woman enters the space. She smiles. She talks about the audience and
Dear Evan Hansen " Noel Coward Theatre, London Benj Pasek and Justin Paul's hit Broadway musical, about a teenage boy who writes
The vertical often gets overlooked in theatre. Tom Morris' production of Joe Simpson's 1988 memoir about his against-all-odds survival of a mountaineering
His plays have brought threats, vandalism " and international acclaim. Now the fearless dramatist is retooling Ibsen to lay bare corruption in his homeland
Jeton Neziraj has clear views abou…
There's a tendency when writing about theatre to bandy about words like 'necessary' and 'bold', in a way that can dilute their
John Webber's intriguing debut play bides its time. Esther (Lia Burge) and former cab driver Keith (Matt Whitchurch) sit across a table
The Voila! Festival in London, now in its seventh year, provides audiences with an opportunity to see an eclectic range of work
Spiderfly " Theatre503, London Theatre503 has had an impressive hit rate of late when it comes to new writing. Next up is
Death of a Salesman " Piccadilly Theatre, London Marianne Elliott and Miranda Cromwell's acclaimed production of Arthur Miller's play transfers to the
Light Falls " Royal Exchange Theatre, Manchester Sarah Frankcom's final production as the Royal Exchange's artistic director sounds like a corker. A
Canadian writer Jordan Tannahill's 2016 play is an intriguingly anachronistic mash-up that splices Renaissance Italy with the 21st-century art scene. The characters
"Am I unnatural?" Hedda Gabler herself asks in tones most women will recognise. Chelsea Walker's production of Ibsen's play cuts to the
Ian Rickson's atmospheric staging of Brian Friel's intricate and lyrical 1980 play about language, communication and colonialism returns to the National Theatre
Vassa " Almeida Theatre, London Tinuke Craig directs Mike Bartlett's new adaptation of Maxim Gorky's play about a family unravelling. A late
As a text Alice Birch's [Blank] is a phenomenal thing. The play began as a co-commission between National Theatre Connections and theatre
This, to be clear, is not a play about the Yorkshire Ripper. That story has been told often enough, his name is
As is so often the case with the children of immigrants, Zara presents different versions of herself to the world. There's the
The Panopticon " Traverse Theatre, Edinburgh The National Theatre of Scotland brings Jenni Fagan's novel about a 15-year-old girl in a young
First staged at the National Theatre in 2002, Roy Williams' dissection of racism and xenophobia feels chillingly timely in Nicole Charles revival,
As her groundbreaking show Hard to Be Soft opens in London after a global tour, choreographer Oona Doherty tells Natasha Tripney how
