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1,125 stories by "Natasha Tripney"

[Insert Slogan Here] review at Zoo Charteris, Edinburgh " 'intimate, if opaque' by Natasha Tripney

As a child Sam Ward was so entranced by a Volvo commercial that he wrote to the company asking if he could

SOURCE: The Stage Registration at 10:55am on August 21, 2018[SHARE]

Mr Swallow and the Vanishing Elephant at Pleasance Courtyard, Edinburgh " 'deliciously silly' by Natasha Tripney

While Nick Mohammed's third outing as manic-but-endearing northern magician Mr Swallow lacks the impressive escapology set pieces of its predecessor, it in

SOURCE: The Stage Registration at 8:31am on August 21, 2018[SHARE]

Director Stef O'Driscoll: 'Theatre's duty is to reflect a wide range of human experiences' by Natasha Tripney

Stef O'Driscoll has long championed works that connects with audiences who feel excluded from traditional theatre. She tells Natasha Tripney how unconventional

SOURCE: The Stage Registration at 7:30am on August 21, 2018[SHARE]

The Vanishing Man review at Pleasance Courtyard, Edinburgh " 'taut, smart and satisfying' by Natasha Tripney

Simon Evans' and David Aula's meta-magic show has been knocking around for a couple of years now. There's even a sequel, The

SOURCE: The Stage Registration at 6:22am on August 21, 2018[SHARE]

Sparks review at Pleasance Courtyard, Edinburgh " 'raw and emotive mixture of music and storytelling' by Natasha Tripney

Sparks is one of those shows that makes you want to call the people in your life that you love and hear

SOURCE: The Stage Registration at 6:47am on August 20, 2018[SHARE]

La Maladie De La Mort review at Royal Lyceum Theatre, Edinburgh " 'hypnotic, numbing and technically audacious' by Natasha Tripney

Katie Mitchell and Alice Birch's adaptation of The Malady of Death, the 1982 novella by Marguerite Duras, is technically audacious. Using a

SOURCE: The Stage Registration at 6:44am on August 20, 2018[SHARE]

Nine Foot Nine review at Assembly Rooms, Edinburgh " 'ambitious, if overly earnest' by Natasha Tripney

Alex Wood's ambitious debut science-fiction play envisions a world in which women suddenly start to grow. Overnight their bodies expand and their

SOURCE: The Stage Registration at 6:33am on August 20, 2018[SHARE]

The Approach review at Assembly Hall, Edinburgh " 'quietly powerful' by Natasha Tripney

Mark O'Rowe's quietly powerful three-hander takes the form of series of conversations. Three women " Cora, Anna, and Denise " discuss the

SOURCE: The Stage Registration at 5:29am on August 20, 2018[SHARE]

Top theatre shows to see this week (August 20-26) by Natasha Tripney

The End of Eddy " the Studio, Edinburgh Stewart Laing directs a new stage adaptation of Edouard Louis' brutal autobiographical novel about

SOURCE: The Stage Registration at 2:00am on August 20, 2018[SHARE]

Notorious Strumpet and Dangerous Girl review at Summerhall, Edinburgh " 'striking individual moments' by Natasha Tripney

Jess Love offers audience members a cup of tea and a biscuit as we file into the room. Her solo show, which

SOURCE: The Stage Registration at 10:19am on August 17, 2018[SHARE]

Unconditional review at Pleasance Courtyard, Edinburgh " 'charm in abundance' by Natasha Tripney

In Unconditional real-life mother and daughter Stefanie Mueller and Josie Dale-Jones play a mother and daughter putting on a show together. The

SOURCE: The Stage Registration at 10:09am on August 17, 2018[SHARE]

Unsung review at Summerhall, Edinburgh " 'wonderfully elastic performance' by Natasha Tripney

In 2012, the elasti-lipped Valentijn Dhaenens made a splash with Bigmouth, a mash-up of historical oratory and a tour de force of

SOURCE: The Stage Registration at 8:28am on August 17, 2018[SHARE]

Flight review at Summerhall, Edinburgh " 'memorable and unsettling sensory adventure' by Natasha Tripney

Buckle up. Flight is a 20-minute experience that takes place almost entirely in darkness and plays on a fear that most of

SOURCE: The Stage Registration at 5:56am on August 17, 2018[SHARE]

Jericho review at Underbelly, Edinburgh " 'nimble meta-essay on journalism, truth " and wrestling' by Natasha Tripney

One of two shows by Irish company Malaprop at this year's Fringe, Jericho again sees them, among many other things, exploring communication and

SOURCE: The Stage Registration at 6:09am on August 16, 2018[SHARE]

The Chore of Enchantment review at Underbelly Bristo Square, Edinburgh " 'fitfully entertaining' by Natasha Tripney

Vincent Gambini's previous show " called This Is Not a Magic Show even though it very definitely was one " combined sleight

SOURCE: The Stage Registration at 7:28am on August 15, 2018[SHARE]

Passionate Machine review at Zoo Charteris, Edinburgh " 'creatively fuses science fiction and autobiography' by Natasha Tripney

In The Bathhouse, a satirical play by the Russian Futurist poet Vladimir Mayakovsky, the protagonist builds a time machine. Time travel also

SOURCE: The Stage Registration at 5:59am on August 15, 2018[SHARE]

Timmy review at Assembly George Square, Edinburgh " 'smart if safe romcom' by Natasha Tripney

There's an enjoyable sitcom slickness to Roxy Dunn's two-hander Timmy. She plays Judith, a young woman in a relationship with the title

SOURCE: The Stage Registration at 1:01pm on August 14, 2018[SHARE]

Grace review at Gilded Balloon, Edinburgh " 'confused series of sketches about gender' by Natasha Tripney

Katie Reddin-Clancy's solo show Grace is less a play than a series of comedy sketches pegged to a muddled storyline. Alfie and

SOURCE: The Stage Registration at 10:40am on August 14, 2018[SHARE]

Breach Theatre: 'A really exciting company that will only get better' by Natasha Tripney

The theatre company that broke out at the Edinburgh Fringe in 2015 is back at the festival with its fifth work, about

SOURCE: The Stage Registration at 7:30am on August 14, 2018[SHARE]

My Left/Right Foot review at Assembly Roxy, Edinburgh " 'irreverent and entertaining' by Natasha Tripney

Scottish amdram group the Kirktoon Players has decided it's about time it embraced inclusivity. It might even earn itself some brownie points

SOURCE: The Stage Registration at 7:27am on August 14, 2018[SHARE]

Fallen Fruit review at Summerhall, Edinburgh " 'full of fascinating details' by Natasha Tripney

Although she now lives in the UK, writer and performer Katherina Radeva grew up in Bulgaria. In Fallen Fruit, a piece she

SOURCE: The Stage Registration at 5:45am on August 13, 2018[SHARE]

Top theatre shows to see this week (August 13-19) by Natasha Tripney

Emilia " Shakespeare’s Globe, London Michelle Terry's inaugural season at Shakespeare's Globe continues with Morgan Lloyd Malcom's new play about Emilia Lanier,

SOURCE: The Stage Registration at 2:00am on August 13, 2018[SHARE]

Angry Alan review at Underbelly, Edinburgh " 'engaging but sketchy piece about the men's rights movement' by Natasha Tripney

In one of two plays she's presenting at this year's Edinburgh Fringe, Penelope Skinner delves into the men's rights movement. It's far

SOURCE: The Stage Registration at 8:57am on August 12, 2018[SHARE]

Revelations review at Summerhall, Edinburgh " 'a hymn to storytelling' by Natasha Tripney

The third part in James Rowland's storytelling cycle sees him revisiting characters from previous chapters, from the emotional tsunami that was Team

SOURCE: The Stage Registration at 10:07am on August 11, 2018[SHARE]

Drip Feed review at Assembly George Square, Edinburgh " 'Vivid and richly written solo show' by Natasha Tripney

Things are not going well for Brenda. The object of her affection, Olivia, does not appreciate the depth of her feelings for

SOURCE: The Stage Registration at 8:37am on August 11, 2018[SHARE]
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