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1,485 stories by "Matt Wolf"

Review: 'Little Eyolf,' 'The Homecoming' and 'Medea,' on London Stages by Matt Wolf

The director Richard Eyre's continuing inquiry into the plays of Henrik Ibsen reaches a new peak with "Little Eyolf."

SOURCE: The New York Times Subscription at 7:27pm on December 2, 2015

Hangmen Star Johnny Flynn on the Joy of Working with Martin McDonagh & Playing a Psychopath in London by Matt Wolf

Johnny Flynn juggles two lives—one as the singer-songwriter who has toured America with his folk-rock band Johnny Flynn & The Sussex Wit, the other as the fast-rising actor who has…

SOURCE: Broadway.com at 5:09pm on December 2, 2015

Here We Go, National Theatre by Matt Wolf

The great Caryl Churchill careers down a blind alley in Here We Go, and the results aren't pretty, especially within the cavernous confines of the National Theatre's Lyttelton " this wr…

SOURCE: The Arts Desk at 9:16am on November 28, 2015

Evening at The Talk House, National Theatre by Matt Wolf

A lot of people are going to be enraged, frustrated, or confused by Evening at The Talk House, and in the authorial world of Wallace Shawn, wasn't it ever thus? This is the playwright who ga…

SOURCE: The Arts Desk at 4:57am on November 25, 2015

London Datebook: Sheridan Smith's Funny Business, Dominic West's Dangereuse Affair & More by Matt Wolf

The holidays are fast approaching, bringing with them a glut of openings across the spectrum, from a seasonal entertainment with an Oscar winner in the lead to new sightings of iconic titles…

SOURCE: Broadway.com at 12:56am on November 25, 2015

Review: 'The Winter's Tale,' 'Harlequinade' and 'The Moderate Soprano' by Matt Wolf

Kenneth Branagh occupies center stage for much of "The Winter's Tale," the Shakespeare play with which he inaugurates the company that bears his name.

SOURCE: The New York Times Subscription at 1:01pm on November 19, 2015

Natalie Dew on Learning to Sing and Kick for Her West End Role in Bend It Like Beckham by Matt Wolf

Natalie Dew plays Jess Bhamra, the football-loving London Sikh in the West End musical Bend It Like Beckham at the Phoenix Theatre, a career-making performance that has brought the actress a…

SOURCE: Broadway.com at 11:40am on November 19, 2015

Jonathan Slinger on Finding His Range and Having a Ball in London's Charlie and the Chocolate Factory by Matt Wolf

It's not every day that you have a West End musicals leading man who has also played Hamlet, Richards II and III, and Prospero in The Tempest, but the RSC veteran Jonathan Slinger comes …

SOURCE: Broadway.com at 1:37pm on November 11, 2015

Danny Horn on Going from Punter to Leading Man in West End Hit Sunny Afternoon by Matt Wolf

Sunny Afternoon won this year’s Olivier Award for Best Musical, and Danny Horn has stepped into the demanding leading role of Kinks frontman Ray Davies at the Harold Pinter Theatre. Th…

SOURCE: Broadway.com at 11:04am on November 6, 2015

PAST IN PRESENT by Matt Wolf

The cast captivates in a production of Pinter that stands out against today s Broadway fare.

SOURCE: Theater News Online at 11:05pm on November 5, 2015

Theater Review: Review: 'Husbands & Sons,' 'Treasure' and 'Ticking' by Matt Wolf

Onstage in London, big casts and ambitions reign in "Husbands & Sons" and "Treasure," while "Ticking" is small but volatile.

SOURCE: The New York Times Subscription at 12:37pm on November 5, 2015

Thérèse Raquin, Studio 54, Broadway, review: 'Did Knightley want to be somewhere else?' by Matt Wolf

For much of a grimly deliberate evening, Knightley appears shoulders hunched, indrawn, her eyes darting about as if in search of escape.

SOURCE: Telegraph at 8:44am on October 30, 2015

London Datebook: Feast on Classics with Kenneth Branagh & Say Farewell to Imelda Staunton's Turn in Gypsy by Matt Wolf

The nights are drawing in, so all the better reason to feast on a month that sees a Broadway classic (the acclaimed revival of Gypsy) enter its final weeks even as another Broadway entry (El…

SOURCE: Broadway.com at 6:08pm on October 29, 2015

Theater Review: Tales of France and Fatherhood by Matt Wolf

"French Without Tears" and "The Father" bring Gallic flair to Britain.

SOURCE: The New York Times Subscription at 4:24pm on October 22, 2015

West End Elf Star Ben Forster on Christmas Shopping, Superstar and Buddy vs. The Phantom by Matt Wolf

Ben Forster played Magaldi in the most recent West End revival of Evita and is poised to take over as the Phantom in London in the New Year, but through the holiday season he can be found le…

SOURCE: Broadway.com at 3:21pm on October 22, 2015

Kenneth Cranham on His French Beard, Frank Langella & Grappling with 'the Big A' in London's The Father by Matt Wolf

Kenneth Cranham has performed twice on Broadway—in Loot in 1968 and then again in 1994 in An Inspector Calls, for which he garnered a Tony nomination. But the veteran actor is get…

SOURCE: Broadway.com at 12:07pm on October 15, 2015

Review: 'Nell Gwynn' and 'Medea' in London by Matt Wolf

Saucy goings-on, illicit confessions and time-honored tragedy in two London productions.

SOURCE: The New York Times Subscription at 1:32pm on October 8, 2015

Kyle Riabko on Bringing the Songs of Burt Bacharach to London in Close to You by Matt Wolf

Canadian singer-songwriter Kyle Riabko earned raves off-Broadway in 2013 and then at the Menier Chocolate Factory this past summer with What’s It All About?, his smart, hip reimagining…

SOURCE: Broadway.com at 1:31pm on October 7, 2015

Review: 'Mr. Foote's Other Leg,' 'Dinner With Saddam' and 'Tipping the Velvet' in London by Matt Wolf

London theater column for The New York Times

SOURCE: The New York Times Subscription at 11:22am on October 1, 2015

Review: 'Hangmen' Is a Triumphant Return for Martin McDonagh by Matt Wolf

"Hangmen" reminds one of the unmistakable terrain marked out by a playwright who cares not one whit for niceties and political correctness.

SOURCE: The New York Times Subscription at 5:19pm on September 23, 2015

Oresteia Star Lia Williams on How Klytemnestra Is Like Wallis Simpson and Why Pasta Turns Her Off by Matt Wolf

Lia Williams was nominated for a 1997 Tony for her performance in the original Broadway production of Skylight, since which time the gifted actress’s stage appearances have included th…

SOURCE: Broadway.com at 2:06pm on September 23, 2015

Lara Pulver on Sounding American and Blossoming into a Burlesque Queen in London's Gypsy by Matt Wolf

Lara Pulver was nominated for a 2008 Olivier Award for her performance opposite Bertie Carvel in director Rob Ashford’s London production of Parade and is back in town to play Louise&m…

SOURCE: Broadway.com at 12:22pm on September 16, 2015

Photograph 51, Noel Coward Theatre by Matt Wolf

Nicole Kidman has returned to the West End 17 years after causing an innuendo-laden sensation in The Blue Room, the David Hare play that promptly transferred from the Donmar to Broadway, whe…

SOURCE: The Arts Desk at 11:26pm on September 14, 2015

Edward Bennett on How He's Like Benedict Cumberbatch & Starring Opposite Nicole Kidman in London's Photograph 51 by Matt Wolf

Edward Bennett made headlines in 2008 when he replaced an ailing David Tennant in the Royal Shakespeare Company production of Hamlet. Since then, the actor has gone from further work in Shak…

SOURCE: Broadway.com at 5:51pm on September 10, 2015

Theater Review: Review: 'Absent,' 'Flare Path' and 'Measure for Measure' in London by Matt Wolf

Theater-as-installation in "Absent"; Terence Rattigan's "Flare Path" on tour; a quiet star in "Measure for Measure."

SOURCE: The New York Times Subscription at 10:02am on September 10, 2015
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