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1,481 stories by "Matt Wolf"

Rosmersholm, Duke of York's Theatre review - little-known Ibsen lands with force by Matt Wolf

Ian Rickson finds the fury and dynamism in a piece of Ibsen esoterica The past haunts the present and looks likely to torpedo the future in Rosmersholm, the lesser-known Ibsen play now re…

SOURCE: The Arts Desk at 1:48pm on May 4, 2019[SHARE]

Olivier Winner Giles Terera on Starring in London's Rosmersholm and Sniffling Through Hamilton by Matt Wolf

Giles Terera's many and varied credits include Honk!, The Book of Mormon, and a revelatory National Theatre revival of Ma Rainey's Black Bottom, but the versatile performer reached a new car…

SOURCE: Broadway.com at 4:42pm on May 3, 2019[SHARE]

A HELLHOLE TO BEHOLD by Matt Wolf

A wonderfully inventive productive balances gore, humor and pathos exceedingly well.

SOURCE: Theater News Online at 7:24pm on April 30, 2019[SHARE]

Director Phyllida Lloyd on 20 Years of Mamma Mia! in London and Broadway's Upcoming Tina: The Tina Turner Musical by Matt Wolf

Mamma Mia! has transformed the lives of a lot of people, not least its gifted and versatile director, Phyllida Lloyd, who came to the ABBA musical from a career in the British not-for-profit…

SOURCE: Theatre.com at 3:04pm on April 23, 2019[SHARE]

London Theater Reviews: On the London Stage, 'Top Girls' and a Grande Dame by Matt Wolf

Maggie Smith tackles an impressive one-woman show at the Bridge Theater, and a British classic of the 1980s gets a new lease on life at the National.

SOURCE: The New York Times Subscription at 3:29am on April 18, 2019[SHARE]

Kelly Mathieson on Having a Phantom of the Opera Birthday Cake to Starring as Christine Daae in the West End by Matt Wolf

Kelly Mathieson grew up in Scotland and started ballet lessons when she was two. But after training at London's prestigious Royal College of Music, she forsook the world of actual opera to m…

SOURCE: Broadway.com at 12:00am on April 13, 2019[SHARE]

Ben Edelman on Starring in London's Admissions Amidst College Scandal Headlines by Matt Wolf

Ben Edelman burst onto the New York theater scene like a proverbial comet in last year's Lincoln Center Theater production of Admissions, the fiery play about family dynamics and race from J…

SOURCE: Theatre.com at 4:09pm on April 9, 2019[SHARE]

Ben Edelman on Starring in London's Admissions Amid College Scandal Headlines by Matt Wolf

Ben Edelman burst onto the New York theater scene like a proverbial comet in last year's Lincoln Center Theater production of Admissions, the fiery play about family dynamics and race from J…

SOURCE: Broadway.com at 4:09pm on April 9, 2019[SHARE]

Joanna Riding on Stepping into London's Follies and Her Strong Take on "Losing My Mind" by Matt Wolf

Joanna Riding has won two Olivier Awards, starting with her matchless Julie Jordan in Nicholas Hytner's landmark 1992 production of Carousel, and is now giving a career-defining performance …

SOURCE: Broadway.com at 12:58pm on March 29, 2019[SHARE]

London Theater Reviews: A Pinter Marathon Saves the Best for Last by Matt Wolf

A revelatory new production of "Betrayal" starring Tom Hiddleston comes after a season of the playwright's one-act plays.

SOURCE: The New York Times Subscription at 5:47am on March 28, 2019[SHARE]

Richard Fleeshman on Stripping Down in London's Company, His Olivier Nomination & What Patti LuPone Calls Him by Matt Wolf

Richard Fleeshman starred on the West End and Broadway opposite Caissie Levy in Ghost the Musical and was part of the British ensembles of Urinetown and The Last Ship…

SOURCE: Broadway.com at 12:00am on March 23, 2019[SHARE]

Blood Knot, Orange Tree Theatre review - defining apartheid-era drama delivers afresh by Matt Wolf

Athol Fugard's seminal 1961 play hasn't lost its potency London's impromptu mini-season devoted to the work of Athol Fugard picks up real steam with Blood Knot, Matthew Xia's transfixing ta…

SOURCE: The Arts Desk at 1:10pm on March 22, 2019[SHARE]

Downstate, National Theatre review - controversial but also clear-eyed and compassionate by Matt Wolf

Bruce Norris's ever-provocative play puts people first, labels second "Some monsters are real," notes a retribution-minded wife (Matilda Ziegler) early in Downstate, Bruce Norris's beautiful…

SOURCE: The Arts Desk at 6:02am on March 21, 2019[SHARE]

The Bay at Nice, Menier Chocolate Factory - David Hare talkfest takes intermittent wing by Matt Wolf

Penelope Wilton and Ophelia Lovibond face off in revival of little-known 1986 play David Hare knows a thing or two about sustaining an onstage face-off. Skylight and The Breath of Life consi…

SOURCE: The Arts Desk at 5:27am on March 20, 2019[SHARE]

London Come From Away Star Rachel Tucker on Her First Olivier Award Nomination and Her Long History with Wicked by Matt Wolf

Rachel Tucker is known both sides of the Atlantic as an especially thrilling Elphaba in Wicked and as a singer who has enlivened various concert halls and cabaret rooms, performing both solo…

SOURCE: Broadway.com at 12:37pm on March 18, 2019[SHARE]

London Come From Away Star Rachel Tucker on Her First Olivier Award Nomination and Her Long History with Wicked by Matt Wolf

Rachel Tucker is known both sides of the Atlantic as an especially thrilling Elphaba in Wicked and as a singer who has enlivened various concert halls and cabaret rooms, performing both solo…

SOURCE: Theatre.com at 12:37pm on March 18, 2019[SHARE]

London Come From Away Star Rachel Tucker on Her First Olivier Award Nomination and Why She's Through with Wicked by Matt Wolf

Rachel Tucker is known both sides of the Atlantic as an especially thrilling Elphaba in Wicked and as a singer who has enlivened various concert halls and cabaret rooms, performing both solo…

SOURCE: Broadway.com at 12:37pm on March 18, 2019[SHARE]

Admissions, Trafalgar Studios review - topical and whiplash-smart by Matt Wolf

Alex Kingston stars in darkly comic Off Broadway transfer Joshua Harmon knows how to stir and excite an audience and does that and more with Admissions, newly arrived in the West End as p…

SOURCE: The Arts Desk at 6:32am on March 13, 2019[SHARE]

Charity Wakefield on Making Her West End Debut in Emilia and Realizing She Resembles Shakespeare by Matt Wolf

Charity Wakefield has made a name for herself both sides of the Atlantic in TV shows like Bounty Hunters and Wolf Hall but is only now making her West End debut in the transfer to the Vaudev…

SOURCE: Broadway.com at 12:00am on March 9, 2019[SHARE]

Waitress, Adelphi Theatre review - sweet if sometimes silly musical arrives from Broadway by Matt Wolf

Tale of female emancipation gets a necessary post-interval lift There's a lovely, quietly subversive musical lurking somewhere in Waitress, and for extended passages in the second act that …

SOURCE: The Arts Desk at 2:31am on March 8, 2019[SHARE]

London Theater Reviews: In London Theaters, Reinvention's the Thing by Matt Wolf

Productions of Molière's "Tartuffe," Peter Shaffer's "Equus" and Martin Sherman's "Gently Down the Stream" all find something new.

SOURCE: The New York Times Subscription at 4:59am on March 7, 2019[SHARE]

Layton Williams on How Playing Angel in Rent Prepared Him for Starring in London's Everybody's Talking About Jamie by Matt Wolf

Layton Williams q-and-a / Matt Wolf Layton Williams wasn't yet a teenager when in 2007 he became the first mixed-race actor to play the title role on the West End in Billy Elliot the Musical…

SOURCE: Broadway.com at 4:40pm on March 4, 2019[SHARE]

Jesus Hopped the 'A' Train, Young Vic review - shards of power amidst much that is overwrought by Matt Wolf

★★★ JESUS HOPPED THE 'A' TRAIN, YOUNG VIC Shards of power amidst much that is overwrought Stephen Adly Guirgis play is best when most reflective An entirely electric leadin…

SOURCE: The Arts Desk at 3:06am on February 22, 2019[SHARE]

Shipwreck, Almeida Theatre review - Trump-inflected fantasia mixes the polemical and the poetic by Matt Wolf

★★★★ SHIPWRECK, ALMEIDA THEATRE Trump-inflected fantasia mixes polemical and poetic Anne Washburn's shape-shifting play won't be confined, nor will the man at its …

SOURCE: The Arts Desk at 3:38am on February 21, 2019[SHARE]

Come From Away, Phoenix Theatre review - a necessary corrective to our traumatic times by Matt Wolf

9/11-themed musical crosses the Atlantic, its capacious heart intact Against the grimmest of backdrops, generosity and even grace can be possible. That's the eternally uplifting message of C…

SOURCE: The Arts Desk at 5:06am on February 19, 2019[SHARE]
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