1,498 stories by "Matt Wolf"
Alex Mugnaioni has worked at Shakespeare's Globe, touring the Bard to North and South America, but only now is the actor making his West End debut, and in a work well away from the Bard. Beg…
The Irish star is sublimely funny - and moving, too - in Noël Coward classic
"Will You Still Love Me Tomorrow?" can be heard pulsating through the Old Vic auditorium as the curtain rises…
Mazz Murray (the snappy first name is short for Marianne) has lent her distinctive rock sound to such West End musical mainstays as We Will Rock You, as the Killer Queen, and Chicago. The gu…
Despite the formidable presence of John Malkovich, David Mamet's new play is as reprehensible as the predatory film tycoon at the center of it.
Renée Fleming and Dove Cameron align in starry London debut for six-time Tony-winner
A Broadway show as melodically haunting and sophisticated as it is niche, The Light in the Piazza has t…
Cuban-American performer Christie Prades is headlining the London premiere of On Your Feet!, the Broadway musical about Gloria Estefan opening June 27 at the London Coliseum, following a sho…
Slice of Rattigan esoterica is useful to see even as it shows its age
Terence Rattigan completists, and count myself among them, will leap at the chance to see a rare production courtesy th…
Onetime Disney Channel teen queen Dove Cameron has been spreading her theatrical wings of late. Last December the 23-year-old performer opened off-Broadway in the New Group production of the…
Kenneth Lonergan's Off Broadway play trades heavily on deadpan as it crosses the pond
A small-scale Off Broadway venture late in 2009, The Starry Messenger has arrived in London to mark the…
Three new theater productions in London explore questions of race and skin color in different ways.
Dante or Die's latest is mirthful and mournful in turn
Who is that slithering on the floor by your foot, or coming to rest by or upon your knee? Audiences lucky enough to find themselves at…
Nkeki Obi-Melekwe at only 22 has stepped into the starring role of anyone's dreams, succeeding 2019 Olivier nominee Adrienne Warren in the title role of Tina: The Tina Turner Musical at the …
Adrianna Bertola was a pintsized powerhouse in the title role of Matilda the Musical, played Gretl Von Trapp in The Sound of Music and, now age 20, has made the transition with ease to an ad…
Troubled but tantalising Williams play doesn't entirely land this time around
Where would Tennessee Williams's onetime flop be without the British theatre to rehabilitate it on an ongoing b…
Jonathan Maitland skewers Brexit-era realpolitik and largely scores
What could have been merely a cheap and cheesy piss-take registers as considerably more robust in The Last Temptation of …
Broadway veteran and four-time Tony nominee Judy Kuhn has given over the better part of the past year to London and to Trevor Nunn's beautiful Menier Chocolate Factory revival of Fiddler on …
Productions in London of classic plays " from Chekhov to Cy Coleman " feature strong female performances.
Ian Rickson finds the fury and dynamism in a piece of Ibsen esoterica
The past haunts the present and looks likely to torpedo the future in Rosmersholm, the lesser-known Ibsen play now re…
Giles Terera's many and varied credits include Honk!, The Book of Mormon, and a revelatory National Theatre revival of Ma Rainey's Black Bottom, but the versatile performer reached a new car…
A wonderfully inventive productive balances gore, humor and pathos exceedingly well.
Mamma Mia! has transformed the lives of a lot of people, not least its gifted and versatile director, Phyllida Lloyd, who came to the ABBA musical from a career in the British not-for-profit…
Maggie Smith tackles an impressive one-woman show at the Bridge Theater, and a British classic of the 1980s gets a new lease on life at the National.
Kelly Mathieson grew up in Scotland and started ballet lessons when she was two. But after training at London's prestigious Royal College of Music, she forsook the world of actual opera to m…
Ben Edelman burst onto the New York theater scene like a proverbial comet in last year's Lincoln Center Theater production of Admissions, the fiery play about family dynamics and race from J…
Ben Edelman burst onto the New York theater scene like a proverbial comet in last year's Lincoln Center Theater production of Admissions, the fiery play about family dynamics and race from J…