320 stories by "Matt Windman"
The musical stays very faithful to the film, with a strange narration device but a strong score.
Des McAnuff turns out an exciting production of the rock opera that didn t fare so well its first two times around.
Fiona Shaw gives a fearless performance in this one-woman dramatization of Colm Tóibín s novel about the Virgin Mary.
Joe Orton s plays have been rarely performed in New York, partly because of the difficulty in finding the distinct rhythm and flavor of his writing.
Aside from some slow points, Shlemiel the First proves to be a lighthearted dose of fun with some wild klezmer music.
From Spider-Man to The Book of Mormon , the 2011 season swung between disappointing lows and soaring highs.
Frank Wildhorn’s overblown pop-rock musical Jekyll & Hyde really didn t need to be revived.
The 1997 musical is finally being dredged from the bottom of the ocean.
Any production of Follies , even if imperfect, is cause for celebration by Sondheim fanatics.
Although Simon Russell Beale s return to the stage is an exciting thing, the slow build of this story is not.
Can’t a straight guy put on a dress and heels without people asking questions?
Forbidden Broadway returns again, with new shows to make fun of.
Fiona Shaw gives a fearless performance in this one-woman dramatization of Colm Tóibín s novel about the Virgin Mary.
The friendship between basketball icons Magic Johnson and Larry Bird made for a decent documentary, but makes for boring theater.
This look at the racial history behind Othello is a bit stilted and heavy-handed.
The South Park creators bring a big, fun musical to Broadway, using Mormonism as their vehicle.
While the viewpoints therein feel overstressed by today s standards, this production retains the play s charm and makes a revival worthwhile.
You really want to have fun, but Priscilla is so aggressively campy that it becomes irritating and too much to stomach.
The Broadway version adds show-stopping choreography to memorable tunes from the film.
The late-70s light rock musical lacks the contemporary punch it had when it first came out.
In his first year as artistic director, Anthoni Cimolino has produced a vibrant and eclectic festival.
With no clear favorite in some big categories, it s anyone s guess who will take home Tony Awards this year.
If this Shakespeare in the Park production is going to get transferred to Broadway, it will first need some repairs.
Joshua Harmon’s tight, neatly structured play is a highly entertaining dark comedy with well-shaped characters.
