DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
853 stories by "Matt Trueman"

A Terrorized British City Turns to an All-American Play for Healing by Matt Trueman

In the wake of a concert bombing, the Royal Exchange Theater in Manchester added "Our Town" to its fall schedule.

SOURCE: The New York Times Subscription at 12:36am on September 26, 2017

Matt Trueman: Stage fright is not a curse, so let's stop romanticising it by Matt Trueman

Ian Holm used to call stage fright "the actors' industrial illness". For better or worse, it comes with the job. Nonetheless, we

SOURCE: The Stage Registration at 4:00am on September 20, 2017

Sound designers Ben and Max Ringham: 'Directors and audiences are more sound-literate now. It's brilliant' by Matt Trueman

The London-based brothers set out to establish careers in music, but theatre turned out to be their true calling " and West

SOURCE: The Stage Registration at 4:00am on September 19, 2017

'The church of the lost cause': inside Kneehigh's wild Cornish home by Matt Trueman

To create The Tin Drum, the theatre company spent two weeks tucked away in a cluttered rural retreat where they eat, run and rehearse together " just don't call it a commune, says artistic d…

SOURCE: The Guardian at 1:24am on September 18, 2017

Peter Hall dismisses RSC Marat/Sade controversy by Matt Trueman

RSC's founder defends the company's right to be subsidised, saying 'controversy is the lifeblood of the arts'Director Peter Hall has dismissed complaints about the RSC's revival of Marat/Sad…

SOURCE: The Guardian at 5:54am on September 12, 2017

Matt Trueman: What's the point of reviewing Tom Hiddleston's Hamlet? by Matt Trueman

HiddleHamlet is at hand. Come September, Hollywood's very own Tom Hiddleston will take on the Dane as directed by Kenneth Branagh in

SOURCE: The Stage Registration at 4:00am on August 22, 2017

Robert Hardy pulls out of Gielgud theatre's production of The Audience by Matt Trueman

Edward Fox steps in to play opposite Helen Mirren in Peter Morgan's play after Robert Hardy stands down due to injuryBafta-winning actor Robert Hardy has pulled out of The Audience at the Gi…

SOURCE: The Guardian at 1:12pm on August 3, 2017

Truffle-hunting critics are more vital than ever for the fringe's future by Matt Trueman

The fringe is a festival of discovery. It always has been. From Tom Stoppard to Breach Theatre, from Beyond the Fringe to

SOURCE: The Stage Registration at 10:00am on August 3, 2017

R Kelly to unleash Trapped in the Closet on Broadway by Matt Trueman

R&B singer-songwriter plans stage version of successful 'hip-hopera' about one-night stand gone surreally awryDefecating midgets are hardly a Broadway staple, but R&B star R Kelly ha…

SOURCE: The Guardian at 10:04pm on July 17, 2017

Benedict Andrews' full-throttle theatre: 'I want to bother you in your dreams' by Matt Trueman

As he directs Sienna Miller and Jack O'Connell in a sizzling Cat on a Hot Tin Roof, the Australian discusses waging war on the old guard, his obsession with desire and why he's inspired by t…

SOURCE: The Guardian at 2:06am on July 14, 2017

Matt Trueman: Are we faced with a drought of new playwrights? by Matt Trueman

Have we pulled the ladder up on new writing? After the golden age, the drought. Or so says the president of the

SOURCE: The Stage Registration at 2:00am on July 13, 2017

Tom Deering: 'No one is interested in making a musical any more' by Matt Trueman

As Committee, the verbatim musical about the demise of Kids Company, opens at London's Donmar Warehouse, its composer tells Matt Trueman about

SOURCE: The Stage Registration at 9:00am on July 7, 2017

Director Zoe Lafferty: 'I love theatre because of the idea that it can bring about change' by Matt Trueman

Ahead of her new show, director Zoe Lafferty tells Matt Trueman how working with the 'Che Guevara' of theatre transformed her from

SOURCE: The Stage Registration at 9:00am on June 22, 2017

Bertie Carvel: 'I'm always looking for the man in the monster' by Matt Trueman

Bertie Carvel has humanised troubled characters from criminals and adulterers to politicians and child-hating headteachers. As he prepares to star in Ink

SOURCE: The Stage Registration at 5:00am on June 22, 2017

Matt Trueman: Look to Broadway for lessons in developing new writing by Matt Trueman

In New York, musicals were the talk of this year's Tonys. Even if there was no stand-out best new musical nominee "

SOURCE: The Stage Registration at 2:00am on June 15, 2017

Donmar's all-female Julius Caesar wins New York transfer by Matt Trueman

Phyllida Lloyd's production, which places Shakespeare's tragedy in a prison, to open Brit-heavy season at St Ann's WarehouseThe Donmar Warehouse's all-female Julius Caesar will get a New Yor…

SOURCE: The Guardian at 9:04pm on June 12, 2017

Stage plight: directors and designers on handling Britain's trickiest theatres by Matt Trueman

'Inhumane' proportions, nightmarish sightlines, minuscule playing space … Top theatre figures discuss the perils " and joys " of the Swan, Lyttelton, Wanamaker Playhouse and Royal Exchange…

SOURCE: The Guardian at 8:18am on May 18, 2017

Matt Trueman: Video archives risk losing as much as they find by Matt Trueman

Daniel Craig stands up to Michael Gambon: a tough, tousled young man in a white T-shirt. His face isn't the same one

SOURCE: The Stage Registration at 2:00am on May 18, 2017

Time for another round: the rebirth of pub theatre by Matt Trueman

Boozy function rooms were once theatre's radical heart. Rising costs and the changing face of the fringe threatened all that " but pubs around Britain are pulling in audiences with their spi…

SOURCE: The Guardian at 2:06am on May 11, 2017

How Taking Flight in London Helped 'Angels in America' Soar by Matt Trueman

As Tony Kushner's masterwork reopens at the National Theater, creators of the first British production recall the intensity of working in a small space.

SOURCE: The New York Times Subscription at 12:18am on May 3, 2017

Matt Trueman: Have critics lost their appetite for hatchet jobs? by Matt Trueman

It's been ages since I wrote a real stinker: an all-out, one-star assault. When I was younger " still indignant, still stupid

SOURCE: The Stage Registration at 2:00am on April 20, 2017

Matt Trueman: What are the Seven Wonders of British Theatre? by Matt Trueman

Back in January, I wrote a love letter to the Barbican's doors and the swish that seals the space shut. Turns out

SOURCE: The Stage Registration at 3:00am on March 23, 2017

'Harder, faster, louder': how drone-pilot drama Grounded shook the world by Matt Trueman

George Brant's electric monologue Grounded was one of the first plays to explore a new form of war. The playwright, actor Lucy Ellinson and director Christopher Haydon recall creating a frin…

SOURCE: The Guardian at 5:54am on February 28, 2017

Matt Trueman: I challenged my inner theatre snob to a fight by Matt Trueman

I have of late " but wherefore I know not " lost all my critical faculties. Well, not all of them. It's

SOURCE: The Stage Registration at 2:00am on February 23, 2017

Did Daniel Day-Lewis see his father's ghost as Hamlet? That is the question … by Matt Trueman

After famously revealing that he saw his father's ghost when playing Hamlet at London's National Theatre in 1989, Day-Lewis has now denied the claimsDaniel Day-Lewis has put paid to one of t…

SOURCE: The Guardian at 12:18am on February 19, 2017
« Previous 25   Page 4 of 35   Next 25 »