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409 stories by "Luke Jennings"

The Winter's Tale review 'a ballet to keep' by Luke Jennings

For Christopher Wheeldon and for British ballet, everything was hanging on his new full-length work The Winter's Tale. Happily, for the most part it's a ravishing successThere was a moment d…

SOURCE: The Guardian at 7:05pm on April 12, 2014

La Fille mal gardée; Lest We Forget review by Luke Jennings

Mikhailovsky theatre, St Petersburg; Barbican theatre, LondonThe starry Russian company gets to grips with Frederick Ashton. And English National Ballet marks the centenary of the first worl…

SOURCE: The Guardian at 7:05pm on April 5, 2014

Kings of the Dance review " perfect pecs mask faint hearts by Luke Jennings

London ColiseumThe jewelled matrons were ecstatic, but this meeting of five hot ballet boys was sadly thin on choreographySergei Danilian is a New York-based impresario and agent who has mou…

SOURCE: The Guardian at 8:05pm on March 22, 2014

cYorke Dance Project review " dance past, present and future by Luke Jennings

A blazing triple bill at Sadler's Wells, and a triumphant debut by the teenage choreographer the Royal didn't wantLooking back at 20th-century modernist art, one is struck by the certainty i…

SOURCE: The Guardian at 7:05pm on March 8, 2014

Ballet Black review " old-school charm and cheeky Shakespeare by Luke Jennings

BB's new mixed programme at the Royal Opera House shows off the company's great strength and rangeCassa Pancho founded Ballet Black in 2001 to provide a showcase for classical dancers of bla…

SOURCE: The Guardian at 7:05pm on March 1, 2014

Border Tales; Drunk " review by Luke Jennings

Jerwood DanceHouse, Ipswich; Bridewell theatre, LondonTerrific dancers grapple with the cliches in a frustrating exploration of ethnic stereotypingLuca Silvestrini, director of Protein, is o…

SOURCE: The Guardian at 7:05pm on February 22, 2014

Rhapsody; Tetractys: The Art of Fugue; Gloria " review by Luke Jennings

Francesca Hayward and James Hay turn in a performance that crosses the years, writes Luke JenningsThere have long been arguments about the existence, or non-existence, of a definable Royal B…

SOURCE: The Guardian at 7:05pm on February 15, 2014

Running on Empty " review by Luke Jennings

Soho theatre, London No amount of creativity can triumph over a story designed by committee in Probe's latest ventureProbe is a dance project launched a decade ago by Antonia Grove and Theo …

SOURCE: The Guardian at 7:05pm on February 8, 2014

Apocrifu; Men in Motion " review by Luke Jennings

Queen Elizabeth Hall; Coliseum, LondonCherkaoui trips over his textual metaphors while Putrov enlists Johnny Cash in a whirlwind tour of the male conditionContemporary dance has long sought …

SOURCE: The Guardian at 7:05pm on February 1, 2014

Giselle " review by Luke Jennings

Royal Opera House, LondonWith her extraordinary technique and unrivalled ability to convey raw emotion, Natalia Osipova astounds in a role she has made her ownDancing the title role in Gisel…

SOURCE: The Guardian at 7:07pm on January 25, 2014

Jakop Ahlbom & Alamo Race Track: Lebensraum " review by Luke Jennings

Purcell Room, LondonAn uncanny central performance is the making of this beautifully precise workAnimated dolls are always worrying. From Coppélia to Petrouchka, from Jessie in Toy Story to…

SOURCE: The Guardian at 7:02pm on January 18, 2014

L'Après Midi d'un Foehn/Vortex " review by Luke Jennings

Platform theatre, LondonPhia Ménard's 'wind play' mimed to a Debussy score is both visually enchanting and musically appropriateThe London international mime festival opened last week with …

SOURCE: The Guardian at 7:04pm on January 11, 2014

xxx by Luke Jennings

Leeds GrandPlot precludes passion in Northern Ballet's otherwise admirable retelling of the classic fairytaleDavid Nixon, artistic director of Northern Ballet, is one the most prolific chore…

SOURCE: The Guardian at 7:05pm on December 28, 2013

Jewels; The Little Match Girl " review by Luke Jennings

Royal Opera House, London; Jerwood Dance House, IpswichThe perfect poise of Marianela Nuñez rounds off a dazzling Jewels. And the Little Match Girl is alive and well in IpswichJewels, cre…

SOURCE: The Guardian at 7:05pm on December 21, 2013

The best dance of 2013: Luke Jennings's choice by Luke Jennings

There were dark days in Russia but plenty to write home about elsewhere, including a star defection from London to… LondonRead the Observer critics' reviews of the year in full hereA Russi…

SOURCE: The Guardian at 7:05pm on December 21, 2013

The Nutcracker " review by Luke Jennings

Coliseum, LondonAt the heart of English National Ballet's beautiful, confusing Nutcracker is the dazzling partnership between Daria Klimentova and Vadim MuntagirovWayne Eagling's production …

SOURCE: The Guardian at 7:06pm on December 14, 2013

Shobana Jeyasingh: Strange Blooms and Configurations " review by Luke Jennings

Queen Elizabeth Hall, LondonJeyasingh's Darwinian contemplation on plant life is frantic with activityYou never know what to expect from Shobana Jeyasingh. Over the 25-year course of her cho…

SOURCE: The Guardian at 7:07pm on December 7, 2013

Mark Morris Dance Group " review by Luke Jennings

Sadler's Wells, LondonIt's technically superb, but is Mark Morris's work just too joyful?Great choreographers offer us visions of paradise. Sometimes these are celestial, as in Frederick Ash…

SOURCE: The Guardian at 7:05pm on November 30, 2013

Michael Clark Company; Cloud dance festival " review by Luke Jennings

Barbican; Bernie Grant Arts Centre, LondonMichael Clark is eclipsed by new talent at Cloud dance festivalIn the opening moments of Michael Clark's current, unnamed programme, Julie Cunningha…

SOURCE: The Guardian at 7:06pm on November 23, 2013

Alina Cojocaru: 'Now I've cut the ropes that were holding me, I can experiment' by Luke Jennings

Star dancer Alina Cojocaru on leaving the Royal Ballet for English National Ballet, the pleasures of touring and taking risks " and the one thing that would make life better right now…For …

SOURCE: The Guardian at 7:05pm on November 23, 2013

Royal Ballet: Triple bill: Chroma/The Human Seasons/The Rite of Spring; Romeo and Juliet " review by Luke Jennings

The abiding image of Royal Ballet's triple bill is of manhandled womenThe Human Seasons, David Dawson's new work for the Royal Ballet, is almost as demanding of its audience's attention as i…

SOURCE: The Guardian at 7:05pm on November 16, 2013

Richard Alston Dance Company " review by Luke Jennings

Barbican, LondonRichard Alston embraces Benjamin Britten's formal vision at a costIn Greek myth Phaedra is the wife of Theseus, who falls in love with her stepson, Hippolytus, and when he re…

SOURCE: The Guardian at 7:02pm on November 9, 2013

Sun " review by Luke Jennings

Sadler's Wells, LondonHofesh Shechter's trademark interplay of politics and humour steers too close to whimsy in this lively new workHofesh Shechter's new work, Sun, kicks off with a typical…

SOURCE: The Guardian at 8:06pm on November 2, 2013

The 10 best dance numbers in films by Luke Jennings

From Bande à part to Little Miss Sunshine, Observer dance critic Luke Jennings picks his favourite dance numbers in filmsLuke Jennings

SOURCE: The Guardian at 1:00pm on November 2, 2013

Le Corsaire " review by Luke Jennings

Milton Keynes theatreWith Le Corsaire " and its new star dancer " Tamara Rojo delivers in style for English National BalletLe Corsaire is the first full-length ballet commissioned by Tamara …

SOURCE: The Guardian at 7:07pm on October 19, 2013
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