The abiding image of Royal Ballet's triple bill is of manhandled womenThe Human Seasons, David Dawson's new work for the Royal Ballet, is almost as demanding of its audience's attention as it is of its cast's stamina and technique. Notionally taking its lead from Keats's poem of the same name, the ballet veers at times into an exploration of recent evolutions in classical dance, a subject on which Dawson, whose perfo…
SOURCE: The Guardian at 07:05PM on November 16, 2013