A blazing triple bill at Sadler's Wells, and a triumphant debut by the teenage choreographer the Royal didn't wantLooking back at 20th-century modernist art, one is struck by the certainty it embodies. The writing of Eliot, the music of Ives and Stravinsky, the sculpture of Moore, the painting of Rothko. Even at its most experimental it has mass and authority; it is never tentative. Modernist choreography shares thes…
SOURCE: The Guardian at 07:05PM on March 8, 2014